PIG reissues ‘Sinsation’ in a remastered version – Out now
Raymond Watts, better known as PIG, has released a fully remastered version of his iconic 1995 album, “Sinsation“. Out via Metropolis Records (CD, digital) and Armalyte Industries (deluxe 2xLP vinyl), this reissue arrives nearly three decades after the original, just in time to coincide with Watts’ forthcoming North American tour.
“Sinsation” originally hit the scene on Nothing Records, the label spearheaded by Nine Inch Nails’ Trent Reznor. The album emerged shortly after PIG opened for NIN, and as a result PIG found himself labelmates of acts such as Marilyn Manson, Autechre, and Einstürzende Neubauten.
Watts says this about the actual album: “Every record I make is PIG through a different noose, and when I made ‘Sinsation’ the noose hung high. It was born at Ranch Apocalypse in London, a place where creation and cremation coexisted. I was locked inside both the studio and myself, with only [guitarist] Steve White and a large box of drugs for company. ‘Sinsation’ was the sound of the last card turning and burning. The only way out was through. I had to give birth to the noise inside my head and record it.”
The remastering process was an emotional experience for Watts: “I was surprised and saddened to revisit ‘Sinsation’. Surprised by the energy and invention and saddened to hear the pain. But, I was strangely glad to have visited hell, and blessed that I didn’t stay.”
The original ‘Sinsation’ was a collaborative effort, recorded and mixed by PIG and Helen Woodward, featuring contributions from Karl Hyde (Underworld), Jimmy Cauty (The KLF), Steve White (KMFDM), Carol Anne Reynolds (Sow), and Japanese artists Imai Hisashi (Buck Tick) and Hoppy Kamiyama.
Since you’re here …
… we have a small favour to ask. More people are reading Side-Line Magazine than ever but advertising revenues across the media are falling fast. Unlike many news organisations, we haven’t put up a paywall – we want to keep our journalism as open as we can - and we refuse to add annoying advertising. So you can see why we need to ask for your help.
Side-Line’s independent journalism takes a lot of time, money and hard work to produce. But we do it because we want to push the artists we like and who are equally fighting to survive.
If everyone who reads our reporting, who likes it, helps fund it, our future would be much more secure. For as little as 5 US$, you can support Side-Line Magazine – and it only takes a minute. Thank you.
The donations are safely powered by Paypal.