The Belgian electro label Alfa Matrix releases the twelfth volume in its “Matrix+ Downloaded” series to coincide with the label’s 24th anniversary. The digital-only set collects 69 tracks across the label’s current spectrum – EBM, dark elektro/industrial, synth pop – and newer Spleen+ additions spanning post-punk, goth rock and coldwave. The compilation is offered as a free/pay-what-you-want download via the label’s Bandcamp page and also includes a PDF booklet.

On the cover you will recognize Erica Dunham from Unter Null.

Artists included on this free download compilation include: Studio-X (feat. Kyoko Baertsoen), Rector Scanner, Aesthetische, Cut.Rate.Box, Kant Kino, Frontal Boundary, C-Lekktor, Acylum, Diffuzion, Implant, Neikka RPM, First Aid 4 Souls (feat. Aux Animaux), Noemi Aurora, Suicidal Romance, Llumen, Hanging Freud, Lederman/De Meyer, The Ultimate Dreamers, Aiboforcen, Digital Factor, Armageddon Dildos, Helalyn Flowers, Krystal System, The True Union, Freakangel, Totem Obscura, Lovelorn Dolls (feat. Dero Goi), The Breath of Life, The Names, ImJudas, Synapsyche, Miseria Ultima, Unter Null, Alien Vampires (feat. Dani Divine), Venal Flesh, Helle9, To Avoid, Pouppée Fabrikk, Stahlgeist, Nigra Nebula, Aengeldust, Circuito Cerrado, Matthew Creed, Cubic, Metroland, The Psychic Force, Komor Kommando, First Aid Tech, Die Robo Sapiens, ELM, Plastic Noise Experience, AD:Key, Elektroklänge, 808 Dot Pop, Avarice in Audio, Elektrostaub (feat. Echo Image), Cryogenic Echelon, Entrzelle, Neuroactive, Technoir, Mondträume, Star Industry, Stray, Psy’Aviah (feat. Sorrow Stories), Zombie Girl, Darkness on Demand, Circumpolar, Dunkelwerk, and Lights A.M.

A&R manager, Sebastien Dolimont says: “In 2025, Alfa Matrix proudly celebrates 24 years of existence. Nearly a quarter of a century fighting for dark alternative music, discovering new talents, and keeping the underground alive. This anniversary is not just about us and our artists – it’s about you, our fans. Because without your constant support, there would be no label, no releases, no future for the scene we all love.”

And he add: “In a world where indie labels are disappearing, streaming revenues collapse, and risks of signing new talents are higher than ever, we are proud to still stand strong — but we can only do it with you by our side. By downloading this compilation, you are not just enjoying music — you are actively supporting 69 artists and helping keep our scene alive, fresh, and forward-looking. From all of us at Alfa Matrix and Spleen+, and on behalf of all our artists: thank you for 24 years of loyalty, passion, and support. Together, we’ll keep writing the future of the dark underground.”

About Alfa Matrix

Alfa Matrix is a Brussels-based independent label founded in 2001. The catalogue focuses on electronic subgenres including industrial, EBM, dark elektro, and synth pop, later expanding into post-punk/coldwave via the Spleen+ division. The label’s team includes label & artists manager Seba Dolimont, promo manager Bernard Van Isacker, and head of design Benoît Blanchart.

From the early 2000s, Alfa Matrix used series-based releases to build international reach. Notable strands include “Sounds From The Matrix” (label samplers), “Re:Connected” (digital label overview), and the club-oriented “Endzeit Bunkertracks” multi-CD anthologies (first “Act” released 21 March 2005, featuring 60 tracks with 50 exclusives).

In 2023, Alfa Matrix inaugurated Spleen+, a division centred on post-punk and adjacent styles, and followed with multi-artist projects and catalogue building, including the “Resurgence” 7-CD box that assembled 133 contemporary bands from the post-punk family.

The label has since the very start focused on a direct contact with its fans and customers via their online webstore and Bandcamp.

Eldrina Mich

As Eldrina Mich I work as a go-between and a devil’s advocate when it comes to Side-Line. If our own staff needs to be interviewed then ask the questions no one else dares to ask.

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Alfa Matrix, the renowned Belgian label, commemorates its 22nd anniversary with yet another mastodont compilation on Bandcamp. The latest installment in the acclaimed “Matrix Downloaded” series, titled “Matrix+ Downloaded 011”, is now available as a free download on their Bandcamp page. Packed with 60 tracks, including new signings and a preview of the upcoming Spleen+ label releases, this compilation showcases Alfa Matrix’s diverse music repertoire.

“Matrix+ Downloaded 011” soared to the top of the industrial Bandcamp charts within hours of its release, claiming the coveted number 1 position.

The collection holds 60 tracks in total including several new signings. These are the bands present on this brand new free download compilation: Hanging Freud, The Ultimate Dreamers, The Breath Of Life, Psy’Aviah Feat. Sorrow Stories, ImJudas, Star Industry, Halo In Reverse, Lovelorn Dolls, The True Union, Freakangel, Avarice In Audio, Siva Six, Alien Vampires, Synapsyche, Helalyn Flowers, Neuroactive, Elektrostaub Feat. Stefan Netschio, Technoir, Entrzelle, Llumen, Noemi Aurora, Aiboforcen Feat. Jan D., Reichsfeind, Mondträume Feat. N-Frequency, The Psychic Force, Digital Factor, Implant, Darkness On Demand, Aesthetische, Komor Kommando Vs. The True Union, Matthew Creed, C-Lekktor, First Aid Tech, Pouppee Fabrikk, ELM, Die Robo Sapiens, Plastic Noise Experience, Armageddon Dildos, Stahlgeist, AD:keY, Kant Kino, Suicidal Romance, Miseria Ultima, First Aid 4 Souls, Neikka RPM, Circumpolar, Venal Flesh, Helle9, Diffuzion, Acylum, Circuito Cerrado, Aengeldust, Studio-X, 808 Dot Pop, Cubic, Metroland, Rector Scanner, Elektroklänge, Cosmic Armchair, Lights A.M.

You can download “Matrix+ Downloaded 011” for free via Bandcamp.

Eldrina Mich

As Eldrina Mich I work as a go-between and a devil’s advocate when it comes to Side-Line. If our own staff needs to be interviewed then ask the questions no one else dares to ask.

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Carlos Ruiz got involved with the Spanish Dark-Electro duo Dioxyde. The band gained recognition in its genre, but Carlos left in 2004 to move on with his solo-project Asseptic Room. The sound became different although still driven by good-old Dark-Electro vibes. The albums “Morbid Visions” (2006) and “Visceralophobia” (2011) saw the daylight. It next took ten years to Asseptic Room to strike back. Carlos Ruiz got joined by Mario González to compose the new work “Extinction Or Reawaken”. The opus has been again released by Advoxya Records and became a double album revealing next to the Dark-Electro influences at the first disc a more Cinematic exploration at the second disc. I asked a few questions about the past, the present and the future to both protagonists.

