In February 2014 Die Krupps started the ‘The Machinists Of Joy’ tour including 12 dates…
In February 2014 Die Krupps started the ‘The Machinists Of Joy’ tour including 12 dates to present their first studio album of the new millennium. Out by June will be the DVD & Blu-ray (both including a 2CD) “Live Im Schatten Der Ringe” showing the band‘s live gig headlining the sold out E-tropolis Festival in Oberhausen (Germany) on February 22nd, 2014.
Die Krupps was formed in 1980 by Jürgen Engler and Bernward Malaka in Düsseldorf. Ralf Dörper who was part of the initial line-up which created the highly acclaimed early recordings “Stahlwerksynfonie” and “Wahre Arbeit Wahrer Lohn” in 1981 left the band in 1982 to found the band Propaganda. In 1989 Ralf Dörper initiated a collaboration with Nitzer Ebb on an old Die Krupps track (i.e. “Machineries of Joy”, a cover of “Wahre Arbeit Wahrer Lohn”) which he produced together with Jürgen Engler. They would release 10 albums between 1980 and 2015 with the last one being “V – Metal Machine Music” from 2015.
CD1:
01 Intro 02 Blick zurück im Zorn 03 Dawning of Doom 04 Risikofaktor 05 Im falschen Land 06 Essenbeck 07 Der Amboss 08 The Machinist of Joy 09 Part of the Machine
CD2:
01 Industrie-Mädchen 02 Schmutzfabrik 03 Robo Sapien 04 Metal Machine Music 05 To the Hilt 06 Nazis auf Speed 07 Fatherland 08 Machineries of Joy 09 Crossfire
DVD/BLU-RAY:
01 Intro 02 Blick zurück im Zorn 03 Dawning of Doom 04 Risikofaktor 05 Im falschen Land 06 Essenbeck 07 Der Amboss 08 The Machinist of Joy 09 Part of the Machine 10 Industrie-Mädchen 11 Schmutzfabrik 12 Robo Sapien 13 Metal Machine Music 14 To the Hilt 15 Nazis auf Speed 16 Fatherland 17 Machineries of Joy 18 Crossfire
Since you’re here …
… we have a small favour to ask. More people are reading Side-Line Magazine than ever but advertising revenues across the media are falling fast. And unlike many news organisations, we haven’t put up a paywall – we want to keep our journalism as open as we can. So you can see why we need to ask for your help.
Side-Line’s independent journalism takes a lot of time, money and hard work to produce. But we do it because we want to push the artists we like and who are equally fighting to survive.
If everyone who reads our reporting, who likes it, helps fund it, our future would be much more secure. For as little as 5 US$, you can support Side-Line Magazine – and it only takes a minute. Thank you.
The donations are safely powered by Paypal.
This website uses cookies to improve your experience. We'll assume you're ok with this, but you can opt-out if you wish. Cookie settingsACCEPT
Privacy & Cookies Policy
Privacy Overview
This website uses cookies to improve your experience while you navigate through the website. Out of these cookies, the cookies that are categorized as necessary are stored on your browser as they are essential for the working of basic functionalities of the website. We also use third-party cookies that help us analyze and understand how you use this website. These cookies will be stored in your browser only with your consent. You also have the option to opt-out of these cookies. But opting out of some of these cookies may have an effect on your browsing experience.
Necessary cookies are absolutely essential for the website to function properly. This category only includes cookies that ensures basic functionalities and security features of the website. These cookies do not store any personal information.
Any cookies that may not be particularly necessary for the website to function and is used specifically to collect user personal data via analytics, ads, other embedded contents are termed as non-necessary cookies. It is mandatory to procure user consent prior to running these cookies on your website.