Elektrotechnik – Elektro Macht (EP – A-Traction)

COVER A-TRACTION (3000 × 3000 px)
Genre/Influences: Technoid, Electroclash, Minimal-Electro.
Format: Digital.
Background/Info: “Elektro Macht” is the third EP by a mysterious, masked, German producer.
Content: The EP features 4 danceable cuts driven by solid bass lines and vintage drum sections. The songs are supported by retro-strings while you’ll also notice a few robotic vocals.
+ + + : Elektrotechnik brings different influences like Electroclash, Electro-Wave and pure Minimal-Electro together. You’ll get 4 different songs with a huge potential. The vintage -analogue sound treatments have something magical, which mainly emerge in the string parts.
– – – : From a very personal point of view I regret there are no more spoken samplings and/or vocal effects.
Conclusion: This is a great and refreshing production for fine tasting club visitors.
Best songs: “Elektro Macht”, “Illusion”.
Rate: 8.
Label: www.facebook.com/A.TRACTION.Records
About Elektrotechnik
Elektrotechnik is an electronic producer based in Germany who performs masked and has not disclosed a name. The project started on the French label A-Traction Records with the “Innovation” EP in 2021, followed by “Scenario” earlier in 2022.
A-Traction Records issued “Elektro Macht” on 20 July 2022 as a four-track digital EP holding “Elektro Macht”, “Illusion”, “Omega” and “Statik”. The producer stayed with the label for “Schein Welt” and “Fanatique” in 2023 and “Machinations EP” in 2024, and also released “Exzess EP” and “No Influence EP” through Fanzine Records, the self-released “Form” in 2024, “E-Highway” on CHP Recordings in 2025 and “Kontrast EP” on Gladio Operations in 2025. A joint EP with Intergalactic Noize Commander, “Made In Germany”, followed as well.
Support Side-Line
More people read Side-Line than ever, and there is still no paywall and no advertising. Readers pay for it instead - from $5 a month.
Why we ask
Advertising revenues across the media are falling fast. Unlike many news organisations we have not put up a paywall, and we refuse to add annoying advertising, so we need to ask for your help. Side-Line’s independent journalism takes time, money and hard work to produce, and we do it to push the artists we like, who are equally fighting to survive.
Handled by PayPal.

I have been working for over 30 years with Side-line as the main reviewer. My taste is eclectic, uncoventional and I prefer to look for the pearls, even if the bands are completely unknown, thus staying loyal to the Side-Line philosophy of nurturing new talents.