(Courtesy by Inferno Sound Diaries)

Q: I noticed you first started in the scene as DJ. What kind of music were you playing and how did you finally made the step to compose your own music and getting involved with Dioxyde?

Carlos: I started as a professional DJ in a famous club in Madrid somewhere at the end of 1987 – beginning of 1988. I started collecting vinyls since I was 14 years old and my ear was always attracted by genres that were not very commercial at that time. One day a couple of vinyls came into my hands in an import store, (“Party Hate” from Click Click and “Freiheit Fuer Die Sklaven” from Pankow), which made me listen to genres such as Industrial, EBM from the 80’s and especially Dark-Electro from the 90’s.

I started to compose my first tracks in 1991, when I was able to buy my first great computer ever and a Kawai keyboard. But it wouldn’t be until 1998 when I would meet Marcos Calvo and decided to take the leap to produce an album. During one of my sessions as a DJ in a famous Club in Madrid, I met Marcos Calvo who told me about the idea of ​​making music together. In a short lapse of time we had a lot of good songs; Marcos had already composed some good songs, and at that time I had many bases and consolidated themes, which we finally managed to adapt to create the first Dioxyde album “Torschlusspanik”.

I decided to send a cassette with a small sample to Johan Van Roy (Suicide Commando). I never thought  he would answer that soon with the intention to know more about the project. It was the beginning of a beautiful story.

Q: How did you finally come to set up Asseptic Room and what makes the difference in sound and approach with Dioxyde?

Carlos: My experience with Dioxyde was incredible. It allowed me to grow as an artist and develop all my creativity and to create my own compositions. Time passing by I found the need to do something on my own and create that dark sound that had been spinning around in my head for so many years. So in 2006 I decided to take a leap into the void and started working for my most personal project.

With Asseptic Room I wanted to explore other types of genres, perhaps more retro, Experimental, more Ambient, but without neglecting the hardness of the percussion and the melodies that have been so successful in my previous work with Dioxyde and used to create songs. such as “Acto Primero”, “Angel (Espina Mortal)”, “Panzerfaust”, “Primary Structures” or “Torschlüsspanik”, a track that I had created for a long time and which has a lot of strength.

That same year (2006) I sent my first demo to Tommy T (DSBP Records) to release the first album “Morbid Visions”. The album responded satisfactorily to my expectations and proof of this is the long list of compilations that wanted to include songs from that first album.

Also, it gave me the opportunity to do some remixes for bands like: Alien Produkt, Vigilante, Aengeldust, Haushetaere, Tyske Ludder or Acylum (Pedro Engel’s project with whom I have had contact on several occasions to create some of my best remixes). Nor will I forget, the magnificent remixes that have been created for Asseptic Room, to highlight among others those of Totalverlust, Acylum, Hioctan, Reality, Suicide Solution, Proyecto Mirage, Larva and many others.

During these years I got in touch with my great friend, Mario González and we had the opportunity to work together in the studio, developing a track for this album. Next I personally went through dark and very difficult years. It was like this until 2011 and the release of the second album “Visceralofobia”. It was a difficult album, like a challenge going through a restless and desperate period. But in the end and with a lot of efforts I was able to release the album thanks to Advoxya Records. After this album I’d to go though the most difficult moments of my life resulting in abandoning the creation of music for many years.

Q: So does the new album you released last year feel like a new beginning? How did it feel all these years without releasing new material? What brought you back to compose new songs?

Carlos: Finally, after the loss of my partner and two years of mourning I came back to surface. One night some musical notes began to sound that I could not stop listening to over and over again. I had to get up and play it in the middle of the night. The first thing I thought was that it was different and it was born from deep within. Those were the first notes of “The Memory Of Silence”; I even imagine to play it in a great philharmonic. A nice dream;)

Around the same time I got back in touch with Mario after many years and everything started flowing quickly. The Covid 19 pandemic came into our lives and for us there were moments of great creativity that helped us to create many new songs.

Q: The new album “Extinction Or Reawaken” has been released as a double album and there clearly is a difference between both discs; than main disc is pure Dark (h)El(l)ectro music while the second disc sounds more into Soundtrack. Tell us a bit more about both discs and the global production process of the work?

Carlos: When we began to develop the songs for the new album, we realized that we had a lot of material and we did not want to leave any song off the album, for this reason we had to think that “Extinction Or Reawaken” should be a double one. It is true that in a few months we had a large and varied number of songs, some songs are pure Dark-Electro, but I incorporate new elements to the compositions that make them different from other personal works.

We had to stop for a moment to reflect if we wanted to create classic dark music or experiment to achieve what our heads wanted with these new compositions. We finally decided to open up and experiment with a multitude of genres.

We had classic songs, perfect to be played in an orchestra, with epic choirs and we had to learn to work with this type of instrument. We also had tremendously hard and dark tracks and other ambient and epic songs.

In the end, all those tracks were a mixture of feelings and emotions, which tell a story full of symbolism for us. It has been a very hard job that has lasted many months, and we are very satisfied with the final result.


Q: What have been the main sources of inspiration to compose this new work and what did you try to express by the title? What has been the input of Mario González and how did you get in touch?

Mario: The inspiration came mainly from the recent loss of our family members. They were very hard times for both of us, but thanks to this we have done our best work.
We explore many sounds with our equipment and for the first time we did not dare to put any limits on creativity and we were open to explore and experiment   even antagonistic genres.

We try to go beyond the Dark-Electro genre by simply trying to imprint the soul of Asseptic Room by using influences from classical music, epic passages, Tibetan sounds and even pure noise.

The album title was chosen on the edge of life’s bad circumstances and somehow represents the nature of human life that transcends good and evil to survive/self-extinct.

Carlos: Mario and I got in touch at the end of 2019 at a perfect time and with all the past experience we had making some tracks for the “Morbid Visions”-album. The process happened automatically and we rarely even talked about how to make music because of a very special connection. We really enjoy doing these things.

Q: How do you see Asseptic Room evolving and what are the further plans –especially in times of ongoing pandemic? 

Mario: Our next plans are to prepare the concert in Madrid with Hocico. We have finished taking up the album “Visceralofofia” with a new production. Eight tracks are included in this new work and our idea is to release it in a special vinyl edition. Now we have to assess the budget to launch it in the coming months.
We have also started working on new songs for Asseptic Room and doing a review of tracks created in my period with Dioxyde. A special way to celebrate the 20th anniversary of the project.

Carlos: The pandemic has not stopped our illusion of continuing to do what we like and now our creativity is at a high level and we are excited about the amount of work we have in our hands. The pandemic has been very hard, as for everyone, but thanks to music we have been able to escape from this madness.

Inferno Sound Diaries

I have been working for over 30 years with Side-line as the main reviewer. My taste is eclectic, uncoventional and I prefer to look for the pearls, even if the bands are completely unknown, thus staying loyal to the Side-Line philosophy of nurturing new talents.

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“Jab # 3​,​1415926535​.​.​. [Ain’t gonna fuck with my brain]” is the title of an all new 8-track strong EP by the female fronted dark electro pop act Diffuzion.

