November 7, 2024

Rhea – Close To Moving Ice (Album – Littl’Antenna Records /  Wool-E Discs)

0
🇺🇦 Side-Line stands with Ukraine - Show your Support

Genre/Influences: Ambient-Electro, Cinematographic.

Format: Digital, CD.

Background/Info: Rhea is a Belgian solo-project driven by Mark De Wit. This artist also released Ambient-Electro under the  Purfoze moniker. “Close To Moving Ice” is meant as a tribute to the massive eternal ice of Greenland. The album features one single live track played during a Littl’Antenna happening. It’s the third production in this series set up by Littl’Antenna and Belgian NeuMusik (Wool-E Discs). 

Content: The sound universe of this artist is clearly reminiscent of the early Ambient experiments from the Berlin School. The composition has been slowly built up, creating a dreamy, abyssal universe where a few voices are emerging at the surface. The track creates a compact production, which sounds like belonging to a greater concept devoted to the beauty of Greenland.

+ + + : The composition has a very intimate and personal feeling. It feels a bit like the artist sounds in perfect harmony with the theme of his concept. It clearly has a visual appeal and I can imagine this work being accompanied by a visual production. Rhea doesn’t deliver any surprising effect, but brings Ambient-Electro how it has to sound: pure vintage sound treatments leading the listener into dream and evasion.

– – – : This is an easy and entertaining listening, but I’m missing just a climax. Everything remains sterile as the images we all have in mind from eternal ice masses.

Conclusion: This album is the perfect way to forget the daily routine and stress; a relaxing experience!

Best songs: “Close To Moving Ice”.

Rate: (7).

Labels: www.wool-e-discs.be / www.belgianneumusik.be /

www.facebook.com/woolediscs / www.antennafestival.be

author avatar
Inferno Sound Diaries
I have been working for over 30 years with Side-line as the main reviewer. My taste is eclectic, uncoventional and I prefer to look for the pearls, even if the bands are completely unknown, thus staying loyal to the Side-Line philosophy of nurturing new talents.

Since you’re here …

… we have a small favour to ask. More people are reading Side-Line Magazine than ever but advertising revenues across the media are falling fast. Unlike many news organisations, we haven’t put up a paywall – we want to keep our journalism as open as we can - and we refuse to add annoying advertising. So you can see why we need to ask for your help.

Side-Line’s independent journalism takes a lot of time, money and hard work to produce. But we do it because we want to push the artists we like and who are equally fighting to survive.

If everyone who reads our reporting, who likes it, helps fund it, our future would be much more secure. For as little as 5 US$, you can support Side-Line Magazine – and it only takes a minute. Thank you.

The donations are safely powered by Paypal.

Select a Donation Option (USD)

Enter Donation Amount (USD)

Verified by MonsterInsights