Empty Chalice / Cactus Dildo – Split Album (Album – Industrial Ölocaust Recordings)
Genre/Influences: Soundscape, Dark-Ambient, Noise, Industrial.
Format: Digital, CD, Cassette.
Background/Info: This is a split release between Italian projects. Empty Chalice has already released several productions while this is the first work released by Cactus Dildo.
Content: Empty Chalice has been featured by 2 extended cuts which are moving into the fields of Dark-Ambient and Soundscape. Both cuts are driven by a dark soundwave with some extra noises on top. Cactus Dildo has accomplished 4 tracks. They experiment with heavy distorted noises and voice effects at one side but also with a more ‘structured’ and dark work at the other side.
+ + + : The contrast between both projects is noticeable although interesting and complementary. I like the debut track of Empty Chalice which has been progressively built up and holds you in its grip for 10 minutes. Both last cuts from Cactus Dildo are definitely my favorites. The sound has something perverted and tormented with ghost-like vocals on top. It reminds me a bit of the minimalism from Sleepchamber.
– – – : Both debut tracks by Cactus Dildo sound more improvised and without real structure.
Conclusion: This work is not what I would call groundbreaking but Empty Chalice has accomplished a cool soundscape while the minimalism and haunted sphere created by Cactus Dildo is fascinating.
Best songs: Empty Chalice: “Schisma” + Cactus Dildo: “Diary Of An Old Pervert”.
Rate: 7.
Artists: www.facebook.com/EmptyChaliceFBOfficial / www.cactusdildo.bandcamp.com
Label: https://cardinium.com / www.facebook.com/iorecs
Since you’re here …
… we have a small favour to ask. More people are reading Side-Line Magazine than ever but advertising revenues across the media are falling fast. Unlike many news organisations, we haven’t put up a paywall – we want to keep our journalism as open as we can - and we refuse to add annoying advertising. So you can see why we need to ask for your help.
Side-Line’s independent journalism takes a lot of time, money and hard work to produce. But we do it because we want to push the artists we like and who are equally fighting to survive.
If everyone who reads our reporting, who likes it, helps fund it, our future would be much more secure. For as little as 5 US$, you can support Side-Line Magazine – and it only takes a minute. Thank you.
The donations are safely powered by Paypal.