Lead singer Xev explained the title as this: “‘Ain’t Gonna Fuck With My Brain!’ is a quite usual expression we use in Russian language when somebody annoys you with repetitive and unnecessary information. So why not make a song out of it.”

Combine that with the the highly frustrating Covid19 lockdown situation with a physical separation of over 7000 km across the Atlantic ocean between both members and you get the idea where this comes from. The whole resulted in an excellent cut!

Besides the title track we also get an excellent, but really an excellent, rework by Aesthetische of “The Blessed”. The title track was reworked by First Aid 4 Souls, Cubic, Aesthetische, Matthew Creed, Neikka RPM and Acylum vs. Aengeldust.

You can download this rather attractive release below, first on Bandcamp, later on on all other services.

Bernard - Side-Line Staff

Chief editor of Side-Line – which basically means I spend my days wading through a relentless flood of press releases from labels, artists, DJs, and zealous correspondents. My job? Strip out the promo nonsense, verify what’s actually real, and decide which stories make the cut and which get tossed into the digital void. Outside the news filter bubble, I’m all in for quality sushi and helping raise funds for Ukraine’s ongoing fight against the modern-day axis of evil. Besides music I’m also an SEO and AI content flow specialist and have an interest in everything finance from stocks to crypto. There is music in everything!

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Pedro Engel setup Acylum in 2004. A few years later he got joined by his wife Nadine ‘Cooraz’ Engel. From the very early productions the German project revealed an extremely dark and tormented Electro style. Acylum released some very successful albums, “Pest” released in 2015 being becoming an essential opus for Dark-Electro lovers. Six years later, “Kampf Dem Verderb” released on Alfa Matrix, appears to be even darker than ever before. A work filled with terror, provocation, controversy, but still with great and accomplished Dark-Electro. I talked about different topics with Pedro Engel.

(Courtesy by Inferno Sound Diaries)

Q: After the “Pest”-album released in 2015 you seem to have focalized on different side-projects. What do these side-projects mean? How do you make the difference between all projects? And when did you finally start writing new songs for Acylum?

Pedro: The “Pest”-album was the fifth Acylum-album and after that we just wanted something different.

With Aengeldust you don’t need to think much about content or lyrics. You just have to produce hard and raw Industrial, it’s just a lot of fun. All you need is a cool topic, some great samples and let’s go!!

Things look different with Totem Obscura. This is more about darker and more mystical topics. The music also sounds in the direction of Dark-Electro, but also with many other influences; here we also use Medieval sounds or even go more in the direction of Gothic-Electro.

The work on “Kampf Dem Verderb” began more than two years ago. Problems with the software and the fucking Corona virus cost a lot of time so it took more than 5 years until we finally had a new Acylum album! It will be faster until the next one .. I promise :-)))

Q: “Kampf Der Verderb” sounds to me as your darkest and most tormented work ever, but what kind of album did you want to accomplish; sound- and lyrical wise?

Pedro: This was actually not an intention; maybe it was because of the long time between the albums. A lot has changed; we changed and the world changed as well… Acylum should always reflect current events, and what are they like at the moment? Terror, the Covid-19 virus, corrupt politicians and sometimes freedom of speech is not advisable in these times. I think that’s the reason!

Q: What have been the different stages you had to go through to achieve the album? What have been the main difficulties and maybe challenges you encountered and what makes this work maybe different from previous Acylum productions?

Pedro: For me it is important that I don’t copy myself. I don’t want a new album to sound like another one I’ve already released. And of course it shouldn’t lose our typical style. In addition, finding the right choice of content is not always easy. Ten years ago it was somehow a lot easier… maybe that’s because you thought less about what you’re doing ;-))

Q: One of the most surprising songs is the reworked version of “The Enemy” (originally released in 2009 at the same-titled album) featuring Nano Infect, Viscera Drip, Wolfchild, Xentrifuge, Technogenetika and your own side-project Totem Obscura. How did you get the idea of this reworked versions with different artists and how did it happen? What has been the input of each artist?

Pedro: Ohhh yes I love this song!! The beat is probably one of the darkest I’ve ever made. That’s why I really wanted to record it again. I always try to do something that nobody (in our scene) has done before. Hence the idea to put many different artists on the track. There was only the requirement that it should be aggressive and provocative… otherwise the artists had a free hand with the lyrics. I just love to hear the different styles, voices and languages on a track. We will definitely repeat that!!

Q: How do you see the evolution in sound and composing process from the early Acylum songs till today? What do you consider as the major changes and evolutions?

Pedro: It’s not that easy to answer. The biggest change is of course myself. The quality and the production both have evolved, of course, but the attitude and the approach has always remained the same. I have never paid attention to what is currently in vogue… the critics have never interested me… So I would say we have been walking our way for 6 albums and it will stay that way for the next.

Q: I noticed there have been people on social media denouncing Acylum for being ‘politically incorrect’. Do you feel affected by these accusations and do you have something to say to the critics?

Pedro: Oh yes we have had this problem for a long time… I am aware that our music is very provocative and many topics are very sensitive and in today’s social media time it happens very quickly that people write bullshit about you and others believe it too. But that doesn’t bother me.

I can only say that I am neither a political person nor a racist. We work with so many international artists that it’s just ridiculous. But I don’t think the critics even want to hear that. It has just become trendy to denounce people who have their own opinion that does not correspond to the mainstream.

Inferno Sound Diaries

I have been working for over 30 years with Side-line as the main reviewer. My taste is eclectic, uncoventional and I prefer to look for the pearls, even if the bands are completely unknown, thus staying loyal to the Side-Line philosophy of nurturing new talents.

www.side-line.com

After some releases with their side-projects Totem Obscura and Aengeldust, plus the publication of rare early demo material through the “Filthy Memories 2” release, the Acylum duo (Pedro and Nadine Engel) are back with the successor of “Pest”. “Kampf Dem Verderb” is out now via Alfa Matrix.

The first edition of this 12-track album is released as a deluxe double-CD digipak edition offering some 14 exclusive bonus remixes by Suicide Commando, Armageddon Dildos, Implant, Aesthetische, Mental Exile, Nano Infect, Asseptic Room, Ice Ages, Larva, Advent Resilience, Project Erratic, Dirty K, Schwarzstern and David Blackstar.

Note that no less than 6 bands collaborated on the remake of the band’s classic song “The Enemy”, namely Nano Infect, Xentrifuge, Totem Obscura, Техногенетика (Technogenetica), Wolfchild and Viscera Drip.

You can check out the release below via Bandcamp or as a 2CD set via the Alfa Matrix web store.

For those who missed out on the digital only “Filthy Memories 2” release, you can grab it below.

Bernard - Side-Line Staff

Chief editor of Side-Line – which basically means I spend my days wading through a relentless flood of press releases from labels, artists, DJs, and zealous correspondents. My job? Strip out the promo nonsense, verify what’s actually real, and decide which stories make the cut and which get tossed into the digital void. Outside the news filter bubble, I’m all in for quality sushi and helping raise funds for Ukraine’s ongoing fight against the modern-day axis of evil. Besides music I’m also an SEO and AI content flow specialist and have an interest in everything finance from stocks to crypto. There is music in everything!

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It has been a hectic year, also for Alfa Matrix, but luckily their bands took the time to work in their studio to record new material. Out now via the Alfa Matrix Bandcamp page is the label’s 10th edition in the “Matrix Downloaded” compilation series, again offering you a – free – insight in what the Belgian label is all about. You can discover 64 tracks right here on Bandcamp.

The download holds tracks from Cubic, Psy’Aviah, Aesthetische, Digital Factor, Reichsfeind, Llumen, Zombie Girl, Diffuzion, Matthew Creed, Circuito Cerrado, Circumpolar, Venal Flesh, Mentallo & The Fixer, Freakangel, Alien Vampires, I:Scintilla, Schwarzblut, Totem Obscura, Reactor7X, First Aid 4 Souls, Lederman / De Meyer, Implant, AD:keY, Kant Kino, Die Robo Sapiens, ELM, Pouppee Fabrikk, Armageddon Dildos, Plastic Noise Experience, Synapsyche, Avarice In Audio, Elektrostaub, Junksista, First Aid 4 Souls, Benestrophe, Mental Exile, Star Industry, Halo In Reverse, Lovelorn Dolls, Helalyn Flowers, Essence Of Mind, Rector Scanner, Elektroklänge, Metroland, Lights A.M, Cosmic Armchair, Aiboforcen, H.O.W., 808 DOT POP, Suicidal Romance, Entrzelle, Technoir, Neuroactive, Mondträume, The Psychic Force, Studio-X, Studio-X Vs Simon Carter, Neikka RPM, Komor Kommando, Siva Six, Aengeldust, Acylum, Dunkelwerk and Növö.

Exclusive face masks

Next to that you can also get the download together with a face mask, out in a very limited series. You can either buy them separately or get all 3 in one. Check the set of 3 Face Masks (Blue Matrix + Endzeit + Red EBM Alert) or the separate masks.

Note that EVERY face mask order comes with a free compilation CD on top: “Sounds from the matrix 022” with 20 extra tracks.

Bernard - Side-Line Staff

Chief editor of Side-Line – which basically means I spend my days wading through a relentless flood of press releases from labels, artists, DJs, and zealous correspondents. My job? Strip out the promo nonsense, verify what’s actually real, and decide which stories make the cut and which get tossed into the digital void. Outside the news filter bubble, I’m all in for quality sushi and helping raise funds for Ukraine’s ongoing fight against the modern-day axis of evil. Besides music I’m also an SEO and AI content flow specialist and have an interest in everything finance from stocks to crypto. There is music in everything!

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Out now via Alfa Matrix is “Filthy Memories – Part 2“, a brand new download only album by the German dark electro act Acylum compiling old recordings, rare collaborations and other unreleased early demo tracks. The release acts as a little extra until the new studio album “Kampf Dem Verderb” comes out this Autumn 2020.

Next the label also released a new version of “The Enemy”, a ‘censored’ version, since the original version has been boycotted by all download services due to what the label considers an unjustified witch-hunt. Acylum compensated the few removed songs by adding several bonus tracks and remixes from the same recording period. You can of course also get the normal uncensored version via the label’s Bandcamp page.

The label has also released the complete back-catalog of the band’s repertoire via Bandcamp, including also the releases from the band’s side projects such as Totem Obscura, Aengeldust and Haushetaere.

ACYLUM

• The Enemy (v​.​2​.​0)
• Filthy Memories – Part 2
• Melanom
• Filthy Memories
• Matrix​:​Reb00ted – The Acylum Guerrilla – Zion (Dark Elektro) Warfare (02)
• Forgotten Time (Bonus Tracks Version)
• Karzinom (Bonus Tracks Version)
• The Enemy (Bonus Tracks Version)
• Hate EP
• Venom EP
• Pest (Bonus Tracks Version)
• Zigeunerjunge EP
• Mental disorder v​.​2 (Bonus Tracks Version)

TOTEM OBSCURA vs. ACYLUM

• Waldgeist
• Forgotten Time (Bonus Tracks Version)

TOTEM OBSCURA

• Helden EP (feat. Hubert Kah)
• Nordische Feste
• Blutiges Eisen EP
• Nachtwache EP

AENGELDUST

• Zucht EP
• Agent Orang
• Dancefloor Killer
• Meth Face EP
• Freakshow

HAUSHETAERE

• Syndicate (Deluxe Edition)

Bernard - Side-Line Staff

Chief editor of Side-Line – which basically means I spend my days wading through a relentless flood of press releases from labels, artists, DJs, and zealous correspondents. My job? Strip out the promo nonsense, verify what’s actually real, and decide which stories make the cut and which get tossed into the digital void. Outside the news filter bubble, I’m all in for quality sushi and helping raise funds for Ukraine’s ongoing fight against the modern-day axis of evil. Besides music I’m also an SEO and AI content flow specialist and have an interest in everything finance from stocks to crypto. There is music in everything!

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Available now on Spotify, iTunes and related platforms is the “Helden” EP by the German endzeit act Totem Obscura. For the occasion Nadine ‘Aengeldust’ Engel and Pedro ‘Acylum’ Engel have joined up with 80’s living legend Hubert Kah (known for his hit-songs and backing vocals for the 80’s icon Sandra).

“Helden” was already available from Bandcamp and now also has hit other platforms too as you can see below.

The EP itself holds 16 tracks including exclusive remixes of other album songs like “Blut Marschiert”, “Eisenmann” and “Bastard”. You can expect aggressive dark elektro with Middle-Age tonalities. Strongly recommended to fans of :Wumpscut:, Acylum, Heimataerde, Yelworc and Das Ich.

Check the EP on Bandcamp:

Bernard - Side-Line Staff

Chief editor of Side-Line – which basically means I spend my days wading through a relentless flood of press releases from labels, artists, DJs, and zealous correspondents. My job? Strip out the promo nonsense, verify what’s actually real, and decide which stories make the cut and which get tossed into the digital void. Outside the news filter bubble, I’m all in for quality sushi and helping raise funds for Ukraine’s ongoing fight against the modern-day axis of evil. Besides music I’m also an SEO and AI content flow specialist and have an interest in everything finance from stocks to crypto. There is music in everything!

side-line.com

Nadine ‘Aengeldust’ Engel and Pedro ‘Acylum’ Engel have joined up with 80’s living legend Hubert Kah (known for his hit-songs and backing vocals for the 80’s icon Sandra) to record the dowload Ep “Helden”. “Helden” is at the moment only available from Bandcamp, with other platforms to follow soon.

The EP itself holds 16 tracks including exclusive remixes of other album songs like “Blut Marschiert”, “Eisenmann” and “Bastard”. You can expect aggressive dark elektro with Middle-Age tonalities. Strongly recommended to fans of :Wumpscut:, Acylum, Heimataerde, Yelworc and Das Ich.

