Genre/Influences: Dance-pop, power-pop, future-pop.
Background/Info: Based in Glasgow (Scotland) Tom Perrett and Kimberly Copland took us by surprise with their debut album “Deus Ex Machina” originally released in 2014. The band is now back on track unleashing new songs and 2 remixes on this EP.
Side-Line Magazine's relief fund for Turkey3>
Content: This EP sounds a bit like picking up where “Deus Ex Machina” left off. The duo reveals a real powerful and masterly produced kind of dance-pop music. It sounds pretty dance and techno minded while the leads are pure dance-trance. The heavy, danceable kick will drive numerous club visitors into wild and insane moves. The work remains however spiced with (future)-pop influences. It’s not only about the passionate and pop-like vocal parts, but still some of the arrangements and beautiful synth-line reveals their poppy influence.
The final chapter of the EP features great remixes by Biomechanical and Nature Of Wires. Notice by the way this EP has been mixed by Andy McBain (Cyferdyne) and mastered by the great Jan Loamfield (Noisuf-X, X-Fusion).
+ + + : The global production work is absolutely phenomenal! There’s an impressive and powerful sound coming through, which reveals a great balance between all the influences. The passionate and somewhat enraged vocals are excellent. Both remixes are absolutely essential and injecting some diversity to the original version of the song.
– – – : I can easily imagine Advance is going too far in the exploration of dance and trance music for some ‘classical’ pop lovers.
Conclusion: If you’re a club visitor and you like to dance, you’re going to like this EP by Advance revealing a dynamic offspring between dance/trance music and electro-pop.
Best songs: “Trying To Live”, “Calm Before The Storm – Biomechanical Remix”, “Grey Dawn – Nature Of Wires Remix”.
Since you’re here … … we have a small favour to ask. More people are reading Side-Line Magazine than ever but advertising revenues across the media are falling fast. And unlike many news organisations, we haven’t put up a paywall – we want to keep our journalism as open as we can. So you can see why we need to ask for your help. Side-Line’s independent journalism takes a lot of time, money and hard work to produce. But we do it because we want to push the artists we like and who are equally fighting to survive. If everyone who reads our reporting, who likes it, helps fund it, our future would be much more secure. For as little as 5 US$, you can support Side-Line Magazine – and it only takes a minute. Thank you. The donations are safely powered by Paypal.