Esoteric Abstraction – Technical Swamp (EP – Point Source Electronic Arts)
Genre/Influences: Experimental, Minimal-Electro.
Format: Digital.
Background/Info: Esoteric Abstraction is a solo-project by Cade Wright. This American project has been very prolific during the past few years and has released a new EP featuring six cuts.
Content: The tracks are driven by slow tempo rhythms mixed with a true electronic canvas. The work is definitely Experimental and into Minimal-Electro. It sounds like decomposed structures which have reconstructed with bleeps and multiple sonic effects.
+ + + : This EP will be liked by lovers of pure Experimental-Electro. Noises and sounds have been collected, manipulated, decomposed and recomposed. It all sounds into improvisation but featuring cool sound treatments while the slow rhythm makes it more accessible.
– – – : This is not exactly a bite-sized production, the Experimental approach being predominant and sometimes a bit chaotic.
Conclusion: Definitely Experimental and maybe visionary, Esoteric Abstraction deals with a complex Electronic format.
Best songs: “Rude Boi Thing”.
Rate: 6.
Artist: https://soundcloud.com/e-abstraction
Label: www.facebook.com/pointsourcearts
Listen to “Technical Swamp”:
About Esoteric Abstraction
Esoteric Abstraction is the solo project of Cade Wright, an audio professional and digital artist based in Colorado, United States. Wright describes the output as experimental music and handles the visual side of the releases as well. The Bandcamp catalogue runs to more than twenty titles, among them “Beholder”, “Fig:mint”, “Amnesia”, “The Realm of Convergence”, “Lost At Sea” and “Alien Abduction”, plus the collaboration “Discombobulate” with Signals From Sirius.
Point Source Electronic Arts released the “Technical Swamp” EP on 1 April 2022 as a digital download. It holds six tracks: “Rude Boi”, “70’s Ramen”, “Hocket Dragon”, “Semi-Conductive”, “Dilating Energy Tank” and “Leafy G”. Wright wrote and produced the EP, Alex Stilts mastered it at Orbit Room Audio, and Mike Slansky handled the design.
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