April 12, 2024

Sabled Sun – 2149 (Album – Cryo Chamber)

0
🇺🇦 Side-Line stands with Ukraine - Show your Support

Genre/Influences: Dark-Ambient, Cinematographic.

Format: Digital, CD, Vinyl.

Background/Info: Set up in 2012 by Simon Heath (Cryo Chamber owner and of course the man behind Atrium Carceri) Sabled sun is back with its eleventh album to date, but the fifth one in the “21xx Series” dealing with ‘a man in hibernation waking up to a world in ruins’. This time we move to the fifth year, 2149.

Content: Sabled sun is also back with the first album since 2016. I can’t say that the sound is totally different, remaining driven by the Cinematographic style of the label, but there are some new elements featured. Some tracks are featuring elements reminding me of the ‘Berlin school’, featuring a more space & psychedelic effect. These cuts are more into ‘electronics’ revealing minimal sound treatments. Globally speaking the composition is recovered with dark atmospheres, sometimes accentuated by drone fragments and spoken samples. 

+ + + : Sabled Sun remains ultra Cinematographic, like a display case for the label. I however experienced this new sonic travel as one of the most diversified ones by the project. I enjoy some of the minimalistic passages and especially this ‘Berliner’ sound is interesting and I dare to say ‘new’. “Maze”, but especially “ A Last Dream Of The Flesh” is a great track. The work also remains a great and dark Cinematographic listening.

– – – : Some tracks are maybe a little bit short.

Conclusion: It’s good to see Simon Heath has found new inspiration for his Sabled Sun project; this is great stuff for the Cryo Chamber lovers.

Best songs: “A Last Dream Of The Flesh”, “Maze”, “The Builders”, “Cloud”.

Rate: (8).

Artist: www.facebook.com/profile.php?id=100063490479912

Label: www.cryochamberlabel.comwww.facebook.com/CryoChamber

author avatar
Inferno Sound Diaries
I have been working for over 30 years with Side-line as the main reviewer. My taste is eclectic, uncoventional and I prefer to look for the pearls, even if the bands are completely unknown, thus staying loyal to the Side-Line philosophy of nurturing new talents.

Since you’re here …

… we have a small favour to ask. More people are reading Side-Line Magazine than ever but advertising revenues across the media are falling fast. Unlike many news organisations, we haven’t put up a paywall – we want to keep our journalism as open as we can - and we refuse to add annoying advertising. So you can see why we need to ask for your help.

Side-Line’s independent journalism takes a lot of time, money and hard work to produce. But we do it because we want to push the artists we like and who are equally fighting to survive.

If everyone who reads our reporting, who likes it, helps fund it, our future would be much more secure. For as little as 5 US$, you can support Side-Line Magazine – and it only takes a minute. Thank you.

The donations are safely powered by Paypal.

Select a Donation Option (USD)

Enter Donation Amount (USD)

Verified by MonsterInsights