EMMON gets ‘Speak to Me’ remixed by The Foreign Resort
Swedish artist EMMON’s track “Speak to Me” gets a new remix by Copenhagen post-punk trio The Foreign Resort, out 24 July on Icons Creating Evil Art.
Swedish darkwave and synth artist EMMON’s track “Speak to Me (The Foreign Resort Remix)” is released on 24 July 2026 on Icons Creating Evil Art. The new version comes from Copenhagen post-punk and shoegaze trio The Foreign Resort and is the second remix to surface from EMMON’s upcoming remix album “ICONMIXED”, following an earlier version by Swiss-German duo SIIE.
The Foreign Resort commented on reworking the track: “What do you do when the song you’re remixing already sounds amazing? You change it from electronic to analogue and add layers of reverb and distortion! And of course a Slayer-inspired guitar solo. Because it fits the song, and because we love metal!”
“Speak to Me” was written by Emma Maria Nylén, André Winter and Anne-Marie Pappas, with lyrics by Emma Nylén. The remix can be pre-saved now via found.ee ahead of its release.
About EMMON
EMMON is the solo project of Swedish artist and producer Emma Nylén, conceived in 2001 as an art project while she was studying at Konstfack in Stockholm. She first gained recognition with the group Paris before continuing her musical path as EMMON, developing a sound that mixes EBM, synth-pop and darkwave with melodic, 1980s-referencing electronics. Her 2022 album “RECON” was followed by the 2024 EP “XCEPTION” and the album “ICON”, co-produced with Jimmy Monell. EMMON’s upcoming remix album “ICONMIXED” reworks tracks from her recent catalogue with contributions from acts including SIIE and The Foreign Resort.
About The Foreign Resort
The Foreign Resort formed in 2009 in Copenhagen, Denmark. The trio, made up of Mikkel Borbjerg Jakobsen on vocals, Steffan Petersen on bass and Morten Hansen on drums, has played more than 600 shows across North America and Europe, including SXSW, Iceland Airwaves, Cold Waves Festival, Wave Gotik Treffen and Amphi Festival. The band’s sound combines post-punk and shoegaze with a driving, dark production style.
Chief editor of Side-Line – which basically means I spend my days wading through a relentless flood of press releases from labels, artists, DJs, and zealous correspondents. My job? Strip out the promo nonsense, verify what’s actually real, and decide which stories make the cut and which get tossed into the digital void. Outside the news filter bubble, I’m all in for quality sushi and helping raise funds for Ukraine’s ongoing fight against the modern-day axis of evil. Besides music I’m also an SEO and AI content flow specialist and have an interest in everything finance from stocks to crypto. There is music in everything!
Since you’re here …
… we have a small favour to ask. More people are reading Side-Line Magazine than ever but advertising revenues across the media are falling fast. Unlike many news organisations, we haven’t put up a paywall – we want to keep our journalism as open as we can - and we refuse to add annoying advertising. So you can see why we need to ask for your help.
Side-Line’s independent journalism takes a lot of time, money and hard work to produce. But we do it because we want to push the artists we like and who are equally fighting to survive.
If everyone who reads our reporting, who likes it, helps fund it, our future would be much more secure. For as little as 5 US$, you can support Side-Line Magazine – and it only takes a minute. Thank you.
The donations are safely powered by Paypal.
