Background/Info:
Sascha Lemon
strikes back with the final part of the “Inhibition Level”-trilogy, which
started back in 2010 with the album “Inhibition Level” (Abstract Reflections)
and “Individual Suffering” (Ionium Records). Nine years later he achieves the
trilogy with this final chapter featuring fourteen new cuts.
Content:
The sound of LPF12
has considerably evolved throughout the years. He once started with
electro-industrial music (during the 90s) and came back in the early 2000 years
with a more IDM approach, which next moved towards a cinematographic style.
This work is the perfect mixture of IDM, electro-ambient and cinematographic
music. Several songs are still featuring half-spoken / whispering-like vocals.
Most of the songs are driven by slow rhythms. The IDM-driven cuts will possibly
appeal for lovers of Clock DVA while the cinematographic style might please
fans of J.M. Jarre and related artists.
+ + + :
Sascha Lemon moves
back to intelligent electronic fields revealing an inspired song writing and
great sound treatments. The slow cadence makes it fascinating. This is probably
one of his most sophisticated works to date. I discovered multiple cool effects
and little noises (like field recordings or samplings) plus great astral
atmospheres recovering the songs. The songs are elaborated, pretty long in
duration, but never boring.
– – – :
Speaking for myself
I prefer the IDM-driven cuts instead of the cinematographic ones, but honestly
there’s no real minus about this album!
Conclusion:
I discovered
several alluring releases from this artist, but this “An Integral Part Of
Nothing” is for sure his best work in history!
Best songs:
“The Gravity Of
Cultivated Habits”, “False Motive Deconstruct”, “94yk.03 (Interlude)”,
“”94yk.04 (Interlude)”, Darkest Days In Inevitable Silence”.
Since you’re here …
… we have a small favour to ask. More people are reading Side-Line Magazine than ever but advertising revenues across the media are falling fast. And unlike many news organisations, we haven’t put up a paywall – we want to keep our journalism as open as we can. So you can see why we need to ask for your help.
Side-Line’s independent journalism takes a lot of time, money and hard work to produce. But we do it because we want to push the artists we like and who are equally fighting to survive.
If everyone who reads our reporting, who likes it, helps fund it, our future would be much more secure. For as little as 5 US$, you can support Side-Line Magazine – and it only takes a minute. Thank you.
The donations are safely powered by Paypal.
This website uses cookies to improve your experience. We'll assume you're ok with this, but you can opt-out if you wish. Cookie settingsACCEPT
Privacy & Cookies Policy
Privacy Overview
This website uses cookies to improve your experience while you navigate through the website. Out of these cookies, the cookies that are categorized as necessary are stored on your browser as they are essential for the working of basic functionalities of the website. We also use third-party cookies that help us analyze and understand how you use this website. These cookies will be stored in your browser only with your consent. You also have the option to opt-out of these cookies. But opting out of some of these cookies may have an effect on your browsing experience.
Necessary cookies are absolutely essential for the website to function properly. This category only includes cookies that ensures basic functionalities and security features of the website. These cookies do not store any personal information.
Any cookies that may not be particularly necessary for the website to function and is used specifically to collect user personal data via analytics, ads, other embedded contents are termed as non-necessary cookies. It is mandatory to procure user consent prior to running these cookies on your website.