May 24, 2024

Die Robo Sapiens – FanFanFanatisch / The Düsseldorf EP (EP – Alfa Matrix)

🇺🇦 Side-Line stands with Ukraine - Show your Support

Genre/Influences: EBM.

Format: Digital.

Background/Info: The Die Krupps gang (cf.Jürgen Engler, Ralf Dörper and Marcel Zürcher) is back on track unleashing the second EP from their EBM side-project Die Robo Sapiens. And it’s a special work as it pays tribute to the electronic scene from Düsseldorf, hometown of Die Krupps, but of course also the city of Kraftwerk, D.A.F., Neu, Rheingold ao. “FanFanFanatisch” is a cover song of Rheingold, which was originally composed in the early 80s.

Content: Die Robo Sapiens seriously boosted and reworked the song into a great EBM version with all the power of Jürgen Engler’s vocals. The B-side song entitled “Düsseldorf” clearly appears to be another wink to the electronic scene from this magic city. It sounds more Kraftwerk-like.

The title track has been remixed by Aestetische, 808 Dot.Pop and Kant Kino (featuring 2 remixes). Notice by the way that one of the remixes by Kant Kino is a mix of D.A.F. (with the song “Der Mussolini” plus the lyrics from Rheingold). Implant made a remix of “Düsseldorf.

+ + + : What a great way to bring this early Rheingold song back to life. Die Robo Sapiens clearly stands for 100% power and the title song clearly appears to be a club smasher. Among the remixes Aesthetische accomplished a great version while I also enjoyed the minimal approach of 808 Dot.Pop mixing its Kraftwerk-pop with the EBM of Die Robo Sapiens.

– – – : I expected a bit more out of some remixes, the Die Robo Sapiens edit however remaining the best one of the EP.

Conclusion: Die Robo Sapiens so far released two great EBM EP’s plus a great cover version of Depeche Mode together with AD:Key; time for a debut album now!

Best songs: “FanFanFanatisch”, “FanFanFanatisch – Aestetische Rework”, “FanFanFanatisch – 808 Dot Mix”.

Rate: (8).


Label: /

author avatar
Inferno Sound Diaries
I have been working for over 30 years with Side-line as the main reviewer. My taste is eclectic, uncoventional and I prefer to look for the pearls, even if the bands are completely unknown, thus staying loyal to the Side-Line philosophy of nurturing new talents.

Since you’re here …

… we have a small favour to ask. More people are reading Side-Line Magazine than ever but advertising revenues across the media are falling fast. Unlike many news organisations, we haven’t put up a paywall – we want to keep our journalism as open as we can - and we refuse to add annoying advertising. So you can see why we need to ask for your help.

Side-Line’s independent journalism takes a lot of time, money and hard work to produce. But we do it because we want to push the artists we like and who are equally fighting to survive.

If everyone who reads our reporting, who likes it, helps fund it, our future would be much more secure. For as little as 5 US$, you can support Side-Line Magazine – and it only takes a minute. Thank you.

The donations are safely powered by Paypal.

Select a Donation Option (USD)

Enter Donation Amount (USD)

Verified by MonsterInsights