Check the EP on Bandcamp:

Bernard - Side-Line Staff

Chief editor of Side-Line – which basically means I spend my days wading through a relentless flood of press releases from labels, artists, DJs, and zealous correspondents. My job? Strip out the promo nonsense, verify what’s actually real, and decide which stories make the cut and which get tossed into the digital void. Outside the news filter bubble, I’m all in for quality sushi and helping raise funds for Ukraine’s ongoing fight against the modern-day axis of evil. Besides music I’m also an SEO and AI content flow specialist and have an interest in everything finance from stocks to crypto. There is music in everything!

side-line.com

Genre/Influences: Dark-electro, medieval-(h)el(l)ectro.

Background/Info: Behind Totem Obscura is hiding Pedro ‘Acylum’ Engel and his wife Nadine ‘Croona’ Engel. They’re both known for their work under the Acylum moniker, but Nadine recently also released a harsh and industrial new album as Aengeldust. “Nordische Fest” is the second opus of Totem Obscura.

Content: Totem Obscura is a bit to Heimataerde, like Acylum is to Wumpscut! “Nordische Feste” mixes dark-electronic elements together with medieval atmospheres. The German lyrics bring a gothic touch to the work. But the album is not excelling in power and sonic violence, but reveals overwhelming atmospheres and even melancholia. I sometimes get the impression Totem Obscura got inspired by the imaginary world of “Game Of Thrones” and I think to have recognized samplings from this famous series running through the album.

The album also features a song featuring Cosmic Armchair, which logically resulted in a more danceable approach. Another noticeable cut is “Helden” for featuring Hubert Kah (who did some backing vocals in the 80s for Sandra). Last, but not least you’ll discover remixes by Ruined Conflict, Hell:Sector and Crytek.

+ + + : I really admire the work and genius of Pedro Engel who according to me is one of the most talented musicians of his era dealing with dark-electronics. But he also is a man of many talents, which can accomplish much more than only Acylum tracks. I have to admit I expected this album to be a bit harder, but globally speaking I like the medieval atmospheres this album has been made of. I like the bleak mood recovering the songs, which feel like announcing a nearby disaster. It all sounds raw and tormented. The famous EP-song “Eisenmann” remains one of the major cuts of this album, but I also have to mention “Blut Marschiert” for its coldness. The medieval chants running through a few cuts inject an extra touch of mystery and visual appeal. Among the remixes I want to mention a great contribution by Ruined Conflict.

– – – : I expected a harder and powerful album, but that says more about me instead of the band. “Nordische Feste” is not the kind of work that will put dancefloors on fire (like early Heimataerde) although it’s a fascinating experience.

Conclusion: Totem Obscura transforms dark-electronic music into a medieval voyage and other fantasy universes. This is the perfect alternative soundtrack for “Game Of Thrones” or “The Lord Of The Rings”.

Best songs: “Eisenmann”, “Blut Marschiert”, “Bluttanz”, “Blut Marschiert – Ruined Conflict Remix”, “Gestandig”.

Rate: (7½).

Band: www.facebook.com/totemobscura

Label: www.alfa–matrix.com / www.facebook.com/Alfa.Matrix

Inferno Sound Diaries

I have been working for over 30 years with Side-line as the main reviewer. My taste is eclectic, uncoventional and I prefer to look for the pearls, even if the bands are completely unknown, thus staying loyal to the Side-Line philosophy of nurturing new talents.

www.side-line.com

Genre/Influences: Dark-electro, industrial-electro.

Background/Info: After the astonishing “Agent Orange”-album Nadine ‘Engel’ Croona (Acylum, Totem Obscura) is back on track unleashing this extra EP featuring 3 new songs plus 10 remixes.

Content: The sound and influences haven’t changed at all. Aengeldust sounds harder than any other project Nadine is involved with. This is the industrial side of the Aengeldust ‘bitch’ and I can assure you it’s a new merciless assault.

Remixes were executed by Antibiosis, Endzeit, Acylum, Havokk, Siva Six, Kill The Sleeper, Parasite Of God, Nebelwächter, Siamgda and Kilmarth.

+ + + : Among the new cuts I especially like both opening tracks, which are mixing the dark-electro style of Wumpscut (definitely an important source of inspiration for the Acylum-gang) and pure harsh industrial music. The remixes (of songs that were originally released on the “Agent Orange”-album) are adding diversity, but can’t compete with the harshness of Aengeldust. I however like the work of Havokk for its bombast and Endzeit for the distorted power.

– – – : I expected a bit more out of Acylum, Siva Sixx and Siamgda. They’re for sure the most familiar names from the list although not delivering the most inspired cuts.

Conclusion: “Zucht” clearly is the EP that would have been originally released as extra disc on the limited edition of the album, but as the label seems to have changed its policy about limited editions we here get a nice and highly recommended EP confirming the industrial rage of Aengeldust.

Best songs: “Suicide Bomber – Havokk Remix”, “Zucht”, “Agent Orange – Endzeit Version”, “Suicide Bomber – Nebelwächter Remix”.

Rate: (7½).

Band: www.facebook.com/Aengeldust

Label: www.alfa–matrix.com / www.facebook.com/Alfa.Matrix

Inferno Sound Diaries

I have been working for over 30 years with Side-line as the main reviewer. My taste is eclectic, uncoventional and I prefer to look for the pearls, even if the bands are completely unknown, thus staying loyal to the Side-Line philosophy of nurturing new talents.

www.side-line.com

Aengeldust is an electro-industrial solo-project set up and driven by Nadine ‘Cooraz’ Engel. She’s one of the few women involved with this ‘hard’ kind of music revealing a sound, which is much harder than the other projects she’s been involved with. You maybe remember her from HausHetaere, but you for sure know her from Totem Obscura and especially Acylum, which are all projects she’s running together with her husband Pedro Engel. Aengeldust has now unleashed her second album “Agent Orange” on Alfa Matrix while there also is a new EP entitled “Zucht”. Nadine ‘Cooraz’ Engel’s new work has been introduced as ‘the bitch is back’ and this is what she has to say.

(by Inferno Sound Diaries)

Q: Nadine, we all know you from you involvement with Acylum and Totem Obscura, which are bands you’re running together with your husband. So what means Aengeldust to you as an artist and as a woman?

Nadine: Aengeldust is my own baby. I can realize this project and do all the crazy things I always wanted to do.

Q: Aengeldust clearly sounds more into industrial influences although I noticed an evolution from “Freakshow” towards “Agent Orange”. How do you see this evolution and tell us a bit more about this new opus?

Nadine: It always depends on my mood, as the song sounds at the end of the day. It is important to me that I continue to develop. I think that I succeeded well.

Q: What can you tell us about the song writing referring to your way of working, sound research/creation, favorite equipment and potential sources of inspiration?

Nadine: It always comes out of my stomach. No rules. That’s the difference to Acylum and Totem Obscura.

