Genre/Influences: Dark-ambient, soundscape.
Background/Info: Chris Sigdell better known as B° Tong is a prolific artist dealing with dark-ambient and dark-soundscape experiments. This new work is the first production released on the brand-new Spanish label Hots. The vinyl format is strictly limited to 100 copies.
Content: This work features 2 long duration cuts. Both tracks reveal a slow progression inviting the listener to walk through a dark and somewhat mysterious soundscape. You’ll notice industrial sound elements and numerous field recordings. It totally fits with the conceptual approach behind this work dealing with a German expedition early 1939 throughout an uncharted area of Antarctica.
The track was played during live concerts and had to be separated in 2 cuts for this vinyl release.
+ + + : You feel a kind of improvisation in the writing, which is however pretty accessible. I like the progression throughout the cuts and especially the harder passages featured at the B-side cut. Both cuts are pretty complementary so I wasn’t surprised discovering that it originally featured one single cut. You feel like being lost in a dark sonic labyrinth. I like the somewhat dark-abstract artwork of this vinyl.
– – – : This kind of production remains pretty minimal and mainly conceived for a very restricted number of music lovers.
Conclusion: B° Tong remains a particular experience in sound so if you’re in search of something ‘extreme’ and yet still accessible this is an interesting release to look out for.
Best songs: “The Sun Is A Hollow Fetish Of Mine”.
Rate: (6½).
Artist: www.btongmusic.com / www.facebook.com/btongmusic
Label: https://hots.bandcamp.com
Since you’re here … … we have a small favour to ask. More people are reading Side-Line Magazine than ever but advertising revenues across the media are falling fast. And unlike many news organisations, we haven’t put up a paywall – we want to keep our journalism as open as we can. So you can see why we need to ask for your help. Side-Line’s independent journalism takes a lot of time, money and hard work to produce. But we do it because we want to push the artists we like and who are equally fighting to survive. If everyone who reads our reporting, who likes it, helps fund it, our future would be much more secure. For as little as 2 US$, you can support Side-Line Magazine – and it only takes a minute. Thank you. The donations are safely powered by Paypal.
Tags:
