The Brussels-based Spleen+ label (a division of Alfa Matrix) has prepared a deluxe 7CD collector’s edition – “Resurgence” – which brings together 133 active bands from across the globe, spanning the diverse sub-genres born from post-punk’s iconic roots. You can order it now from the Alfa Matrix webstore and in digital download format from Bandcamp.

The release comes housed in a luxurious vinyl-sized box, and comes accompanied by a 28-page book. The book holds interviews from renowned producers like John Fryer and Jean-Marc Lederman, label managers, journalists, and iconic artists (including Red Lorry Yellow Lorry, William Faith, No More, Skeletal Family, Mona Mur, KaS Product, And Also The Trees, Clan Of Xymox, Attrition, Das Ich, Merciful Nuns, The Names, The Breath Of Life, etc).

Spanning 23 different nationalities, the music included is a genre-spanning mix of post-punk, cold wave, dark synth, ethereal, and minimal EBM with such bands like Boy Harsher, A Cloud Of Ravens, No More, Skeletal Family, Collection D’Arnell Andrea, Underviewer, Attrition, Merciful Nuns, Lederman/De Meyer, Local Suicide & Sekelesys, Star Industry, Ataraxia, Czarina, Helalyn Flowers, Ascii.Disko, Je T’Aime, The Ultimate Dreamers, Lycia, Opera Multi Steel, The Breath Of Life, Auger, The Names, Whispers In The Shadow, Lovelorn Dolls, Astari Nite, Chiasm, Saigon Blue Rain, Omnimar, Still Patient, Creux Lies, Golden Apes, and many more.

You can already check out a few tracks here.

Apart from the 7CD vinyl size deluxe carton box format, “Resurgence” will not be available on mainstream digital platforms, except exclusively via the label’s Bandcamp page.

There is also a special combi pack including the 7CD set plus Darkness On Demand’s “Panic In Reserve” CD and To Avoid’s “All Gods Are Gone” 2CD.

“Resurgence” Tracklist

Cd 1

1. Bestial Mouths . Hex (The Spell)
2. A Cloud Of Ravens . Parable
3. Boy Harsher . Give Me A Reason
4. Czarina . Wonderland
5. Collection D’arnell Andrea . Waiting For Meaulnes
6. Krystal System . La Lame Dans Ta Main
7. Je T’aime . Out Of Sight
8. Aeon Rings . Fully Operational
9. The Ultimate Dreamers . Polarized
10. Partikul . Nothing Good In Me
11. Cosmobrigade . Spacepit
12. Aeon Sable . From Witchcraft To Deviltry
13. Stereoskop . Deep Down
14. The Breath Of Life . Slowly Crushing
15. Faust Project . Rats Lullaby
16. Al . Mistake
17. N.E.L. & J.P . Desinteresse
18. Zeitgeist Zero . Scream
19. Voyna . Moulding Heart

Cd 2

1. Blackbook . You Are Strange
2. Auger . My Heart Is Glass
3. Dekad . A Deadly Show (Video Edit)
4. Love In Cage . A Logical Secret Collection
5. Helalyn Flowers . Halos
6. Soft Scent . No Wounds
7. Sweet Ermengarde . Sweet Sacrifice
8. Martin Dupont . Bent At The Window (2023)
9. The Names . Far From The Factories
10. Boxes Of Blow . Melting Faces
11. Mirror Of Haze Feat. Primitive Heart . Reckless
12. A Slice Of Life . Seven Days
13. Then Comes Silence . Pretty Creatures
14. Nite . Inside Of My Head
15. Astari Nite . Bowie In Daydreams
16. Korus . Złote Światło Pierwszego Zachodu
17. Lovelorn Dolls . A Heart Cries
18. Whispers In The Shadow . Revenants
19. Merciful Nuns . Oneironauts

Cd 3

1. Lederman – De Meyer . Heartbeat
2. Local Suicide & Skelesys . Surface Of The Sun (Radio Edit)
3. Punx Soundcheck Feat. Ascii.Disko & Princess Superstar . Gasoline
4. No More . Sleepers And Trains
5. Mitra Mitra . Memories For Company
6. A Copy For Collapse Feat. Simona Pietrucci . Faded
7. Alien Skin . Depress Me
8. White Mansion . Cancel The Sky
9. Apnoie . Splash Your Bile
10. Celluloide . Compte Les Ombres
11. Risk Risk . Streetwalk
12. Total Chroma . Northern Lights
13. Opera Multi Steel . À Nos Moments Perdus
14. Lycia . Simpler Times
15. Noemi Aurora . Blood As Lipstick
16. Novus . Ess
17. I Ya Toyah . Death’s Kiss
18. Katcross . Rest
19. Winter Severity Index . Speak To Me

