Toronto-based industrial/synthpop band for all the emptiness has been releasing one video each day on…
Toronto-based industrial/synthpop band for all the emptiness has been releasing one video each day on Facebook during the past week containing behind-the-scenes footage from their “Hearts against minds” video which you can watch below!
The video was shot on-site at multiple locations in Nevada during a fierce wind storm, making some of the shots difficult at first. But the band and production company used the wind to their advantage so it seems. Jonathan Kaplan of for all the emptiness: “We worked with a local production company, who assisted with the entire production. From concept to the final cut.” In short, the video follows the story of a world of people trapped within themselves, struggling, in pain, and wanting to break free.
In the video, the walls of the set are covered with newspapers with headlines and photos of war and horrible crimes, and mindless “drones” in military camouflage. The intent is to change hearts and minds to end such things, symbolized, as the song progresses, by the newspapers being taken down.
for all the emptiness is also preparing to release a remix version of their EP titled “mt repeat”. The album contains 5 remixes from well-known artists including Apoptygma Berzerk, Aesthetic Perfection, Neuroticfish, Laetherstrip, and Sebastian from Icon of Coil.
for all the emptiness originally started as an idea by vocalist/composer Jonathan Kaplan after viewing Apoptygma Berzerk’s live DVD “apbl98” and seeing frontman Stephan Groth go into the crowd after a performance. In 2011 they released their debut album “axioms”. It was produced by Yone Dudas of Decoded Feedback. In 2012, a remix version of “axioms” was released featuring remixes by Assemblage 23, Beborn Beton, Decoded Feedback and more. To help promote the release they went on a North American tour with artists Die Sektor, The Gothsicles, and Deviant UK.
Since you’re here …
… we have a small favour to ask. More people are reading Side-Line Magazine than ever but advertising revenues across the media are falling fast. And unlike many news organisations, we haven’t put up a paywall – we want to keep our journalism as open as we can. So you can see why we need to ask for your help.
Side-Line’s independent journalism takes a lot of time, money and hard work to produce. But we do it because we want to push the artists we like and who are equally fighting to survive.
If everyone who reads our reporting, who likes it, helps fund it, our future would be much more secure. For as little as 5 US$, you can support Side-Line Magazine – and it only takes a minute. Thank you.
The donations are safely powered by Paypal.
This website uses cookies to improve your experience. We'll assume you're ok with this, but you can opt-out if you wish. Cookie settingsACCEPT
Privacy & Cookies Policy
Privacy Overview
This website uses cookies to improve your experience while you navigate through the website. Out of these cookies, the cookies that are categorized as necessary are stored on your browser as they are essential for the working of basic functionalities of the website. We also use third-party cookies that help us analyze and understand how you use this website. These cookies will be stored in your browser only with your consent. You also have the option to opt-out of these cookies. But opting out of some of these cookies may have an effect on your browsing experience.
Necessary cookies are absolutely essential for the website to function properly. This category only includes cookies that ensures basic functionalities and security features of the website. These cookies do not store any personal information.
Any cookies that may not be particularly necessary for the website to function and is used specifically to collect user personal data via analytics, ads, other embedded contents are termed as non-necessary cookies. It is mandatory to procure user consent prior to running these cookies on your website.