Background/Info:
Lilia Scheerder aka
Antoine Panaché is back with a new album. This work comes after the surprising
and totally weird sounding “Pleasures” featuring two cover versions. Lilia
Scheerder is also one of the co-owners of Barreuh Records.
Content:
“Endling” features 6 new
songs by this artist from The Netherlands. It’s nearly impossible to define the
music style of Antoine Panaché. It’s more like an experiment with good-old
analogue gear mixed with field recordings. From linear drum sections to icy
sound treatments joined by field recordings, to accordion sound passages, to
lost voices, the work often sounds like pure improvisation and total
experimentation.
+ + + :
Antoine Panaché makes me
think of the work of one of the ‘Masters’ from the ‘Dadaist’ movement Marcel
Duchamp. Some elements of the composition feel pretty familiar, but has been
transformed by the author to pure abstract creation. It’s partly recyclable and
mainly focused on the creation and manipulation of sounds and noises. I never
have been a huge fan of improvisation, but when it’s done with such passion it
becomes more accessible and intriguing. The artwork of this cassette is pretty
cool.
– – – :
Experimental- and
abstract music creation will always remain hard to define and understand. Is it
still music or a kind of contemporary anti-music movement? One thing is for
sure, you are either going to like it, or leave it, there’s no way in between!
Conclusion:
“Endling…” is comparable
to a sonic patchwork of sounds and noises. ‘Dada’ is alive and is actually
living in The Netherlands…
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