The Operating Tracks have released a brand new video and single for the track “Poison…
The Operating Tracks have released a brand new video and single for the track “Poison ID” featuring Emma Anitchka.
For those not familiar with the band (a shame!), this Swedish combo – based in Stockholm – started in the fall of 2014 based on their musical roots which was in times when DAF and The Normal were revolutionary and when they, for the first time, heard about Orwell’s future theme.
In late 2015 and early 2016 the band released “Testify” that featured Rein (and that’s how we first got to hear about Rein actually) before her breakthrough in 2016 and the EP “Colliding Bodies” which held the such tracks as “Daniel”, “The Collider” and “Human Blood”.
After that everything went quiet. Carl Nilsson moved forward with Lucifer’s Aid and released a number of very hard electronic albums. Carolina Lindahl from her side re-appeared in 2020 with the new project The Brides of the Black Room. Andreas Jismark, who stayed in the shadows between 2014-2016, has since managed and worked with acts like Rein, Wulfband and The Lovers of Valdaro.
The band luckily reconnected in 2021 when Progress Productions asked if they could release “Testify” and “Daniel” as a 12″ vinyl. So they started to work with some other old songs as well such as “1000 Ways to Die” and “1001” which were two songs that the band recorded in early versions and played at the first live shows (with Youth Code in Stockholm) back in 2014. With two brand new versions of these tracks the 12″ soon turned into an EP.
The band also started writing songs again and added some brand new guests vocals to the material. The first one to discover is Emma Anitchka from the duo The Guilt who sings on the band’s comeback single & video “Poison ID”
Since you’re here …
… we have a small favour to ask. More people are reading Side-Line Magazine than ever but advertising revenues across the media are falling fast. And unlike many news organisations, we haven’t put up a paywall – we want to keep our journalism as open as we can. So you can see why we need to ask for your help.
Side-Line’s independent journalism takes a lot of time, money and hard work to produce. But we do it because we want to push the artists we like and who are equally fighting to survive.
If everyone who reads our reporting, who likes it, helps fund it, our future would be much more secure. For as little as 5 US$, you can support Side-Line Magazine – and it only takes a minute. Thank you.
The donations are safely powered by Paypal.
This website uses cookies to improve your experience. We'll assume you're ok with this, but you can opt-out if you wish. Cookie settingsACCEPT
Privacy & Cookies Policy
Privacy Overview
This website uses cookies to improve your experience while you navigate through the website. Out of these cookies, the cookies that are categorized as necessary are stored on your browser as they are essential for the working of basic functionalities of the website. We also use third-party cookies that help us analyze and understand how you use this website. These cookies will be stored in your browser only with your consent. You also have the option to opt-out of these cookies. But opting out of some of these cookies may have an effect on your browsing experience.
Necessary cookies are absolutely essential for the website to function properly. This category only includes cookies that ensures basic functionalities and security features of the website. These cookies do not store any personal information.
Any cookies that may not be particularly necessary for the website to function and is used specifically to collect user personal data via analytics, ads, other embedded contents are termed as non-necessary cookies. It is mandatory to procure user consent prior to running these cookies on your website.