Genre/Influences: Experimental, Abstract, Dark-Ambient.
Format: Digital, CD.
Background/Info: This is a split album featuring one track by Edward Sol and another one by Anla Courtis. Both artists know each other from the past having swapped recordings together.
Content: The common thread between both artists is the use of field recordings. Edward Sol recorded his sounds and noises in Ukraine while Anla Courtis did it in Argentina. You clearly notice the abstract sound of these noises which have been transposed into an Ambient style.
+ + + : A work with a concept and an interesting production for the way both artists are first collecting noises to swap them with each other and finally resulting into a dark production. Both cuts have a strong visual strength. I personally prefer Edward Sol’s track for its boiling sound waves and expressive field recordings from nature. I also have to say a word about the artistic artwork of the CD format.
– – – : This kind of work remains hardly accessible for a wider audience.
Conclusion: An interesting collaboration and exchange from two artists dealing with a passion for field recordings and the impressions it might create by the listeners.
Best songs: “Askanian Virgin Part I”.
Since you’re here …
… we have a small favour to ask. More people are reading Side-Line Magazine than ever but advertising revenues across the media are falling fast. Unlike many news organisations, we haven’t put up a paywall – we want to keep our journalism as open as we can - and we refuse to add annoying advertising. So you can see why we need to ask for your help.
Side-Line’s independent journalism takes a lot of time, money and hard work to produce. But we do it because we want to push the artists we like and who are equally fighting to survive.
If everyone who reads our reporting, who likes it, helps fund it, our future would be much more secure. For as little as 5 US$, you can support Side-Line Magazine – and it only takes a minute. Thank you.
The donations are safely powered by Paypal.