Fritz & Tony unveil collaborative album ‘The Party’s Over’ on Dark Vinyl
Fritz & Tony unveil collaborative album 'The Party’s Over' on Dark Vinyl
Dark Vinyl will release “The Party’s Over”, the debut collaborative album by Fritz & Tony, on September 12, 2025. Issued as a 6-panel eco-digifile the release will only be available in CD format.
The project unites Tony Wakeford (Sol Invictus) and Fritz Hagal (Sonne Hagal) with contributions by Matt Howden (Sieben), Risa Hara (Inanis Yoake), and Bo Rande (Blue Foundation). The album was recorded in Berlin, Copenhagen, and London.
About Fritz & Tony
Fritz & Tony is a cross-national collaboration between Tony Wakeford, founder of British neofolk act Sol Invictus, and Fritz Hagal of the German experimental folk project Sonne Hagal. Wakeford, a veteran of the World Serpent label roster, has been active since the 1980s and is a key figure in defining the martial industrial and neofolk genres. Hagal’s work with Sonne Hagal brings traditional European folk elements combined with ambient textures and ritual soundscapes.
For “The Party’s Over”, the duo worked with long-time collaborators from across the dark alternative spectrum: Matt Howden (UK) of Sieben, known for his loop-based violin performances; Risa Hara (Japan) of Inanis Yoake, contributing vocals; and Bo Rande (Denmark) of Blue Foundation, known for cinematic trumpet work.
Chief editor of Side-Line – which basically means I spend my days wading through a relentless flood of press releases from labels, artists, DJs, and zealous correspondents. My job? Strip out the promo nonsense, verify what’s actually real, and decide which stories make the cut and which get tossed into the digital void. Outside the news filter bubble, I’m all in for quality sushi and helping raise funds for Ukraine’s ongoing fight against the modern-day axis of evil.
Since you’re here …
… we have a small favour to ask. More people are reading Side-Line Magazine than ever but advertising revenues across the media are falling fast. Unlike many news organisations, we haven’t put up a paywall – we want to keep our journalism as open as we can - and we refuse to add annoying advertising. So you can see why we need to ask for your help.
Side-Line’s independent journalism takes a lot of time, money and hard work to produce. But we do it because we want to push the artists we like and who are equally fighting to survive.
If everyone who reads our reporting, who likes it, helps fund it, our future would be much more secure. For as little as 5 US$, you can support Side-Line Magazine – and it only takes a minute. Thank you.
The donations are safely powered by Paypal.
