June 18, 2024

Kaffee Und Kuchen – Sahnestücke (Album – Krater Recordings)

🇺🇦 Side-Line stands with Ukraine - Show your Support

Genre/Influences: Experimental, noise, abstract, industrial.

Format: Digital, CD.

Background/Info: There’s less info available about this record. Kaffee Und Kuchen is a Polish noise project, which has performed at some famous industrial festivals such as “Maschinenfest”. This work features 21 songs, but is it all about collaborations with other artists? Remixes? Live takes? Mystery!

Content: The work features 21 songs and a nice selection of artists such as Philipp Münch, Graubrot, Carsten Vollmer, Hypnoskull, Emerge, Beinhaus ao plus Kaffe Und Kuchen. The influences are quite diversified, but the abstract-, experimental- and noise genres are mainly featured.

+ + + : The concept and cover of this work both are intriguing. Sound-wise I’m more into the industrial-like tracks and I again was impressed by the retro-industrial style of Beinhaus. Philipp Münch’s minimal-experimental electro-like cut is also worthy of examination. One of the most surprising and unique cuts of the album is the one by Graubrot, which has something industrial hip-hop like. Gehirn.Implosion might get the award of most original project for their kind of noise-techno contribution. Hypnoskull still stands for exciting industrial sounds. I also noticed a cool rhythmic-noise track by Kaffee Und Kuchen.

– – – : This is extreme music for a very restricted number of music lovers, but the good thing about it, is the diversity.

Conclusion: Some releases have something enigmatic and that’s precisely what I experienced listening to “Sahnestücke”, but it will for sure appeal for visitors of “Maschinenfest”.

Best artists: Beinhaus, Philipp Münch, Graubrot, Hypnoskull, Gehirn.Implosion, Kaffee Und Kuchen.

Rate: (6).

Artist: www.facebook.com/KaffeeundKuchenNOISE

Label: http://krater.audiophob.de /


author avatar
Inferno Sound Diaries
I have been working for over 30 years with Side-line as the main reviewer. My taste is eclectic, uncoventional and I prefer to look for the pearls, even if the bands are completely unknown, thus staying loyal to the Side-Line philosophy of nurturing new talents.

Since you’re here …

… we have a small favour to ask. More people are reading Side-Line Magazine than ever but advertising revenues across the media are falling fast. Unlike many news organisations, we haven’t put up a paywall – we want to keep our journalism as open as we can - and we refuse to add annoying advertising. So you can see why we need to ask for your help.

Side-Line’s independent journalism takes a lot of time, money and hard work to produce. But we do it because we want to push the artists we like and who are equally fighting to survive.

If everyone who reads our reporting, who likes it, helps fund it, our future would be much more secure. For as little as 5 US$, you can support Side-Line Magazine – and it only takes a minute. Thank you.

The donations are safely powered by Paypal.

Select a Donation Option (USD)

Enter Donation Amount (USD)

Verified by MonsterInsights