July 11, 2024

Desiderii Marginis – Deadbeat 2018 (CD Album – Cyclic Law)

🇺🇦 Side-Line stands with Ukraine - Show your Support

Genre/Influences: Dark-ambient.

Background/Info: This album from Johan Levin aka Desiderii Marginis was originally released on Cold Meat Industry in 2001 and featured 10 songs. It also became a work that increased the recognition of this dark-ambient composer from Sweden. Next to the recently released new opus “Vita Arkivet”, “Deadbeat 2018” will take us back in history. The work has been remastered and the CD format features 2 extra songs (that were already available on a digital re-release from 2014).

Content: When you listen to this album nearly 20 years after its original release you rapidly understand why Desiderii Marginis became a reference in the dark-ambient music genre. “Hardbeat” features all essential elements of great dark-ambient music; overwhelming, anguishing atmospheres, drones, industrial sound treatments, spooky-whispering vocal passages and obscure field recordings (or samplings).

+ + + : “Hardbeat” feels a bit like waiting in front of the gates of hell. It’s an anguishing sound experience tickling men’s fantasy to move throughout unknown fields. This is great sonic darkness composed with noticeable industrial sound treatments and ghost-like sound waves. The drones are injecting an extra scary touch. The album is also diversified featuring one great track after the other.

– – – : In my humble opinion, Desiderii Marginis never has been a stereotypical dark-ambient project. It always is a wider mix of influences and that’s why it sounds a bit unique.

Conclusion: There’s nothing wrong with re-releasing masterpieces! “Deadbeat 2018” still has its original magic!

Best songs: “Deadbeat I”, “A Bolt Out Of The Blues”, “In harm’s Way”, “Mantrap”, “Unlcean”.

Rate: (8).

Artist: www.desideriimarginis.net / www.facebook.com/DesideriiMarginis-172940436056471 

Label: www.cycliclaw.com / www.facebook.com/cycliclaw

author avatar
Inferno Sound Diaries
I have been working for over 30 years with Side-line as the main reviewer. My taste is eclectic, uncoventional and I prefer to look for the pearls, even if the bands are completely unknown, thus staying loyal to the Side-Line philosophy of nurturing new talents.

Since you’re here …

… we have a small favour to ask. More people are reading Side-Line Magazine than ever but advertising revenues across the media are falling fast. Unlike many news organisations, we haven’t put up a paywall – we want to keep our journalism as open as we can - and we refuse to add annoying advertising. So you can see why we need to ask for your help.

Side-Line’s independent journalism takes a lot of time, money and hard work to produce. But we do it because we want to push the artists we like and who are equally fighting to survive.

If everyone who reads our reporting, who likes it, helps fund it, our future would be much more secure. For as little as 5 US$, you can support Side-Line Magazine – and it only takes a minute. Thank you.

The donations are safely powered by Paypal.

Select a Donation Option (USD)

Enter Donation Amount (USD)

Verified by MonsterInsights