Genre/Influences: EBM, body-pop.
Background/Info: Hellhumm is a new Spanish band dealing with a rather open-minded EBM sound spectrum. The members appear to be experienced artists who however have remained pretty unknown.
Content: The opening song didn’t exactly reveal the real sources of inspiration Hellhumm is dealing with. The main songs and essence of the work has been inspired by EBM elements and a softer pop-style. The electronic structures have been now and then reinforced by guitar. I think we might speak about a fusion between EBM and pop music.
I like several bass lines, which clearly are EBM-like, but also reminding me of a kind of retro-electro style, which on “Modesty” reminds me of Kas Product.
An essential element of the work consists of the vocals. Singer Ignacio Ysasi has a real captivating timbre of voice, which sometimes remind me a bit of Gary Numan. Notice by the way that the songs have been sung in English.
+ + + : There’s a rather diversified and excited EBM influence running through this album, which creates a perfect junction between retro-EBM and a more contemporary format.
– – – : The main point that hurts is the rather poor mixing and mastering. This is for sure an aspect they’ll have to improve.
Conclusion: Despite the lack of an efficient mastering “Random Damage Industry” reveals interesting ideas in body-pop. I think there’s a lot of potential and talent hidden in Hellhumm than what they’ve shown on this debut-album so I’m looking forward to hearing more from them.
Best songs: “Modesty”, “Flesh On The Table”, “Hounds”.
Rate: (DP:6½)DP.
Band: www.hellhumm.com / www.facebook.com/hellhumm
Since you’re here … … we have a small favour to ask. More people are reading Side-Line Magazine than ever but advertising revenues across the media are falling fast. And unlike many news organisations, we haven’t put up a paywall – we want to keep our journalism as open as we can. So you can see why we need to ask for your help. Side-Line’s independent journalism takes a lot of time, money and hard work to produce. But we do it because we want to push the artists we like and who are equally fighting to survive. If everyone who reads our reporting, who likes it, helps fund it, our future would be much more secure. For as little as 2 US$, you can support Side-Line Magazine – and it only takes a minute. Thank you. The donations are safely powered by Paypal.
Tags:
