Crime and the City Solution announces catalogue reissues for 2023

Crime and the City Solution announces catalogue reissues for 2023

Crime & the City Solution, who recently returned to the studio to record a cover of The Doors’ classic 1967 ode to alienation, “People Are Strange”, have just announced details of a series that will see their long out of print catalogue reissued on vinyl for the first time in decades via Mute Records.

The series begins in January 2023 with the reissue of the three albums that founder Simon Bonney considers the origin of his true voice and the definitive sound he sought for Crime & the City Solution: “Shine” (1988, set for release on limited gold vinyl), “The Bride Ship” (1989, available on limited white vinyl) and “Paradise Discotheque” (1990, out on limited orange vinyl).

Crime & the City Solution’s second album, “Shine”, heralds the arrival of the first Berlin incarnation, and sees Simon Bonney, Mick Harvey and Bronwyn Adams decamp from London to Berlin. With a more experimental sound, which drew less on Melbourne post punk scene roots and took a more explorative musical approach, this lineup featured Einstürzende Neubauten’s Alexander Hacke on guitar, ex-DAF/Liaisons Dangereuses electronicus Chrislo Haas on vintage Korg patchbay synth, and free jazz bassist Thomas Stern.

“The Bride Ship” soon followed and saw the Berlin line up return to Hansa Tonstudio in West Berlin, this time with Gareth Jones lending a hand with production. In 1990, following a move by Simon Bonney and Bronwyn Adams to Vienna, the now classic line up travelled to Conny Plank’s legendary studio to record “Paradise Discotheque”.

About Crime and the City Solution

Formed in Sydney by Simon Bonney at the age of 16, Crime & the City Solution’s early performances from 1977-1979 had a big impact on key figures of the early Melbourne art-punk/post punk scene. In 1984, Bad Seed Mick Harvey shipped Bonney to England to form the London based Crime with their friend ex-Birthday Party guitarist Rowland S Howard, with his brother Harry Howard on bass and Epic Soundtracks on drums. Two years on, having toured Europe, the UK and US and released several EPs and an album, this lineup reached its zenith at its finale in a historic swansong performance in Wim Wenders’ cinematic masterpiece “Wings of Desire”.

Following the Berlin incarnation, encapsulated in these three reissues and the live album, “The Adversary”, it would be 20 years before the band, then based in Detroit, would return with their fifth studio album, “American Twilight”.

Back now after a 10-year hiatus, Simon Bonney and Bronwyn Adams have been touring through Europe with a new Berlin based incarnation, their final date of the year will be at La Maroquinerie in Paris on 27 November.



Since you’re here …

… we have a small favour to ask. More people are reading Side-Line Magazine than ever but advertising revenues across the media are falling fast. And unlike many news organisations, we haven’t put up a paywall – we want to keep our journalism as open as we can. So you can see why we need to ask for your help.

Side-Line’s independent journalism takes a lot of time, money and hard work to produce. But we do it because we want to push the artists we like and who are equally fighting to survive.

If everyone who reads our reporting, who likes it, helps fund it, our future would be much more secure. For as little as 5 US$, you can support Side-Line Magazine – and it only takes a minute. Thank you.

The donations are safely powered by Paypal.

Select a Donation Option (USD)

Enter Donation Amount (USD)

Alternatively you can also donate using Cryptocurrency if you want to donate just once.