Q: The title of your album is pretty intriguing, referring to chemical/herbicidal warfare used by the US during the Vietnam war. What did you try to express on “Agent Orange” and tell us a bit more about the numerous spoken samplings you’re using (instead of vocals)?

Nadine: I am a big fan of Asia, the culture and architecture and people as well. “Agent Orange” is the worst war crime of our time and therefore it should never fall silent.

Q: Next to the “Agent Orange”-album you’ve just released the “Zucht”-EP featuring new songs that haven’t been featured on the album. What did you want to accomplish with this extra release and tell us a bit more about the choice of the remixes?

Nadine: I had the need to tell and finish the story a bit further. Since I deliberately had no remixes on the album, they were realized on the EP. Cool bands like Acylum, Siva Six, Parasite of God and some more have made really good remixes.

Q: Why are there less women involved with industrial music and do you notice any form of macho attitude against the women (like you) who are involved?

Nadine: I do not care who does industrial music. Woman or man, it does not matter to me. It just has to sound different from others and only that counts to me.

Courtesy by Inferno Sound Diaries

Inferno Sound Diaries

I have been working for over 30 years with Side-line as the main reviewer. My taste is eclectic, uncoventional and I prefer to look for the pearls, even if the bands are completely unknown, thus staying loyal to the Side-Line philosophy of nurturing new talents.

www.side-line.com

The German female fronted harsh electro act Aengeldust is back. Out now – exclusively via Bandcamp for the moment – is the 13-track EP “Zucht” which offers the first new tracks after the well received “Agent Orange” album.

On the EP Nadine “Cooraz” Engel (also known for her work with Acylum and Totem Obscura) offers 3 new exclusive tracks: “Zucht”, “Fxxking Day” and “Kampftrauma”. Next to that “Fahnenträger” gets the remix/featuring treatment from Kill The Sleeper, Parasite Of God and Antibiosis.

And that’s not all: besides 3 more remixes of the clubhit “Suicide Bomber”, the band also signed 2 bonus remixes of “Agent Orange” while Belgian Kilmarth offers a noir atmospheric ending to this EP. Last but not least, you get a of “Genose Tod” by Siva Six.

You can listen to the entire EP below and download it now from Bandcamp.

Bernard - Side-Line Staff

Chief editor of Side-Line – which basically means I spend my days wading through a relentless flood of press releases from labels, artists, DJs, and zealous correspondents. My job? Strip out the promo nonsense, verify what’s actually real, and decide which stories make the cut and which get tossed into the digital void. Outside the news filter bubble, I’m all in for quality sushi and helping raise funds for Ukraine’s ongoing fight against the modern-day axis of evil. Besides music I’m also an SEO and AI content flow specialist and have an interest in everything finance from stocks to crypto. There is music in everything!

side-line.com

Genre/Influences: Dark-electro, industrial-electro.

Background/Info: Three years after the debut-album “Freakshow” Nadine ‘Cooraz’ Engel is back with her newest opus “Agent Orange”. Nadine is still involved with her husband in Acylum and Totem Obscura.

Content: “Agent Orange” sounds different than its predecessor. The harsh and merciless electro-industrial sound of the debut work evolved towards a more ‘classical’ dark-electro sound à la Acylum plus a few medieval elements à la Totem Obscura. Aengeldust in a way became the offspring between her other projects although there’s a more industrial- and even somewhat anarchistic flavor supporting this work.

The samplings are pretty important on “Agent Orange”, for accentuating a kind of disturbing atmosphere. A few cuts have been composed together with ‘guests’ such as Circuito Cerrado, FabrikC, Project Erratic and DJ Ele.

+ + + : I can’t get away from the idea that Nadine’s husband Pedro Engel has helped her with the global composition and production. He however sounds as an important source of inspiration, but this album will also appeal for lovers of Wumpscut and Heimataerde. I like the global evolution from the first album towards “Agent Orange”. The work is maybe a little less original, but damned efficient. Most of the samplings add a real bonus to the work and I especially like some passages where I think to have recognized Winston Churchill. Aengeldust sounds dark and tormented while having accomplished a few great cuts. The song “Duce” is an attention grabber and I also enjoyed the version together with FabrikC.

– – – : My single regret is that the tracks start to get a little bit too similar and repetitive after a while.

Conclusion: Aengeldust achieved a noticeable work, which has the potential to find a place next to the great Acylum! Nadine and Pedro Engel feel a bit like the Bonnie & Clyde of the dark-electro scene!

Best songs: “Duce – Part 2 feat. FabrikC”, “Paranoia”, “Duce”, “Genosse Tod”, “Fahnenträger”, “Agent Orange”.

Rate: (8).

Band: www.facebook.com/Aengeldust

Label: www.alfa–matrix.com / www.facebook.com/Alfa.Matrix

Inferno Sound Diaries

I have been working for over 30 years with Side-line as the main reviewer. My taste is eclectic, uncoventional and I prefer to look for the pearls, even if the bands are completely unknown, thus staying loyal to the Side-Line philosophy of nurturing new talents.

www.side-line.com

Out of the blue the belgian Alfa Matrix label releases the 2nd volume in their massive ‘Electronic Body Matrix‘ series. The first volume of this compilation series (check the release here) got qualified by many as the ultimate anthology of the EBM / electro-industrial scene. The 2nd edition of the “Electronic Body Matrix” compilation box once again manages featuring a real “who is who” artist selection bringing all new, exclusive or rare tracks.

This 2nd edition presents some 76 bands across 4 CD’s plus an exclusive download link giving you access to another 40 additional bands for a total music play of 116 songs (over 70% rare or previously unreleased tracks), an astounding 10 hour sonic journey! Marketed as a deluxe carton box with an extensive 28-page booklet with band pictures and credits.

All together on one same compilation, the leaders of the electronic scene of yesterday and tomorrow come together and include: FRONT 242 (exclusive mix), NITZER EBB (exclusive mix), FIXMER/MC CARTHY, RHYS FULBER, DANIEL B. PROTHESE, DIVE, BRUDERSCHAFT, POUPPEE FABRIKK, ARMAGEDDON DILDOS, KOMOR KOMMANDO, ELEGANT MACHINERY, AYRIA, FUNKER VOGT, PLASTIC NOISE EXPERIENCE, NOISUF-X, NEUROTICFISH, AESTHETISCHE, THE PSYCHIC FORCE, IMPLANT, [SITD], ALIEN VAMPIRES, HOCICO, ORPHX, NÖVÖ, METROLAND, PITCH YAR OF MATTER, MONDTRÄUME, CULTURE KÜLTUR, TOLCHOK, DEUTSCHE BANK, AVARICE IN AUDIO, THE SEXORCIST, PSY’AVIAH, AIBOFORCEN, ELEKTROKLÄNGE, R.I.P. (ROPPONGI INC PROJECT), ENTRZELLE, and many more, without forgetting the impressive remix work contributions of bands like EISFABRIK, FADERHEAD, ORANGE SECTOR, NZ, ELM, etc.