Cd 4

1. Systeme Paradoxe . Comme Le Sable En Hiver
2. Aiboforcen . Break The Black Ice (Original Mix)
3. Chiasm . Cut Right Through (Emileigh Rohn Edit)
4. Saigon Blue Rain . Dolls Dresses
5. Her Own World . Mistrust
6. Still Patient Feat. Minu-Schirin Samimi . Blind Vision
7. Creux Lies . Playtime
8. Der Klinke . Curtains (Your Life On Hold Remix)
9. On The Floor . Crying On The Dancefloor
10. Numa Echos Feat. Red Zebra . Waisted Items
11. Factheory . The Day (Ok Lion! Mix – Short Version)
12. Antiflvx . Crystal
13. Flor Concreta . She’s Closer
14. Golden Apes . Ash Trees
15. Glis . Blue Sky Night
16. Ataraxia . The Source
17. Hanging Freud . Grooming
18. Ok Lion! . Get Away
19. Yuzna . Queen Of The Eels

Cd 5

1. The Breath Of Life Feat. Implant . The Last Record
2. The Halo Trees . Happy Man
3. Palm Ghosts . Tilt
4. Your Life On Hold . Imprisoned (Merciless Radio Edit)
5. Götterdämmerung . Common Existence
6. Jenni Sex . Sin Chimes
7. Denner . She Radiates Darkness
8. Imjudas . I Love You
9. Black Needle Noise . Dollhouse On Fire
10. Dead Souls Rising . Dysmorphobia
11. The Waning Moon . Annabel
12. Korinthians . Leader Of The Night
13. Elektrostaub Feat. Stefan Netschio . Mantis (Auger Remix)
14. Omnimar . The Matrix
15. Synapsyche Feat. Chris Harms (Lord Of The Lost) . The Last Dying Flame
16. Dance My Darling . Criminal
17. First Aid 4 Souls Feat. Emke Of Black Nail Cabaret . Das Messer
18. Supernova 1006 . Tell Your Name (Mix)
19. Suicidal Romance . Runaways

Cd 6

1. Ascii.Disko . Loslassen
2. Vioflesh . Emotions
3. Dina Summer . Who Am I (Club Version)
4. Pleasure Victim . Rascheln
5. Pink Opake . Pronta
6. Thewalkingicon . The Trail (Radio Edit)
7. Psy’aviah Feat. Sorrow Stories . Healing
8. Seasurfer . Collapsing
9. Lakeside X . Fire In The Sky (Radio Version)
10. Darkness On Demand . Hang On (Winterhart Remix)
11. Star Industry . Selling Icons (The Dreamside Remix)
12. Alphavox . Dark Satellite
13. Yama Uba . Shapes
14. Lifeless Past . Anxiety
15. Pink Turns Blue . Not Gonna Take It
16. Social Union . Waiting For Red
17. Sine . Until (Clan Of Xymox Remix)
18. Sorry, Heels . She Burns (We Burn) Version
19. Lights A.M . Clouds

Cd 7

1. Useless/You . Echo
2. Attrition . The Great Derailer
3. Children Of Zeal . Taking Over
4. Octolab . Friend Or Foe
5. Vague Phonique . The Last Man
6. Midnight Poetry . Black Hole
7. The Overlookers . Undercover (Edit)
8. La Machine . Vamos A La Playa (Radiomix)
9. Die Sexual . House Of God
10. Carrellee . Morning Sun
11. Underviewer . Was Soll Ich Tun (Aiboforcen Remix)
12. Night In Athens . Words Unspoken
13. Neila Invo . Alienation
14. Skeletal Family . My Own Redemption
15. The Murder Mystery . A Girl Named Red
16. Princess Ugly . For A Moment I Forgot The Desolation
17. Instant Lake . Ivory Dreams
18. Vision Video . Balaclava Kiss
19. La Scaltra . Dancing On Debris

Bernard - Side-Line Staff

Chief editor of Side-Line – which basically means I spend my days wading through a relentless flood of press releases from labels, artists, DJs, and zealous correspondents. My job? Strip out the promo nonsense, verify what’s actually real, and decide which stories make the cut and which get tossed into the digital void. Outside the news filter bubble, I’m all in for quality sushi and helping raise funds for Ukraine’s ongoing fight against the modern-day axis of evil.

side-line.com

As we reported last month, Alfa Matrix has launched the sublabel Spleen+, which is created to accommodate more post-punk/minimal synth related releases. We already talked about the Belgian post-punk act The Ultimate Dreamers, who launched their label debut with the “Polarized EP”, and now we will present you the newest EPs from the Italian new wave act ImJudas.

ImJudas presents us 2 new EPs in one go, “So Untrue” and “People Of The Blame”, each featuring these songs as an exclusive edit, remix, or even demo versions.

The rock-wave ballad “So Untrue” is for instance completely remixed by Phil of Belgium’s cult ethereal darkwave band The Breath Of Life while the German electro pop act Elektrostaub turned the title track into a more future pop club tainted track. You also get to hear the 2016 demo version of “So Untrue” and “Outcast”.

On “People Of The Blame” Madil Hardis offers a dark ethereal version of “People Of The Blame”, while the Swedish duo Octolab turns it into an upbeat mix featuring female backings by singer Arielle Andersson. Neikka RPM from their side give a break beat dimension to “Ritual”. And also on this second EP we find two demo versions from 2016, the title track “People Of The Blame” and “Tulsa”.

You can check the rest of the back catalogue of ImJudas right below.

• Tulpa EP
• Ritual EP
• Yrjudas (album)

And here are the official videos for “Ritual” and “People Of The Blame (canned anger)”

Bernard - Side-Line Staff

Chief editor of Side-Line – which basically means I spend my days wading through a relentless flood of press releases from labels, artists, DJs, and zealous correspondents. My job? Strip out the promo nonsense, verify what’s actually real, and decide which stories make the cut and which get tossed into the digital void. Outside the news filter bubble, I’m all in for quality sushi and helping raise funds for Ukraine’s ongoing fight against the modern-day axis of evil.

side-line.com

(By our Norwegian correspondent Jan Ronald Stange)

December 16th 2022 sees the return of Piston Damp with not just one single, but TWO singles!!!

This is what happens when creativity takes hold and goes into overdrive. Truls Sønsterud and Jonas Groth have been on fire since the great reception of their debut album, ‘Making The World Great Again’, and the three consecutive singles, ‘Something In Me’, ‘Loose Ends’ and ‘Runaway’, as well as the ‘Making The World Great Again E.P.’ that was the final chapter in the MTWGA story.

After playing gigs and festivals in Norway, Sweden and Germany in 2022, we will also see them return to both Sweden and Germany for gigs and festivals in 2023, including a gig in Helsingborg, Sweden together with Octolab and Train To Spain on March 4th., as well as a performance at the E-Only Festival in Leipzig, Germany on the 17th. February. More live dates TBC!

Their two new singles, ‘Sacrifice’ and ‘All the edges I can fall’ are as diverse and catchy as you would expect from these guys, and they are both exploring the darker and deeper vaults of electronic music, as well as the higher mountain tops of catchy sing-a-long synthpop.
An intricate and well thought through production, carefully mixed by Magne Johansen and skillfully mastered by Ole-Espen Kristiansen, makes the songs eligible for both the dancefloor and for your party playlist.

Without a doubt, these singles will become fan favorites, and the guys are really looking forward to performing them live on the coming gigs.
Both singles are written by Jonas Groth and are topped with his skillful vocals and vocal production, and the instrumentation, drum programming and f/x from Truls Sønsterud are all worked through in a way that makes you understand that not a single sound is there by chance. Additional vocals on «Sacrifice» from Truls Kristian Nygaard, known from Norwegian electro-pop sensation SWEEP.

The singles also comes with an extended remix made by the band themselves, further leaning into the old 80’s tradition of the 12″ Extended Mixes that we all loved and adored.‍

Both singles released digitally on December 16th 2022 through Sub Culture Records on all platforms and streaming services, including Bandcamp.

Listen here!

Other sources:

“Sacrifice” – Spotify
“Sacrifice” – Deezer
“Sacrifice” – Apple Music

“All The Edges I Can Fall” – Spotify
“All The Edges I Can Fall” – Deezer
“All The Edges I Can Fall” – Apple Music

jrstange

Sometimes – when I’m not cooking, biking, listening to music or attending concerts, I write stuff for Side-Line.com. Mostly about Norwegian bands, but it’s been some Swedish, English, American, Danish, German and others too… 😉

www.facebook.com/jrstange

Swedish Electro-Pop formation Vanguard became a familiar and recognized name in the Electro-Pop scene. One of the band’s members Patrik Hansson decided to start a side-project called Uncreated. Several EP’s were released revealing a catchy, powerful, sound. This is danceable Electro-Pop getting people happy. The debut album “Eternal” released in 2019 was a successful production. By the end of 2021 Uncreated unleashed its second opus “Symbiosis” featuring an impressive list of guests singers.  Mark Hockings (Mesh), Björn Marius Borg (Xenturion Prime), Louise Marchione (Planet R/Thermostatic), Mikael Engström (Covered In Snow), Richard Flow (Machinsta) and Arielle Andersson (Octolab) contributed to this fascinating album released by Conzoom Records.

(Picture credits Peter Engman / Interview courtesy by Inferno Sound Diaries)

Q: What made you start next to Vanguard a solo-project? How do you differentiate both projects in sound, influences and production? 

Patrik: I have always wanted to work with other singers. That was actually one of the reasons I looked for a companion back when I met Jonas and we started Vanguard, but it turned out that I was the one grabbing the microphone. So, the dream to work with other singers lived on and Uncreated is the result of that.

When it comes to differentiate the projects it has become easier the more I have worked with both Vanguard and Uncreated. One obvious thing is the singers ofc, but also the production differs more and more. Vanguard has a tendency to go towards a darker atmosphere whilst Uncreated feels more optimistic so to speak. I don’t know in what direction it will go from here though.

Q: A solo-project smells like ‘total freedom’; to do what you want without any compromises. But what are the main difficulties and challenges you encounter when being the single member at board? Do you have external critics and/or advisors? 

Patrik: I always try to get input from people I trust when it comes to songwriting and production. Rob Dust has always been kind enough to help me out when it comes to production.

The co-writers/guest-singers have a lot to say as well. It is important that all involved are as satisfied as possible. I know I have some limitations when it comes to production etc, but the more I work with it, the better I become. 

Q: How did this ‘symbiosis’ between you and the singers happen? Did you handle specific criteria to choose the singers to work with? What have been the different stages you’d to go through to get the job done?

Patrik: I simply choose to ask singers whose voices I really like. Not all accepted but I am really happy that so many wanted to join me as well on “Symbiosis” as on all earlier releases. In some cases I had a song ready for the guest to record and in some cases I only had an instrumental track. On most instrumental tracks I had an idea of a melody, but I let the guest decide if they wanted to write something themselves or not, both lyrics and melody.

Q: How did the transition happen between your debut album “Eternal” and “Symbiosis”? What aspects of the production did you try to change and/or improve? 

Patrik: With “Eternal” I created a small foundation to grow from so to speak. I only had one guest on the album (Mel Guntzelsson). I wanted to spread the word just a little bit before I invited more guests. I guess it worked out quite well since I have been joined by great singers since then. Each release has helped me to spread the word about Uncreated to a bigger audience. After every release I let the songs ‘rest’ for a while before I listen to them again. In that way I have managed to take small steps in the right direction after every release.

Q: “Hand Grenade” featuring Mark Hockings rapidly became one of Uncreated’s most successful songs. Tell us a bit more about this song and the collaboration with Mark properly speaking? How did you know it was a song for him?

Patrik: Mark did a remix of “Break Free” (feat. Dennis Schober from Solitary Experiments) and that is how I got in contact with him. It was during that process that I told him I had a free spot for the upcoming album. I was really surprised that he accepted to join. I sent him an instrumental track and gave him time to work with lyrics and melody. The result was beyond my expectations. He also added a few elements to the production which really improved the impact of the song.

Q: What are your further plans with Uncreated? How do you expect the project evolving and what are you actually working on? 

Patrik: At the moment I’m gathering inspiration to do more tracks. I still have a list of singers I want to work with. Actually Magnus Dahlberg from the Swedish band More is currently working on lyrics for a track. Let’s see where that ends! But I have no release with Uncreated planned in the near future.

Vanguard will release “Spectrum” this spring and then we have some gigs coming up too. I want to focus on that. But if I know myself, I will probably get in one of my ‘zones’ when I least expect it. In that case things can go fast.

Inferno Sound Diaries

I have been working for over 30 years with Side-line as the main reviewer. My taste is eclectic, uncoventional and I prefer to look for the pearls, even if the bands are completely unknown, thus staying loyal to the Side-Line philosophy of nurturing new talents.

www.side-line.com

Genre/Influences: Electro-Pop.

Format: Digital, CD.

Background/Info: Patrik Hansson (Vanguard singer) released the second album of his solo-project Uncreated in November 2021. The opus was released right after a few singles featuring guest singers.

Content: Patrik Hansson got some good company to achieve this work. He asked guest singers to join in. Mark Hockings (Mesh) and Björn Marius Borg (Xenturion Prime) were already featured on the previously released singles while Louise Marchione (Planet R/Thermostatic), Mikael Engström (Covered In Snow), Richard Flow (Machinista) and Arielle Andersson (Octolab) completed the list. Patrik is singing on a few songs as well. The music remains pure Electro-Pop -and still more poppy than Vanguard, driven by hopping sequences, retro sound treatments and danceable beats.

Nite did a remix of “Hand Grenade” featuring Mark Hockings. The CD version features 2 bonus songs which are extended versions.

+ + + : The concept of working with guest singers is not new but rather surprising for Patrik Hansson who’s a talented singer himself. It however resulted in extra diversity while the artist could probably focus more on songwriting and production. “Hand Grenade” remains an outstanding song, but I also have to mention the other single “Rebuild The Future” featuring Marius Borg and the more aggressive “Alive” featuring Richard Flow. I also enjoyed “One Night In Blue” featuring Louise Marchione’s delicate timbre of voice. Nite also accomplished a cool remix of “Hand Grenade”.

– – – : I only noticed a few ‘softer’ songs which couldn’t convince me but which injected a break to the work.

Conclusion: Uncreated only confirms its immense potential, being next to Vanguard, another great Electro-Pop project of Patrik Hansson.

Best songs: “Hand Grenade”, “Rebuild The Future”, “Alive”, “One Night In Blue”, “Hand Grenade – Nite Remix”.

Rate: 8.

Artist: www.facebook.com/uncreatedofficial

Label: www.conzoomrecords.de / www.facebook.com/conzoomofficial

Inferno Sound Diaries

I have been working for over 30 years with Side-line as the main reviewer. My taste is eclectic, uncoventional and I prefer to look for the pearls, even if the bands are completely unknown, thus staying loyal to the Side-Line philosophy of nurturing new talents.

www.side-line.com

It has been 10 years since facebook page Swedish Electro Scene was started. To celebrate those 10 years on March 21st, the Swedish Electro Scene Facebook page released a free 67 track compilation titled “2011-2021 Swedish Electro Scene the compilation”.

You’ll find 67 tracks by bands and artists such as Page, Octolab, Vogon Poetry, Tolchock, Lizette Lizette, Dpoint, Neurobash, Normoria, Processor, Datapop, Asfalt, Syntet, Train To Spain and many more available for free.

You can find the compilation on Bandcamp right below.

Bernard - Side-Line Staff

Chief editor of Side-Line – which basically means I spend my days wading through a relentless flood of press releases from labels, artists, DJs, and zealous correspondents. My job? Strip out the promo nonsense, verify what’s actually real, and decide which stories make the cut and which get tossed into the digital void. Outside the news filter bubble, I’m all in for quality sushi and helping raise funds for Ukraine’s ongoing fight against the modern-day axis of evil.

side-line.com

(Interview by Simon Helm / photo by Krichan Wihlborg) Sweden’s love affair with EBM goes back a long way. Bands like Pouppée Fabrikk, Container 90, Kropp, Sturm Café and Spetsnaz have carried the torch for body music for many years.

The next generation of Swedish artists influenced by the sound has included Rein, Circumpolar and Strikkland. These acts have built on the beats of their predecessors by adding elements of electronic pop.

The last of these has started to release a series of singles and an EP independently in 2020. A duo composed of Henric Ceder (keyboards and computers) and Henrik Johansson (vocals), Strikkland has combined EBM and pop influences to striking effect. They have also leveraged Johannson’s skills as a videographer to ensure that their visuals are as dramatic as their sound.

We asked Ceder to tell us about Strikkland’s work and plans in the time of corona. 

