In 1981 the Düsseldorf band Die Krupps (Jürgen Engler, Bernward Malaka, Ralf Dörper) released “Stahlwerksinfonie” (Steelworks Symphony) mixing EBM and industrial rock. 35 years later, a new version of “Stahlwerkrequiem” is hitting the shops, recorded with Krautrock musicians Mani Neumeier (Guru Guru), Jean-Hervé Peron and Zappi Diermaier (Faust), Pyrolator (Der Plan) and US postrock musician Scott Telles.
Jürgen Engler recalls: “The idea was to do the impossible, reinvent the wheel and create something which had never been done before. When Bernward Malaka and I came up with the idea for the “Stahlwerksinfonie”, we had little knowledge of the experimental excursions of early Krautrockers like Guru Guru or Faust. Those bands had been at the forefront of a musical revolution inspired by Jazz, Free Jazz, Frank Zappa, Jimi Hendrix and the worldwide escalation of conflicts in 1968.
Our approach was modern, industrial and purely atonal. We wanted to push the envelope of musical boundaries. Listening to Lou Reed’s “Metal Machine Music” almost every day, the “Stahlwerksinfonie” turned out as unconventional, radical and dark as intended, with the shows usually ending in total chaos. Mission accomplished.
As I started digging deeper into the past of early 70s German Underground music in the late 80s, I discovered that there were bands who had also tried to break away from the musical past and explore the possibilities of ambience and noise, like Cluster. Their song “Live in der Fabrik” from the 1972 album “Cluster II” can be called the forerunner of what was to become Industrial in the early 1980s. Had I been aware of the track in 1980, I would have probably stepped back from the idea of doing the “Stahlwerksinfonie”. Fortunately I did not. Many years later, in the meantime having produced records and become friends with some of the original Krautrock artists, like Mani Neumeier of Guru Guru, Jean-Hervé Peron and Zappi Diermaier of Faust, Dieter Moebius of Cluster, Chris Karrer of Amon Düül, the idea grew on me to record an all new version of the “Stahlwerksinfonie”.
What could be more inspiring than bringing together some of those free spirited minds? I told Mani about it when he came to visit me in the U.S. He liked my plan, and so we went ahead and recorded the basics together with Scott Telles from Texan Postrock bands My Education and ST37. The sessions had the same intensity as the recording session at Can’s Inner Space studio in 1981, where the original Stahlwerksinfonie was recorded. After the tracks were mixed, we brainstormed over who would be the perfect addition to the project. We immediately thought of Jean- Hervé and Zappi of Faust, and also of an old friend from early Düsseldorf Punk days, Pyrolator. He would be the missing link between early avant-garde and the later electronic Die Krupps. Full circle.”
In related news, don’t forget the “The Remix Wars” by Die Krupps vs Front Line Assembly which has now been remastered and re-released on vinyl!
Since you’re here … … we have a small favour to ask. More people are reading Side-Line Magazine than ever but advertising revenues across the media are falling fast. And unlike many news organisations, we haven’t put up a paywall – we want to keep our journalism as open as we can. So you can see why we need to ask for your help. Side-Line’s independent journalism takes a lot of time, money and hard work to produce. But we do it because we want to push the artists we like and who are equally fighting to survive. If everyone who reads our reporting, who likes it, helps fund it, our future would be much more secure. For as little as 2 US$, you can support Side-Line Magazine – and it only takes a minute. Thank you. The donations are safely powered by Paypal.