The English neofolk and neoclassical group Sol Invictus is to release a 2nd edition of…
The English neofolk and neoclassical group Sol Invictus is to release a 2nd edition of their 1995 album “In The Rain”. This reissue will be available in 200 copies only and can be pre-ordered right here.
The reissue will be coming in a luxury gatefold sleeve, on 180g virgin vinyl, including a poster and PVC protection. The sleeve of this vinyl re-release is taken from the original 1995 album released via Tursa, that’s Tony Wakeford’s own label. Not included are the bonus-tracks that were included in the 2011 re-release. This Vinyl edition was first released in 2013, but sold out on preorders, so this is a new chance to finally get your copy.
Some might wonder what virgin vinyl stands exactly for, so here’s some extra info. Back when vinyl records were the most popular form of recorded music, unsold albums and singles in record stores were returned to the manufacturers who shredded and melted down the unsold records and recycled the vinyl for use in pressing newly released albums and singles. Most if not all LPs and singles were made of a mixture of old recycled vinyl and newly created vinyl. Occasionally a record label would put out a special audiophile limited edition of a best-selling album and advertise that it was being pressed onto 100% new vinyl, also called virgin vinyl. The point is that a record pressed on virgin vinyl could reproduce higher audio quality with lower noise than a record pressed onto a blend of recycled vinyl and new vinyl.
Here’s the title track “In the Rain”, an excellent neofolk track, from an equally brilliant album.
Since you’re here …
… we have a small favour to ask. More people are reading Side-Line Magazine than ever but advertising revenues across the media are falling fast. And unlike many news organisations, we haven’t put up a paywall – we want to keep our journalism as open as we can. So you can see why we need to ask for your help.
Side-Line’s independent journalism takes a lot of time, money and hard work to produce. But we do it because we want to push the artists we like and who are equally fighting to survive.
If everyone who reads our reporting, who likes it, helps fund it, our future would be much more secure. For as little as 5 US$, you can support Side-Line Magazine – and it only takes a minute. Thank you.
The donations are safely powered by Paypal.
This website uses cookies to improve your experience. We'll assume you're ok with this, but you can opt-out if you wish. Cookie settingsACCEPT
Privacy & Cookies Policy
Privacy Overview
This website uses cookies to improve your experience while you navigate through the website. Out of these cookies, the cookies that are categorized as necessary are stored on your browser as they are essential for the working of basic functionalities of the website. We also use third-party cookies that help us analyze and understand how you use this website. These cookies will be stored in your browser only with your consent. You also have the option to opt-out of these cookies. But opting out of some of these cookies may have an effect on your browsing experience.
Necessary cookies are absolutely essential for the website to function properly. This category only includes cookies that ensures basic functionalities and security features of the website. These cookies do not store any personal information.
Any cookies that may not be particularly necessary for the website to function and is used specifically to collect user personal data via analytics, ads, other embedded contents are termed as non-necessary cookies. It is mandatory to procure user consent prior to running these cookies on your website.