SL: How did you come together as Strikkland?

S: Strikkland was started in Trollhättan, Sweden, in 2015. 

Henrik and I had been friends for a long time, and we shared a passion for electronic music. We had often talked about starting a band, since he had a background as a singer in a metal band and I had been mucking about with synthesizers since the mid 1980’s. In 2015, we actually sat down to make something, and the result was “Predatorial Right.” 

Unfortunately, Life™ intervened. I got divorced, moved to Gothenburg, and Predatorial Right ended up in a drawer until the summer of 2019, when it was played at a private Subkult Festival pre-party in Trollhättan.

The feedback we got was amazing, and in April 2020 it became our first single, released on all major streaming platforms. To our surprise, the single was nominated as a newcomer at the German Electronic Web Charts (GEWC.de) and aired at several Web radio stations across Europe and even in South America. That was like a vitamin injection for us that really sparked our creativity. So, here we are, seven months, three singles and one EP later.

The “Dance Like a God” video.

SL: How important is the visual element to you?

S: The visual element is pretty important. A reason for that is probably the fact that Henrik is a photographer by trade. The cover art of our releases are all photos taken by him. Our first (and, so far, only) music video (“Dance like a God”) is shot by his film production company and directed by his wife Sofie.

The obvious thing to do would be to go to a closed-down factory and take pictures in black-and-white, posing in combat boots in front of chimneys, rubble and cog wheels, and use that as cover art; but the visuals are an equally important part of our art (if we may call it art without sounding like  pretentious wankers). So, we do our thing just like we do with our music.

SL: Your style is based on old school EBM, but you have acknowledged influences ranging from metal to Depeche Mode. What do you draw upon to create your music?

S: We both love old school EBM, and it has had a huge impact on us in terms of influence, but we can never become another DAF, Nitzer Ebb or Front 242, even if we wanted to. We also have to confess that we love synth-pop, lush pads and solid melodies. I mean, I grew up in the 1980’s with Human League, Depeche Mode, Ultravox, Alphaville, Yazoo and all the other great artists like Vangelis and Jarre – that was the soundtrack to my youth. So, of course, that all sits in the back of my brain when I write the music. 

I also took classical piano lessons for more than a decade when I was young, so that probably has an impact, as well. I usually sit down with the intention to make a raw bassline on an analog hardware synth, but a few hours later  there are pads and melodies added. That is our workflow, by the way: I write the music and Henrik writes the lyrics and does the vocals.

SL: What is next for Strikkland? There seem to be remixes on the way?

S: There is another single in the making, which will hopefully be released in November. We will also be releasing some remixes of our music that other bands are working on right now. No ETA on those yet, though. We are also working on a remix for the amazing Swedish band Octolab, and we are making a cover song for a German compilation that will be out before Xmas.

There is a small Covid-safe live performance together with our good friends Peter and Robert of Dpoint scheduled for December 18^th. Hopefully, we can pull that one off, but of course nobody knows these days. Last but not least, we are looking for a label to help us to the next level – to release a full album on physical media.

SL: Are you happy with how your material has been received?

S: We are extremely happy and thankful for the amazing support and positive feedback we have received. Strikkland wouldn’t exist without it, and that is what sparks us to continue. With that said, we did expect some of the songs on the A Gift to Solitude EP to attract more streams and attention. I mean, “Kinky Sophisticated Gentleman” deserves to be a floor-filler, and “Truth Will Unfold,” where my wife Cecilia contributes with some vocals, is a pretty solid track with a 80’s vibe to it.

But, all in all, we are extremely happy with the reception of our music and we really want to thank everyone who helps making this journey possible for two fifty year olds!

Released so far…

Bernard - Side-Line Staff

Chief editor of Side-Line – which basically means I spend my days wading through a relentless flood of press releases from labels, artists, DJs, and zealous correspondents. My job? Strip out the promo nonsense, verify what’s actually real, and decide which stories make the cut and which get tossed into the digital void. Outside the news filter bubble, I’m all in for quality sushi and helping raise funds for Ukraine’s ongoing fight against the modern-day axis of evil.

side-line.com

Genre/Influences: Electro-pop.

Format: Digital, CD.

Background/Info: Swedish duoArielle Andersson – Fredrik Lundvall Kindsäter is already active under the OctoLab moniker for several years, but didn’t release new work at regular basis. This new album got self-released and next released by Electro Shock Records on CD format.

