Genre/Influences: Dark-electro, industrial-pop, dark electro-trance.
Background/Info: Australian Avarice In Audio has unleashed their third full length. The band now consists of Gerry Hawkins, Lawrie Bayldon and Ben Barwick.
Content: Avarice In Audio never has been a band you can easily compare producing a sound, which remains a bit enigmatic. There’s a dark-electro inspiration coming through the vocals, the kicks and some electronic passages, but there also is something trance and technoid supporting the leads while other passages are featuring a raw and somewhat industrial pop touch. Next to the electronic treatments you’ll notice guitar parts, which are now pretty buzzing and next wafting. Three songs feature other artists; Aesthetic Perfection, Psyclon Nine and Blast Radius. The song with Psyclon Nine reveals a harder and pure doom-metal touch.
+ + + : I’ve always liked artists who are trying to do things different. This album sounds as a sonic hybrid between different influences so in the end you can say it’s ‘dark-electronic’ music although totally different from the established standards. The songs are well-crafted and carried by a high tech production. “No Punishment : No Paradise” is stuff to get dancefloors on fire and especially the second half of the album reveals a few terrific tracks.
– – – : I sometimes get the impression that Avarice In Audio are losing themselves in diversity. From trance-driven leads to pure metal-doom elements featuring Psyclon Nine is not that evident to get a real coherence between the songs.
Conclusion: Avarice In Audio is a sonic chameleon exorcising very diversified music ideas although taken from related music genres. They are alternating potential hits and a few poorly uninspired songs, but globally speaking this work rocks and will make you dance!
Best songs: “Ishtar Will Not Tire”, “Our Cold Hands”.
Rate: (7).
Artist: www.facebook.com/avariceinaudioaus
Label: www.alfa–matrix.com / www.facebook.com/Alfa.Matrix
Since you’re here … … we have a small favour to ask. More people are reading Side-Line Magazine than ever but advertising revenues across the media are falling fast. And unlike many news organisations, we haven’t put up a paywall – we want to keep our journalism as open as we can. So you can see why we need to ask for your help. Side-Line’s independent journalism takes a lot of time, money and hard work to produce. But we do it because we want to push the artists we like and who are equally fighting to survive. If everyone who reads our reporting, who likes it, helps fund it, our future would be much more secure. For as little as 2 US$, you can support Side-Line Magazine – and it only takes a minute. Thank you. The donations are safely powered by Paypal.