Add to this all hardcore ambassadors of today’s pure EBM league in the likes of SPETSNAZ, ELM, NZ, AD:KEY, AUTODAFEH, AGREZZIOR, ORANGE SECTOR,KANT KINO, CELLULOIDE, LIGHTS OF EUPHORIA, DIFFUZION, PATENBRIGADE: WOLFF, ACCESSORY, CEPHALGY, AMORPHOUS, VENAL FLESH, PROTECTORATE, STOPPENBERG, CENTHRON, LLUMEN, CARDINAL NOIRE, MILDREDA, CRYTEK, KONER, etc.

The exclusive bonus download link included in this 4CD box also gives you access to some 40 additional songs from artists like MENTALLO & THE FIXER, ACYLUM, SERPENTS, ZOMBIE GIRL, AENGELDUST, EQUITANT, NETZ, STUDIO-X, SIVA SIX, NEIKKA RPM, ESSENCE OF MIND, DEKAD, INTERFACE, NEUTRAL LIES, CIRCUITO CERRADO, TRAGIC IMPULSE, WANT/ED, HELALYN FLOWERS, DIVERJE, SCHWARZBLUT, TOTEM OBSCURA, DIGITAL GEIST, KILMARTH, SIGNAL OPERATOR, ELECTRO SYNTHETIC REBELLION, DIGITAL GEIST, TECHNOID, DEN C.T. BUG, and many more!

The full track listing can be checked right here.

Bernard - Side-Line Staff

Chief editor of Side-Line – which basically means I spend my days wading through a relentless flood of press releases from labels, artists, DJs, and zealous correspondents. My job? Strip out the promo nonsense, verify what’s actually real, and decide which stories make the cut and which get tossed into the digital void. Outside the news filter bubble, I’m all in for quality sushi and helping raise funds for Ukraine’s ongoing fight against the modern-day axis of evil. Besides music I’m also an SEO and AI content flow specialist and have an interest in everything finance from stocks to crypto. There is music in everything!

side-line.com

When Nadine “Cooraz” Engel (also known for her work with Acylum and Totem Obscura) debuted with her solo “Freakshow” album under the Aengeldust moniker a few years ago, it was quite clear this would be a full brutal electro attack. Since the release the project has been gathering a loyal following despite keeping it a purely studio project.

The follow-up album of the Chemnitz based project, “Agent orange”, is now finally out which is again rooted deeply in the strictly industrial noise scene and will please the fans of Acylum, Dive and related acts.

You can listen to the album below, or download it directly. Warmly recommended!

Bernard - Side-Line Staff

Chief editor of Side-Line – which basically means I spend my days wading through a relentless flood of press releases from labels, artists, DJs, and zealous correspondents. My job? Strip out the promo nonsense, verify what’s actually real, and decide which stories make the cut and which get tossed into the digital void. Outside the news filter bubble, I’m all in for quality sushi and helping raise funds for Ukraine’s ongoing fight against the modern-day axis of evil. Besides music I’m also an SEO and AI content flow specialist and have an interest in everything finance from stocks to crypto. There is music in everything!

side-line.com

Nadine “Cooraz” Engel (also known for her work with Acylum and Totem Obscura) debuted a few years ago with the hard-hitting “Freakshow” album which was quite well received in the club scene. She now returns with the follow-up album “Agent Orange” featuring a total of 15 tracks. Included on the album are also collaborations with the acts Circuito Cerrado, FabrikC and Project Erratic.

The album will be out on CD (available via this label webstore) and as a download album (right here via Bandcamp). You can view a trailer of the album right below.

Alfa Matrix, which is releasing this album, has also made the first 2 tracks available from the album via Bandcamp. Closer to the releasedate you’ll be able to listen to an exclusive album preview on Side-Line.

Bernard - Side-Line Staff

Chief editor of Side-Line – which basically means I spend my days wading through a relentless flood of press releases from labels, artists, DJs, and zealous correspondents. My job? Strip out the promo nonsense, verify what’s actually real, and decide which stories make the cut and which get tossed into the digital void. Outside the news filter bubble, I’m all in for quality sushi and helping raise funds for Ukraine’s ongoing fight against the modern-day axis of evil. Besides music I’m also an SEO and AI content flow specialist and have an interest in everything finance from stocks to crypto. There is music in everything!

side-line.com

It was Record Store Day this past weekend and for the occasion the Belgian label launched a special 30% discount code ( RSD2017 ) which is available to use until the end of this week. You can apply the code in the label’s webshop or on the label’s Bandcamp page. You will get 30% off on everything that is added in your basket (except on the forthcoming Metroland and Alien Vampires box sets).

Happy hunting!

Included in this massive discount action are releases by 32CRASH, Acylum, Aengeldust, Aesthetische, Agonised By Love, Aiboforcen, Alien Vampires, Ambassador21, amGod, Armageddon Dildos, Avarice In Audio, Ayria, Bruderschaft, Cosmic Armchair, Crisk, Cynical Existence, Depeche Mode (the tribute releases), Diffuzion, Diskonnekted, Dive, Dream Recall, Dunkelwerk, Elektroklänge, ELM, Entrzelle, Epsilon Minus, Essence Of Mind, Freakangel, Front 242, Gaytron, Glis, Halo In Reverse, HausHetaere, Headscan, Helalyn Flowers, Hungry Lucy, I:scintilla, Implant, Internal, Inure, Junksista, Kant Kino, Klutæ, Komor Kommando, Krystal System, Leaether Strip, Lovelorn Dolls, Malakwa, Male Or Female, Mari Chrome, Mentallo and the Fixer, Metroland, Mind:State, Mnemonic, Mondträume, Monolith, Nebula-H, Neikka RPM, Nitzer Ebb, Növö, O.V.N.I., Plastic Noise Experience, Pouppee Fabrikk, Prozium, Psy’Aviah, Razorfade, Recoil, Regenerator, Saeldes Sanc, Schwarzblut, Sebastian Komor, Seize, Sero.Overdose, Shaun F, Simon Carter, Siva Six, Star Industry, Stray, Studio-X, Suicide Inside, Tamtrum, Technoir, The Cure (tribute), The Psychic Force, Totem Obscura, Trisomie 21, Unter Null, Venal Flesh, Virgins O.R Pigeons, Virtual Embrace, XMH, Zombie Girl, … plus a long list of compilations.

And in order to save on shipping costs, it’s recommended to combine this with the label’s 2 newest releases although they are not discounted.

Bernard - Side-Line Staff

Chief editor of Side-Line – which basically means I spend my days wading through a relentless flood of press releases from labels, artists, DJs, and zealous correspondents. My job? Strip out the promo nonsense, verify what’s actually real, and decide which stories make the cut and which get tossed into the digital void. Outside the news filter bubble, I’m all in for quality sushi and helping raise funds for Ukraine’s ongoing fight against the modern-day axis of evil. Besides music I’m also an SEO and AI content flow specialist and have an interest in everything finance from stocks to crypto. There is music in everything!

side-line.com

“Today he has no means He’s alone and anonymous, but written in his cells he’s got the marks of a genius”, with these Front 242 lyrics (“Headhunter”) the Belgian electro label Alfa Matrix has launched quite an impressive EBM day action offering no less than a 30% discount on all of it’s physical (and download releases) including the much wanted Front 242 vinyls sets.