Content: “Mystery Park” is clearly driven by electro-pop music. Even if the band claims to be inspired by numerous 80s new-wave artists they don’t fall into the trap of copying some of their idols. OctoLab sometimes reminds me to Ayria its power-pop approach. The songs are melodic, definitely danceable, sometimes even groovy-like or featuring acid treatments, but in the end the album appears to be a very personal interpretation of contemporary electro-music; a wink to their 80s idols with a refreshing and powerful touch on top. Arielle’s vocals inject a part of sensuality, but still power and passion to the work.

+ + + : This album is a well-crafted- and mature production. Several songs have been accomplished by external producers, which might explain the higher level; getting a second opinion is always a bonus! And it resulted in a few outstanding pieces such as the surprisingly groovy-like “Petite Little People” (previously released as EP title song) and “Sense Of Balance”, which is recovered with a sensual, Eastern atmosphere. But globally speaking the songs also reveal great sound treatments.

– – – : I don’t have major minus points expect a little fade out at some of the songs while a few passages are maybe a little less too dance-like.

Conclusion: OctoLab has accomplished a noticeable album, which is also their best exposure to date!

Best songs: “Petite Little People (Album Edit)”, “Sense Of Balance”, “Aim For His Head”, “Itchy Sounds”.

Rate: (7½).

Artist: www.facebook.com/pg/octolab.brilliantsound

Label: www.electro-shock-records.mozello.de / www.facebook.com/pages/Electro-Shock-Records/105471026168220

Inferno Sound Diaries

I have been working for over 30 years with Side-line as the main reviewer. My taste is eclectic, uncoventional and I prefer to look for the pearls, even if the bands are completely unknown, thus staying loyal to the Side-Line philosophy of nurturing new talents.

www.side-line.com

Genre/Influences: Electro-pop, future-pop.

Background/Info: The Spanish Mondträume duo strikes back with their second full length, which comes five years after the promising debut “Empty”. In the meantime front man Damasius Venys also started with a solo side-project Mental exile, which released its debut-EP in 2018.Notice by the way this new album was preceded by the singles “Still Beating” (2014) and “Free” (2016).

Content: Pikotto Vond Mond and Damasius Venys remain faithful to their electro/future-pop style they introduced on “Empty”. The influences remain identically the same, but the global writing- and production process have been seriously improved. The songs are featuring danceable beats and melancholic, but melodic leads and choruses. I however noticed a fewer ‘happy’-like passages (cf. “Nothing”) and even a simply beautiful song (cf. “Let Me Go”), which has something sensible and poignant.

The limited edition features a bonus disc with remixes by Crytek, Massive Ego, Kant Kino, X-O-Planet, Avarice In Audio, Headzor, Evo-Lution, Octolab, Any second and Elektrostaub. Both previously released single-songs are the main songs exposed to the remix skills of other artists.

+ + + : I already talked about the impressive evolution in sound and composition. If Mondträume was announced by their label as a ‘hot’ newcomer in 2013, they for sure confirm this potential with this great work. The album brings a perfect twist between danceable songs and softer, deeply melancholic pieces. Most of the choruses have an elevating sensation, and I especially want to mention the title song, the already known “Free”, “Nothing” and the beautiful “Le Me Go”. A good ‘pop’ band needs a talented singer and here again Damasius Venys confirms to be the right man in the right place. I think it’s not a coincidence he has already been asked by numerous bands to do some guest vocals. Among the remixes I’ll mention the great contribution by X-O-Planet (featuring male-female duo vocals), Octolab for the groovy approach and Crytek for their punching remix.

– – – : This album also features a cover version of The Cure’s “Lament”, which is not my favorite song from the tracklist.

Conclusion: This album sounds as an invitation to dance to melancholia and it’s weird to say, but it will make you feel good!

Best songs: “Lovers, Sinners & Liars”, “Free”, “Nothing”, “Let Me Go”, “The Center Of Your World” + “Still Beating – X-O-Planet”.

Rate: (8½).

Artist: www.facebook.com/Mondtraeume

Label: www.alfa–matrix.com / www.facebook.com/Alfa.Matrix

Inferno Sound Diaries

I have been working for over 30 years with Side-line as the main reviewer. My taste is eclectic, uncoventional and I prefer to look for the pearls, even if the bands are completely unknown, thus staying loyal to the Side-Line philosophy of nurturing new talents.

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