White Shadow – Panopticon (CD Album – The White Shadow Company)
Genre/Influences: Industrial-metal, electro & metal, crossover.
Content: The 4th full length by the Baltimore (USA) based White Shadow features 13 songs and has been inspired by the ‘Panopticon’ concept of the English philosopher and social theorist Jeremy Bantham. His theory reminds me a bit of George Orwell, but it will lead us too far analyzing the concept of Bantham.
Let’s concentrate on the music featured on “Panopticon.” White Shadow clearly deals with a unique approach to metal music, which is mainly characterized by furious guitar parts. It now and then makes me think of a crossover between Metallica and Type O Negative while the electronic treatments clearly inject a unique and personalized touch. There’s a nice twist between the powered guitar and electronic arrangements. But the album still features a few more surprises like alluring choruses and captivating vocals by front man DXNero.
The debut part of the opus is mainly characterized by the impressive “Zugzwang”, which brings all different elements and influences together in a powerful outburst. The 2nd part of the album features a few more attention grabbers, but I have a preference for “10.000 Masks” and “Panopticon (Suite. Pt. 1)”. Both songs show the harder sides of this work, sometimes making me think of a sort of nu-metal music.
“Panopticon” also reveals a few quieter pieces, which more appear to be little breaks in between the heavy tracks. This is not my favorite part of the work although I have to admit that, “Six Months Of Sundays (Suite. Pt. 2)” is a well-crafted cut animated by piano parts right in the beginning while showing an emotional side during the song.
Conclusion: “Panopticon” is a cool work on which I was especially impressed by the furious metal side.
Best songs: “Zugzwang”, “Panopticon”, “10.000 Masks”, “Slipgate”.
Rate: (Elise Din:7)Elise Din.
Band: www.whiteshadowmusic.com / www.facebook.com/Whiteshadowmusic
Since you’re here … … we have a small favour to ask. More people are reading Side-Line Magazine than ever but advertising revenues across the media are falling fast. And unlike many news organisations, we haven’t put up a paywall – we want to keep our journalism as open as we can. So you can see why we need to ask for your help. Side-Line’s independent journalism takes a lot of time, money and hard work to produce. But we do it because we want to push the artists we like and who are equally fighting to survive. If everyone who reads our reporting, who likes it, helps fund it, our future would be much more secure. For as little as 5 US$, you can support Side-Line Magazine – and it only takes a minute. Thank you. The donations are safely powered by Paypal.