Brandon Wolcott & Emil Abramyan – Music Of The Record (Vinyl Album – Kingdoms)
Genre/Influences: Cinematographic, experimental, neo-classic, jazzy.
Background/Info: Brandon Wolcott & Emil Abramyan both are American artists. Brandon Wolcott is a composer and theatrical sound designer while Emil Abramyan is composer and cellist. They joined hands and released this vinyl featuring 6 tracks, which more appears to be a mini-album instead of a full length.
Content: There’re only 6 cuts featured on this album, but the tracks are pretty diversified. There clearly is an omnipresent cinematographic and neo-classic approach, which is mainly accentuated by the melancholic sound of the cello. But other passages are more electro-driven and even revealing IDM influences. I also noticed a lounge-minded cut, which sounds pretty jazzy as well.
+ + + : Diversity is the keyword to this album. It sometimes feels a bit like a compilation, but the least I can say is that Brandon Wolcott & Emil Abramyan feel pretty comfortable dealing with all of the influences running through their composition. I’ve a preference for the cello play, accentuating the moody and sensitive side of the work. You’ll also notice trumpet parts played by a guest musician. And even if I prefer the intimate neo-classic approach I also fully enjoyed the electronic treatments revealing an intelligent sound treatment. “Ritual” is a noticeable cut in the genre.
– – – : I already mentioned it is sometimes a bit like listening to a compilation and that’s probably the main point that hurts a bit. I’m missing coherence between the tracks.
Conclusion: Kingdoms is a small label on, which I already discovered the interesting “Swann And Odette”- album from Aris Kindt. Brandon Wolcott & Emil Abramyan have accomplished another fascinating piece of music, which will possibly appeal for a wider number of music lovers.
Best songs: “Old Beginnings”, “Ritual”.
Rate: (7).
Artists: www.facebook.com/thebrandonwolcott / www.facebook.com/emil.abramyan.7
Since you’re here … … we have a small favour to ask. More people are reading Side-Line Magazine than ever but advertising revenues across the media are falling fast. And unlike many news organisations, we haven’t put up a paywall – we want to keep our journalism as open as we can. So you can see why we need to ask for your help. Side-Line’s independent journalism takes a lot of time, money and hard work to produce. But we do it because we want to push the artists we like and who are equally fighting to survive. If everyone who reads our reporting, who likes it, helps fund it, our future would be much more secure. For as little as 5 US$, you can support Side-Line Magazine – and it only takes a minute. Thank you. The donations are safely powered by Paypal.
