May 26, 2024

Dark ambient act Llyn Y Cwn re-discovers torpedoed WW1 wrecks on ‘Du Y Moroedd’ album

🇺🇦 Side-Line stands with Ukraine - Show your Support

“Du Y Moroedd” (Welsh for ‘the black of the sea’) is an album of dark ambient by Llyn Y Cwn (aka Benjamin Ian Powell) and features field recordings made from submerged recording devices deep underwater from the coasts of North Wales to Greenland and the Arctic Ocean.

Benjamin Ian Powell explains: “The tracks were created onboard the RV Prince Madog whilst conducting research using multibeam sonar to locate, survey and identify shipwrecks from WW1. The multibeam sonar creates images of the seabed using acoustic reflections. Many of these sites aren’t just wrecks; they are mass war graves. The vital shipping channel to Liverpool passes the North Wales coast, the U boats would sit and wait; listening. When heard from under the water, each ship has its own unique acoustic signature based on the size of the engine, shape of the propeller, curve of the hull. These acoustic tell-tales were used by the U-boats to identify targets. The shipping lane became a shooting gallery of easy pickings and the submarines were able to slip away undetected into the black of the sea.”

The album features recordings from the hull of RRS James Clark Ross whilst ploughing through ice fields off Greenland, from a “sound trap” attached to an anchor as it descended through 80m of water to the seabed, and sounds from onboard the RV Prince Madog with its pitched engine drone. There is also a recording of the bell at Trwyn Du lighthouse, Anglesey, that was made in August 2020, days before the bell was removed to be replaced with a modern fog horn – prior to this, the bell had rung every 30 seconds since 1922.

The release comes presented in a 6-panel digipak and will be released on 25th February 2022 on the fine Cold Spring label.

Here are 2 excerpts from this 10-track strong release.

author avatar
Bernard - Side-Line Staff Chief editor
Bernard Van Isacker is the Chief Editor of Side-Line Magazine. With a career spanning more than two decades, Van Isacker has established himself as a respected figure in the darkwave scene.

Since you’re here …

… we have a small favour to ask. More people are reading Side-Line Magazine than ever but advertising revenues across the media are falling fast. Unlike many news organisations, we haven’t put up a paywall – we want to keep our journalism as open as we can - and we refuse to add annoying advertising. So you can see why we need to ask for your help.

Side-Line’s independent journalism takes a lot of time, money and hard work to produce. But we do it because we want to push the artists we like and who are equally fighting to survive.

If everyone who reads our reporting, who likes it, helps fund it, our future would be much more secure. For as little as 5 US$, you can support Side-Line Magazine – and it only takes a minute. Thank you.

The donations are safely powered by Paypal.

Select a Donation Option (USD)

Enter Donation Amount (USD)

Verified by MonsterInsights