April 12, 2024

Dead Astropilots – New Control (Vinyl Album – Manic Depression Records)

0
🇺🇦 Side-Line stands with Ukraine - Show your Support

Genre/Influences: Electro-wave, dark-pop.

Background/Info: We here welcome a duo from the Northern part of France unleashing their debut album. Manic Depression Records clearly seems to be the appropriate label for this band inspired by elements of electro-wave, cold-wave, post-punk and related genres.

Content: “New Control” is a production inspired by the magic of the 80s music. Guitar and electronics create a perfect harmony of darkness joined by the somewhat cold and sterile female vocals of Rachel Biggs. Simon DAK is singing as well, but mainly playing the guitar awakens good-old cold-wave demons, which might remind you of bands such as The Cure, New Order, Poésie Noire ao.

+ + + : Dead Astropilots sounds pure vintage-like although with a little and more contemporary flavor on top of the songs. Even if it sounds old-school like the songs are also refreshing, reminding us the magic of the 80s. There’s this impressive duality between coldness and a kind of sterile sensuality resulting in a depressed, but enjoyable dark-pop music. The guitar parts are great and definitely one of the most essential aspects of the production. The album features 10 songs, but especially the last cuts from the B-side are absolutely brilliant.

– – – : I don’t see real minus points at this work!

Conclusion: “New Control” is a phenomenal debut for Dead Astropilots. It’s a styled and nostalgic piece of music, which I highly recommend for all lovers of 80s new-wave/cold-wave and related genres.

Best songs: “Go Home”, “Wild Fever”, “Gimme Some”, “Libertine Patrol”, “Soulbeats (Live)”,“Giallo”.

Rate: (8).

Artist: www.deadastropilots.com / www.facebook.com/DeadAstropilots-118106761577325

Label: www.manicdepressionrecords.com / www.facebook.com/manicdepressionrecords

author avatar
Inferno Sound Diaries
I have been working for over 30 years with Side-line as the main reviewer. My taste is eclectic, uncoventional and I prefer to look for the pearls, even if the bands are completely unknown, thus staying loyal to the Side-Line philosophy of nurturing new talents.

Since you’re here …

… we have a small favour to ask. More people are reading Side-Line Magazine than ever but advertising revenues across the media are falling fast. Unlike many news organisations, we haven’t put up a paywall – we want to keep our journalism as open as we can - and we refuse to add annoying advertising. So you can see why we need to ask for your help.

Side-Line’s independent journalism takes a lot of time, money and hard work to produce. But we do it because we want to push the artists we like and who are equally fighting to survive.

If everyone who reads our reporting, who likes it, helps fund it, our future would be much more secure. For as little as 5 US$, you can support Side-Line Magazine – and it only takes a minute. Thank you.

The donations are safely powered by Paypal.

Select a Donation Option (USD)

Enter Donation Amount (USD)

Verified by MonsterInsights