April 12, 2024

Caverna Delle Rose – Elysian Chants (Album – Slaughter In Art)

0
🇺🇦 Side-Line stands with Ukraine - Show your Support

Genre/Influences: Ritual.

Format: Digital, CD, Vinyl.

Background/Info: Caverna Delle Rose is a new project driven by AimA (Les Jumeaux Discordants, Allerseelen), Evor Ameisie (NRTHGTE, Camerata Mediolanense) and Diego Cinquegrana. This album wants to be a ‘bridge between ancient practices and beliefs and contemporaneity.” The debut album features seven ‘Orphic Hymns’ plus a song of creation.

Content: From the very first notes and chants of the album you perceive the strong Ritual input. The vocals sometimes have something Ethereal as well, but music and vocals/chants together create the path to a mystic journey. The Ritual style has been accentuated by the percussion while the dark electronic atmospheres reveal a hostile sphere. A guest musician plays cello parts on a few songs, this way injecting extra darkness.

+ + + : This album took me by surprise for its instantly Ritual approach. The power of the vocals mixing Ritual- and Ethereal styles has something bewitching. But there also is a great symbiosis with the music, which through its overwhelming sound waves and subtle field recordings reaches a state of climax, a kind of sonic ecstasy coming through at “To The Fates”. The work also has inhibited parts, even intimate and feeling as a caress to your mind. Every single song of this album has something joyful.

– – – : I don’t see real minus points; this is a great piece of music.

Conclusion: The debut album of Caverna Delle Rose is an accomplished and brilliant exposure of intelligent Ritual music. 

Best songs: “To The Fates”, “To Corybas”, “To The Furies”, “To The West Wind”.

Rate: 8½.

Artist: https://cavernadellerose.com / www.facebook.com/cavernadellerose

Label: www.slaughterinart.com / www.facebook.com/Slaughterinart

author avatar
Inferno Sound Diaries
I have been working for over 30 years with Side-line as the main reviewer. My taste is eclectic, uncoventional and I prefer to look for the pearls, even if the bands are completely unknown, thus staying loyal to the Side-Line philosophy of nurturing new talents.

Since you’re here …

… we have a small favour to ask. More people are reading Side-Line Magazine than ever but advertising revenues across the media are falling fast. Unlike many news organisations, we haven’t put up a paywall – we want to keep our journalism as open as we can - and we refuse to add annoying advertising. So you can see why we need to ask for your help.

Side-Line’s independent journalism takes a lot of time, money and hard work to produce. But we do it because we want to push the artists we like and who are equally fighting to survive.

If everyone who reads our reporting, who likes it, helps fund it, our future would be much more secure. For as little as 5 US$, you can support Side-Line Magazine – and it only takes a minute. Thank you.

The donations are safely powered by Paypal.

Select a Donation Option (USD)

Enter Donation Amount (USD)

Verified by MonsterInsights