Die Krupps announce tour-exclusive EP ‘Will nicht – MUSS! / On Collision Course’ and new single ‘On Collision Course’ (Dependent)

Die Krupps (Photo by Thomas Ecke)
Industrial metal/EBM group Die Krupps will sell a hand-numbered, tour-exclusive EP titled “Will nicht – MUSS! / On Collision Course” on their 45th-anniversary European dates, which begin August 27, 2025 at DVG Club, Kortrijk (Belgium). As a first preview of the EP and the next full-length, the band has released the digital single “On Collision Course” via Dependent Records.
Watch the official visualizer below.
Die Krupps recently signed a multi-album deal with Dependent; a new studio album is also confirmed for 2026 alongside catalogue reissues.
Die Krupps live tour dates
All dates feature Johnny Tupolev; special guests vary by city as indicated below.
- 27 Aug 2025 — Kortrijk (BE), DVG Club
- 28 Aug 2025 — Düsseldorf (DE), Zakk*
- 29 Aug 2025 — Frankfurt (DE), Zoom*
- 30 Aug 2025 — Hamburg (DE), Uebel & Gefährlich*
- 31 Aug 2025 — Herford (DE), Kulturwerk#
- 02 Sep 2025 — Warszawa (PL), Hybrydy***
- 03 Sep 2025 — Krakow (PL), Hype Park***
- 05 Sep 2025 — München (DE), Backstage Halle*
- 06 Sep 2025 — Lindau (DE), Club Vaudeville*
- 07 Sep 2025 — Ljubljana (SI), Orto Hall***
- 09 Sep 2025 — Budapest (HU), Dürer Kert***
- 10 Sep 2025 — Wien (AT), Szene**
- 11 Sep 2025 — Praha (CZ), Rock Cafe***
- 12 Sep 2025 — Leipzig (DE), Hellraiser*
- 13 Sep 2025 — Nürnberg (DE), Hirsch*
- 14 Sep 2025 — Berlin (DE), Columbia Theater*
- 16 Sep 2025 — Stockholm (SE), Nalen***
- 17 Sep 2025 — København (DK), Pumpehuset***
- 18 Sep 2025 — Hannover (DE), Musikzentrum*
- 19 Sep 2025 — Oberhausen (DE), Kulttempel*
- 20 Sep 2025 — Uden (NL), De Pul***
- 21 Sep 2025 — London (UK), The Dome***
- 23 Sep 2025 — Aachen (DE), Musikbunker#
- 24 Sep 2025 — Paris (FR), Petit Bain***
- 25 Sep 2025 — Trier (DE), Forum*
- 26 Sep 2025 — Pratteln (CH), Z7*
- 27 Sep 2025 — Stuttgart (DE), Im Wizemann#
- 28 Sep 2025 — Dresden (DE), Beatpol*
* Schattenmann / # Erdling / ** Dymytry / *** Jesus On Extasy
About Die Krupps
Die Krupps formed in Düsseldorf, Germany, in 1980. The original lineup centered on Jürgen Engler (founder, composer) and Bernward Malaka, soon joined by Ralf Dörper. Engler had just come out of the Düsseldorf punk unit Male, while Dörper would later co-found Propaganda. The band name nods to the Krupp steel dynasty and the sonic world of metal, factories, and hard rhythm that defined the early aesthetic.
Early recordings landed on Alfred Hilsberg’s ZickZack label, including the debut “Stahlwerksynfonie” (1981), tracked at Can’s Inner Space Studio (with Holger Czukay in attendance). The 12″ “Wahre Arbeit – Wahrer Lohn” (1981) pushed metallic percussion and machine pulse into club context. “Volle Kraft voraus!” (1982) moved further toward sequenced synths; it appeared via WEA, not ZickZack.
“Entering the Arena” (1985) introduced English-language material and a polished, Fairlight-heavy approach, with Simple Minds drummer Mel Gaynor guesting on sessions that yielded the single “Risk.” After this phase, Engler focused on his Atom-H label, paving the way for the band’s 1990s reboot.
In 1989, Die Krupps reworked “Wahre Arbeit – Wahrer Lohn” with Nitzer Ebb as “The Machineries of Joy”, a bridge between early EBM minimalism and the band’s coming hybrid era. From 1992 onward, they fused EBM programming with metal guitars on “I” (1992) and “II – The Final Option” (1993); the latter featured Heathen/Exodus guitarist Lee Altus and drummer Darren Minter. The same period produced the “A Tribute to Metallica” EP, covering “Enter Sandman”, “Nothing Else Matters”, “Blackened”, “Battery” and “For Whom the Bell Tolls”, all mixed with John Fryer. “III – Odyssey of the Mind” (1995) and “Paradise Now” (1997) completed the first metal-leaning cycle.
After disbanding in 1997, Engler launched DKay.com, releasing “Decaydenz” (2000) and “Deeper into the Heart of Dysfunction” (2002), before Die Krupps re-activated in the mid-2000s.
The 2010s saw the band returning to the studio, resulting in such releases as “The Machinists of Joy” (2013) and “Vision 2020 Vision” (2019). The band also issued the covers set “Songs from the Dark Side of Heaven” in 2021 and released the archival 1981 live document “The Big Industrial Bang” on CD/DVD.
Guitarist Dylan Smith (ex–The Sisters of Mercy live) joined in 2024, and the band toured North America with Ministry in May 2025, their first U.S. run since 2018. In August 2025 they inked a new multi-album deal with Dependent Records, with a new album slated for 2026.
The current lineup includes Jürgen Engler (vocals, keyboards, guitars, steelophone), Ralf Dörper (keyboards), Paul Keller (drums), and Dylan Smith (guitars).
Chief editor of Side-Line – which basically means I spend my days wading through a relentless flood of press releases from labels, artists, DJs, and zealous correspondents. My job? Strip out the promo nonsense, verify what’s actually real, and decide which stories make the cut and which get tossed into the digital void. Outside the news filter bubble, I’m all in for quality sushi and helping raise funds for Ukraine’s ongoing fight against the modern-day axis of evil.
Since you’re here …
… we have a small favour to ask. More people are reading Side-Line Magazine than ever but advertising revenues across the media are falling fast. Unlike many news organisations, we haven’t put up a paywall – we want to keep our journalism as open as we can - and we refuse to add annoying advertising. So you can see why we need to ask for your help.
Side-Line’s independent journalism takes a lot of time, money and hard work to produce. But we do it because we want to push the artists we like and who are equally fighting to survive.
If everyone who reads our reporting, who likes it, helps fund it, our future would be much more secure. For as little as 5 US$, you can support Side-Line Magazine – and it only takes a minute. Thank you.
The donations are safely powered by Paypal.


