Genre/Influences: Industrial, metal, electronics. Format: Digital, CD. Background/Info: German solo-project Exfeind strikes back with a…
Genre/Influences: Industrial, metal, electronics.
Format: Digital, CD.
Background/Info: German solo-project Exfeind strikes back with a second opus. The debut album “Exfeind Nummer Eins” (2018) was a promising debut work mixing elements of industrial-, metal- and electronic music. The new opus reveals ten new tracks.
Content: Exfeind holds on the influences from the debut album. It remains a true sonic fusion between industrial-, metal- and electronic music. I experienced the songs as a bit more electro-driven, but globally speaking this work appears as the logical next step in this band’s evolution. The work again takes off with a blasting cut featuring German vocals. Nearly all songs are sung in the artist’s Mother tongue, but you’ll notice some English passages as well. I also noticed one song with a rather rap style of singing (cf. “Viel Zu Spät”) although the sound remains hard-industrial driven.
+ + + : This new album doesn’t sound that different from the debut work, but the main evolution can be heard in some production details. There’s a real great and efficient balance between electronic parts and guitar riffs. It creates a powerful sound, which comes to emersion at the opening song “Wie Ein Boss”. But I also have to mention “Keyboardkrieger” and the English sung “Unleash Me”. The production of the vocals is also an essential aspect of the production; rough and charismatic!
– – – : “Zweipunktnull” is maybe just missing some little details to make this album totally accomplished. There are a few songs, which are more hesitant, but globally speaking this band confirms its potential.
Conclusion: I still believe Exfeind is a band with a huge potential and this new work confirms the project’s progression.
Best songs: “Wie Ein Boss”, “Keyboardkrieger”, “Unleash Me”, “Exzess”.
Since you’re here …
… we have a small favour to ask. More people are reading Side-Line Magazine than ever but advertising revenues across the media are falling fast. And unlike many news organisations, we haven’t put up a paywall – we want to keep our journalism as open as we can. So you can see why we need to ask for your help.
Side-Line’s independent journalism takes a lot of time, money and hard work to produce. But we do it because we want to push the artists we like and who are equally fighting to survive.
If everyone who reads our reporting, who likes it, helps fund it, our future would be much more secure. For as little as 5 US$, you can support Side-Line Magazine – and it only takes a minute. Thank you.
The donations are safely powered by Paypal.
This website uses cookies to improve your experience. We'll assume you're ok with this, but you can opt-out if you wish. Cookie settingsACCEPT
Privacy & Cookies Policy
Privacy Overview
This website uses cookies to improve your experience while you navigate through the website. Out of these cookies, the cookies that are categorized as necessary are stored on your browser as they are essential for the working of basic functionalities of the website. We also use third-party cookies that help us analyze and understand how you use this website. These cookies will be stored in your browser only with your consent. You also have the option to opt-out of these cookies. But opting out of some of these cookies may have an effect on your browsing experience.
Necessary cookies are absolutely essential for the website to function properly. This category only includes cookies that ensures basic functionalities and security features of the website. These cookies do not store any personal information.
Any cookies that may not be particularly necessary for the website to function and is used specifically to collect user personal data via analytics, ads, other embedded contents are termed as non-necessary cookies. It is mandatory to procure user consent prior to running these cookies on your website.