Background/Info: Tearful Moon is an American formation featuring two lovers. It’s the fusion between a female poet (and a muse) and a male musician. They got the idea to put poems on music, which ultimately resulted in this debut album.
Content: Tearful Moon deals with a kind of dark electro-wave music. The sound formula is rather simple and into minimalism. The songs are supported by atmospheric sound layers creating a perfect match with the bewitching vocals of Sky Lesco.
The songs clearly sound a bit retro-like. There’s some sensuality emerging at the surface, which even moves towards some ritual-like passages. The lyrical content clearly is an important and even essential aspect of this work. The themes are dealing about love, despair and are definitely into drama and melancholia.
+ + + : Tearful Moon awakens some good-old souvenirs bringing me back the 80s electro-wave decade. The synth lines and rather sterile way of singing are noticeable aspects of the work. The minimal electronics are simplistic, but efficient. “In The Dark Morning” is a fully entertaining piece of music featuring a few cool songs.
– – – : Don’t get me wrong, I really enjoy this work, but I’m missing a bit more elaboration in the global production. The sound formula is simple and efficient, but a bit repetitive and predictable after a while. I expected a bit more from the lyrical content, which is not exactly setting the world, alight.
Conclusion: Tearful Moon is a cool newcomer and definitely a band to keep an eye on. This is a promising debut and the band simply needs a bit more experience to reach a wider audience.
Best songs: “Twin Flames”, “Rain Of Sorrow”, “Glowing”.
Since you’re here …
… we have a small favour to ask. More people are reading Side-Line Magazine than ever but advertising revenues across the media are falling fast. And unlike many news organisations, we haven’t put up a paywall – we want to keep our journalism as open as we can. So you can see why we need to ask for your help.
Side-Line’s independent journalism takes a lot of time, money and hard work to produce. But we do it because we want to push the artists we like and who are equally fighting to survive.
If everyone who reads our reporting, who likes it, helps fund it, our future would be much more secure. For as little as 5 US$, you can support Side-Line Magazine – and it only takes a minute. Thank you.
The donations are safely powered by Paypal.
This website uses cookies to improve your experience. We'll assume you're ok with this, but you can opt-out if you wish. Cookie settingsACCEPT
Privacy & Cookies Policy
Privacy Overview
This website uses cookies to improve your experience while you navigate through the website. Out of these cookies, the cookies that are categorized as necessary are stored on your browser as they are essential for the working of basic functionalities of the website. We also use third-party cookies that help us analyze and understand how you use this website. These cookies will be stored in your browser only with your consent. You also have the option to opt-out of these cookies. But opting out of some of these cookies may have an effect on your browsing experience.
Necessary cookies are absolutely essential for the website to function properly. This category only includes cookies that ensures basic functionalities and security features of the website. These cookies do not store any personal information.
Any cookies that may not be particularly necessary for the website to function and is used specifically to collect user personal data via analytics, ads, other embedded contents are termed as non-necessary cookies. It is mandatory to procure user consent prior to running these cookies on your website.