Genre/Influences: Experimental, industrial, cinematographic.
Background/Info: After a few albums released on CDR and vinyl, this is the second official CD released by Leicester (UK) based solo-project Colossloth.
Content: Colossloth experimented with a wide arsenal of influences, moving from heavy industrial outburst towards dark, dreamy cinematographic passages. It can be now a bit relaxing and next abstract and into experimentalism to finally reach a heavy industrial/noise style. “Heathen Needles” is an album bringing extremes together.
+ + + : There’s a huge diversity of influences running through this work, but the artist seems to feel comfortable with most of these influences. I enjoy the somewhat psychedelic-noise driven title track, but still the more ambient and abstract-like “We Had A Pact” and the more industrial orientated “Forcing The Error”. I also noticed a kind alchemy in the sound treatments like an artist who’s decomposing and reconstructing sounds. So in the end it’s an album that might please numerous freaks of extreme music genres.
– – – : I don’t have any problem with the diversity of the work, but I can imagine some listeners will miss coherence. There’s a huge contrast between some of the influences, but we all have to admit it can be still seen as a rather positive aspect.
Conclusion: “Heathen Needles” makes me think to a compilation revealing the wider sound canvas Colossloth is driven by.
Best songs: “Heathen Needles”, “We Had A Pact”, “A Place Where Your Dreams Can Die Alone”.
Rate: (7).
Artist: www.facebook.com/colossloth
Label: www.coldspring.co.uk / www.facebook.com/coldspringhq
Since you’re here … … we have a small favour to ask. More people are reading Side-Line Magazine than ever but advertising revenues across the media are falling fast. And unlike many news organisations, we haven’t put up a paywall – we want to keep our journalism as open as we can. So you can see why we need to ask for your help. Side-Line’s independent journalism takes a lot of time, money and hard work to produce. But we do it because we want to push the artists we like and who are equally fighting to survive. If everyone who reads our reporting, who likes it, helps fund it, our future would be much more secure. For as little as 2 US$, you can support Side-Line Magazine – and it only takes a minute. Thank you. The donations are safely powered by Paypal.
Tags:
