Kolja Trelle is not exactly what I would qualify as a ‘traditional’ electronic artist. His…
Kolja Trelle is not exactly what I would
qualify as a ‘traditional’ electronic artist. His debut album “Sound Pressure”
released in 2003 on Out Of Line revealed a real sonic challenge consisting of
EBM and industrial music mixed with techno music. The next full lengths “Mask”
(2007) and “Noistyle” (2010) both released on Infacted Recordings only
confirmed this open-minded approach; dark electronic music without borders, but
the most important thing about it all, is that dark-electronic fans liked it.
After a hiatus of eight years Kolja Trelle went back into business and started
composing new material. The digital EP’s “N”, “O” and “X” served as teasers to
the new album “NOX” released on Trisol. This production sounds as the ultimate
offspring between different influences and got an instant enthusiastic
feedback. SOMAN is back!
Q: “Nox” is the first new Soman album
since “Noistyle” (2010) although you remained active as DJ and did a few
remixes, right? I can imagine such a break can be very prolific when it comes
to creativity. How do you look back at this ‘break’ as composer and what has
been the ‘click’ to compose a new full length?
Kolja: This break was in fact something
like a writer´s blockade, due to a lot of changes going on at the same time.
What got me back on track was both a call from my now-manager Guenther, and
re-discovering the thrills of producing electronic music. Once that was
settled, we just needed a plan -and a label;)
Q: Everything moves and evolves very fast
in our society today and I think it’s not that different in the music business.
What have been according to you and during this ‘break’ the main
positive-/negative changes and evolutions?
Kolja: Hmm, impossible to name everything
I can think of, so only in short:
Negative changes : decline of the ‚dark‘
electronic music scene, major improvements / evolutions happened somewhere
else.
Positive changes: the impressive ability
of the global electronic music scene to re-invent itself every once and a
while, even when you think everything has already been said and done.
Q: Today it becomes clear that
industrial, EBM, techno, trance are quite compatible with each other
while when you released your debut work it was a challenge. So in a way you
were a visionary artist who build a sonic bridge between all these styles! What
did it really meant to you and how did it feel today after the release of
“Nox”?
Kolja: I always had the feeling that all
this separation of styles did not really make sense to me, but marketing-wise,
it might be a different question. With ”Nox”, I definitely went into a
direction that does not care about artificial borders any more. Might not be
quite be what the ‘Zeitgeist’ is at the moment, but well… I am fond of ignoring
rules.
Q: Compared to your previous albums, I get
the feeling “Nox” even goes a step further; it all seems the DJ inside of you
has been more present in the writing process of this album than ever before,
but what is it really all about and what kind of album did you wanted to
accomplish?
Kolja: Honestly, I had definitely lost
touch with what was going on in the ‘dark’ scene at the moment, or I did just
not like it. So I decided to take a risk and try out the new stuff, which I
liked a lot because of DJ-workshops I held at the time, covering all aspects of
electronic music, from dark to dubstep, techno to house… So it was really about
trying to find a way out of that ‘dark’ dilemma, plus producing stuff that
would make me dance, too 😉
Q: “Nox” is doing great and reached the
first place of the famous ‘Deutsche Alternative Charts’. What does that mean
for an artist and what’s the real impact of the DAC?
Kolja: The DAC give a good feedback on
what DJs or club-visitors think of your music. It does not tell an awful lot
about commercial success, sad enough;) So for me, this excellent feedback keeps
pushing me quite a bit, looking at it both as a compliment and commitment.
Q: Soman is again performing and I think
you’re again working with dancers. What might we expect from the new live
performances and what do you need to speak about a successful show?
Kolja: I´ll try as hard as I can to
transfer the positive vibes we have on stage to the audience in front of us. A
SOMAN show is not a place to remain calm and looking cool, it´s rather an
experience of how much fun you can have if you just let go;) So what do I need
for this to happen? Sometimes no more than 5 people in the audience, but more
often a decent crowd, a perfect sound system and a bit of a budget to add light
and projection. Not too much, I would say…
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