All you need to do is use the code ebmday242 to get 30% off on all of the labels releases (ltd editions, boxsets, t-shirts, vinyls, …) purchased via the Alfa Matrix webstore and the official Alfa Matrix Bandcamp page.

The code ebmday242 is only valid today and this weekend and will be applied on all products you have added in your basket.

And that’s not all! the label has also added a huge list of VERY low priced compilations right here.

Included in this massive discount action are all physical and download releases by 32CRASH, Acylum, Aengeldust, Aesthetische, Agonised By Love, Aiboforcen, Alien Vampires, Ambassador21, amGod, Armageddon Dildos, Avarice In Audio, Ayria, Bruderschaft, Cosmic Armchair, Crisk, Cynical Existence, Depeche Mode (the tribute releases), Diffuzion, Diskonnekted, Dive, Dream Recall, Dunkelwerk, Elektroklänge, ELM, Entrzelle, Epsilon Minus, Essence Of Mind, Freakangel, Front 242, Gaytron, Glis, Halo In Reverse, HausHetaere, Headscan, Helalyn Flowers, Hungry Lucy, I:scintilla, Implant, Internal, Inure, Junksista, Kant Kino, Klutæ, Komor Kommando, Krystal System, Leaether Strip, Lovelorn Dolls, Malakwa, Male Or Female, Mari Chrome, Mentallo and the Fixer, Metroland, Mind:State, Mnemonic, Mondträume, Monolith, Nebula-H, Neikka RPM, Nitzer Ebb, Növö, O.V.N.I., Plastic Noise Experience, Pouppee Fabrikk, Prozium, Psy’Aviah, Razorfade, Recoil, Regenerator, Saeldes Sanc, Schwarzblut, Sebastian Komor, Seize, Sero.Overdose, Shaun F, Simon Carter, Siva Six, Star Industry, Stray, Studio-X, Suicide Inside, Tamtrum, Technoir, The Cure (tribute), The Psychic Force, Totem Obscura, Trisomie 21, Unter Null, Venal Flesh, Virgins O.R Pigeons, Virtual Embrace, XMH, Zombie Girl, … plus a long list of compilations.

Bernard - Side-Line Staff

Chief editor of Side-Line – which basically means I spend my days wading through a relentless flood of press releases from labels, artists, DJs, and zealous correspondents. My job? Strip out the promo nonsense, verify what’s actually real, and decide which stories make the cut and which get tossed into the digital void. Outside the news filter bubble, I’m all in for quality sushi and helping raise funds for Ukraine’s ongoing fight against the modern-day axis of evil. Besides music I’m also an SEO and AI content flow specialist and have an interest in everything finance from stocks to crypto. There is music in everything!

side-line.com

We enter the final few hours to enjoy a 50% reduction on all of your purchases via the Alfa Matrix Bandcamp page. You get a discount of 50% when using the discount code january50432. Just enter it when checking out. The code is valid on ALL of the releases on the label’s Bandcamp page.

Included in this massive discount action are releases by 32CRASH, Acylum, Aengeldust, Aesthetische, Agonised By Love, Aiboforcen, Alien Vampires, Ambassador21, amGod, Armageddon Dildos, Avarice In Audio, Ayria, Bruderschaft, Cosmic Armchair, Crisk, Cynical Existence, Depeche Mode (the tribute releases), Diffuzion, Diskonnekted, Dive, Dream Recall, Dunkelwerk, Elektroklänge, ELM, Entrzelle, Epsilon Minus, Essence Of Mind, Freakangel, Front 242, Gaytron, Glis, Halo In Reverse, HausHetaere, Headscan, Helalyn Flowers, Hungry Lucy, I:scintilla, Implant, Internal, Inure, Junksista, Kant Kino, Klutæ, Komor Kommando, Krystal System, Leaether Strip, Lovelorn Dolls, Malakwa, Male Or Female, Mari Chrome, Mentallo and the Fixer, Metroland, Mind:State, Mnemonic, Mondträume, Monolith, Nebula-H, Neikka RPM, Nitzer Ebb, Növö, O.V.N.I., Plastic Noise Experience, Pouppee Fabrikk, Prozium, Psy’Aviah, Razorfade, Regenerator, Saeldes Sanc, Schwarzblut, Sebastian Komor, Seize, Sero.Overdose, Shaun F, Simon Carter, Siva Six, Star Industry, Stray, Studio-X, Suicide Inside, Tamtrum, Technoir, The Cure (tribute), The Psychic Force, Totem Obscura, Trisomie 21, Unter Null, Venal Flesh, Virgins O.R Pigeons, Virtual Embrace, XMH, Zombie Girl, … plus a long list of compilations.

The discount code only lasts till January 31st midnight, so make sure to use it asap!

Bernard - Side-Line Staff

Chief editor of Side-Line – which basically means I spend my days wading through a relentless flood of press releases from labels, artists, DJs, and zealous correspondents. My job? Strip out the promo nonsense, verify what’s actually real, and decide which stories make the cut and which get tossed into the digital void. Outside the news filter bubble, I’m all in for quality sushi and helping raise funds for Ukraine’s ongoing fight against the modern-day axis of evil. Besides music I’m also an SEO and AI content flow specialist and have an interest in everything finance from stocks to crypto. There is music in everything!

side-line.com

The 3rd track on our free download compilation “Face The Beat: Session 4” (featuring 92 tracks) is by Antibody​​​. The track “Desperation” is an instrumental powernoise cut which will please those who enjoyed the early stuff from Glis for instance.

Antibody is the solo act by Jan Antibody based in Germany. The project started in 2013 but raise to the attention of many thanks to his remix of Aengeldust’s club-hit “Meth Face”. After making some other remixes, for example for the Canadian noise act Displacer or for the German dark elektro project Binary Division, Antibody ended up on Alfa Matrix’ well known industrial compilation “Endzeit Bunkertracks 7” with the song “Shrimps”.

Antibody’s first single “Desperation” was released in September via Bandcamp via darkTunes. But for now you can listen to the band’s track below and download it here for free:

Check our “Face The Beat: Session 4” page on Bandcamp to discover the other 91 bands. All donations will go to charity.

Bernard - Side-Line Staff

Chief editor of Side-Line – which basically means I spend my days wading through a relentless flood of press releases from labels, artists, DJs, and zealous correspondents. My job? Strip out the promo nonsense, verify what’s actually real, and decide which stories make the cut and which get tossed into the digital void. Outside the news filter bubble, I’m all in for quality sushi and helping raise funds for Ukraine’s ongoing fight against the modern-day axis of evil. Besides music I’m also an SEO and AI content flow specialist and have an interest in everything finance from stocks to crypto. There is music in everything!

side-line.com