Out on June 16, 2017 on triple vinyl, download, CD and streaming services is “The…
Out on June 16, 2017 on triple vinyl, download, CD and streaming services is “The Singles”, a brand new collection of all of CAN’s single releases. This is the first time CAN’s singles will be presented together.
You can listen to the rare 1971 7″ single release “Turtles Have Short Legs” right below. This was the band’s third single, never appeared on a studio album and was recorded around the time of the “Tago Mago” sessions with the line up of Holger Czukay, Michael Karoli, Jaki Liebezeit, Irmin Schmidt and Damo Suzuki.
In related news, on Saturday April 8th Irmin Schmidt will conduct the London Symphony Orchestra at the Barbican in London marking CAN’s 50th anniversary year. He will be presenting the world premiere of an original orchestral work composed by Schmidt and Gregor Schwellenbach, “CAN Dialog”, which will include quotations of some of the band’s most well-known pieces. In addition Irmin Schmidt will also conduct the world premiere of the concert version of “La Fermosa, Ballett-Suite” by Irmin Schmidt. The second half of the show provides an entirely different experience of CAN material, as realized by The CAN Project, a specially curated supergroup brought together by Sonic Youth’s Thurston Moore featuring CAN’s first singer Malcolm Mooney, Steve Shelley, Deb Googe, James Sedwards, Pat Thomas, Valentina Magaletti and Tom Relleen.
And the CAN festivities will continue in 2018 as in Spring 2018, Faber & Faber are publishing a new book devoted to CAN, “All Gates Open”. The special edition will come in two volumes: one will be the first complete, authorized biography of the band written by Rob Young and the second, “CAN Kiosk” by Irmin Schmidt, is a collage of thoughts, visuals and interviews.
Since you’re here …
… we have a small favour to ask. More people are reading Side-Line Magazine than ever but advertising revenues across the media are falling fast. And unlike many news organisations, we haven’t put up a paywall – we want to keep our journalism as open as we can. So you can see why we need to ask for your help.
Side-Line’s independent journalism takes a lot of time, money and hard work to produce. But we do it because we want to push the artists we like and who are equally fighting to survive.
If everyone who reads our reporting, who likes it, helps fund it, our future would be much more secure. For as little as 5 US$, you can support Side-Line Magazine – and it only takes a minute. Thank you.
The donations are safely powered by Paypal.
This website uses cookies to improve your experience. We'll assume you're ok with this, but you can opt-out if you wish. Cookie settingsACCEPT
Privacy & Cookies Policy
Privacy Overview
This website uses cookies to improve your experience while you navigate through the website. Out of these cookies, the cookies that are categorized as necessary are stored on your browser as they are essential for the working of basic functionalities of the website. We also use third-party cookies that help us analyze and understand how you use this website. These cookies will be stored in your browser only with your consent. You also have the option to opt-out of these cookies. But opting out of some of these cookies may have an effect on your browsing experience.
Necessary cookies are absolutely essential for the website to function properly. This category only includes cookies that ensures basic functionalities and security features of the website. These cookies do not store any personal information.
Any cookies that may not be particularly necessary for the website to function and is used specifically to collect user personal data via analytics, ads, other embedded contents are termed as non-necessary cookies. It is mandatory to procure user consent prior to running these cookies on your website.