(Photo by Angela Conway) Duet Emmo was a project that emerged in 1982, and it consisted of Bruce Gilbert and Graham Lewis (in a hiatus in the trajectory of the group Wire of which they were part) together with Daniel Miller. The name Duet Emmo is actually an anagram of the words Mute and Dome. Dome was the band Graham Lewis and Bruce Gilbert had started in 1980 (originally under the name Cupol) which published a couple of albums.
So how did these three musicians end up together? All three had been friends for a long time as they had all been using Blackwing Studios sharing the same engineer, Eric Radcliffe. An initial project had been suggested in 1980 but the success of Depeche Mode and Yazoo had kept Miller busy until the end of 1982.
Duet Emmo released the – excellent – album “Or So It Seems” in 1983, from which the single of the same name was released. The original 8-track album was recorded in the periods between Boxing Day and New Year’s Day in ’81 and ’82 with legendary engineer Eric Radcliffe at their favoured studio, Blackwing in London. The album’s artwork was a collage by the Brothers Quay redesigned by Bart van Damme. Later, Gilbert and Lewis returned to Wire, while Miller ultimately pursued a career as a producer through Mute.
Coming up now on August 19th is the long-awaited remastered release of the 1983 album “Or So It Seems” on double vinyl, CD and digitally. The reissue has been recently remastered from the original analogue tapes by Stefan Betke and the double vinyl also includes the 8-minute re-mixed 12” b-side version of the title track, “Heart of Hearts (Or So It Seems)” which previously was only available on CD.
Listen to the title track right below.
Here’s how the release will look like.
Since you’re here …
… we have a small favour to ask. More people are reading Side-Line Magazine than ever but advertising revenues across the media are falling fast. Unlike many news organisations, we haven’t put up a paywall – we want to keep our journalism as open as we can - and we refuse to add annoying advertising. So you can see why we need to ask for your help.
Side-Line’s independent journalism takes a lot of time, money and hard work to produce. But we do it because we want to push the artists we like and who are equally fighting to survive.
If everyone who reads our reporting, who likes it, helps fund it, our future would be much more secure. For as little as 5 US$, you can support Side-Line Magazine – and it only takes a minute. Thank you.
The donations are safely powered by Paypal.