(Photo by Mara von Kummer) hackedepicciotto (Alexander Hacke & Danielle de Picciotto) have shared details of a new album, “The Best of hackedepicciotto (Live in Napoli)”, that collates over 20 years of collaboration over two live performances recorded at the Auditorium Novecento, one of the oldest recording studios in Europe.

The album will be released on double vinyl, limited to 500 copies with exclusive signed print, and digitally on 1 November 2024, via Mute.

For over 20 years Alexander Hacke (Einstürzende Neubauten) and artist, musician and filmmaker Danielle de Picciotto (co-founder of Love Parade) have been working together. The album includes reinterpretations of tracks from all of their studio albums: “Keepsakes” (2023), “The Silver Threshold” (2021), “Perseverantia” (2016), “Menetekel” (2017), and “The Current” (2020).

This new collection is a mixture of industrial beats, electronic sounds with classical harmonies and melodies, with some throat singing, Hurdy-gurdy and spoken word. Daniel Miller of Mute goes on to say that “their music is a genre of its own, something new and very intriguing.”

Listen to “The Silver Threshold (Live in Napoli)”, the title track from their 2021 album.

hackedepicciotto Live Dates

• 1 Nov – Parma (IT), Borgo Santa Brigida
• 2 Nov – Pordenone (IT), Astro Club
• 3 Nov – Milan (IT), Arci Bellezza
• 5 Nov – Turin (IT), Blah Blah
• 7 Nov – Pescara (IT), Scumm
• 8 Nov – Campobasso (IT), Circolo Beatnik
• 12 Nov – Lyon (FR), Sonic Lyon
• 29 Nov – Malmö (SW), Inkonst
• 30 Nov – Odense (DK), Klub Golem
• 6 Dec – Athens (GR), Temple
• 7 Dec – Thessaloniki (GR), Eightball
• 12 Dec – Bratislava (SK), Pink Whale
• 13 Dec – Augsburg (DE), Provino Club
• 15 Dec – Bielefeld (DE), Movie Bielefeld
• 18 Dec – Berlin (DE), Berghain Kantine – Album Release Party

Bernard - Side-Line Staff

Chief editor of Side-Line – which basically means I spend my days wading through a relentless flood of press releases from labels, artists, DJs, and zealous correspondents. My job? Strip out the promo nonsense, verify what’s actually real, and decide which stories make the cut and which get tossed into the digital void. Outside the news filter bubble, I’m all in for quality sushi and helping raise funds for Ukraine’s ongoing fight against the modern-day axis of evil. Besides music I’m also an SEO and AI content flow specialist and have an interest in everything finance from stocks to crypto. There is music in everything!

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Diamanda Galás announces the remastered release of “Saint of the Pit” on 13 September 2024 via Intravenal Sound Operations. This fifth studio album, originally released in November 1986, is the second part of her trilogy “The Masque of the Red Death.” The remastering was done by Heba Kadry.

“Saint of the Pit” was created during the HIV-AIDS epidemic and reflects themes of suffering and passion. The album includes compositions based on poems by Charles Baudelaire, Gérard de Nerval, and Tristan Corbière.

Galás began addressing HIV-AIDS in her work in 1984, with “Saint of the Pit” dedicated to her brother, Philip-Dimitri Galás, who died in 1986. The album was produced with the help of Gareth Jones and includes contributions from musicians like FM Einheit of Einstürzende Neubauten.

Here’s the video for “Cris d’Aveugle” (Blind Man’s Cry), a symphonic treatment of Corbière’s poem, about suffering and exclusion.

Bernard - Side-Line Staff

Chief editor of Side-Line – which basically means I spend my days wading through a relentless flood of press releases from labels, artists, DJs, and zealous correspondents. My job? Strip out the promo nonsense, verify what’s actually real, and decide which stories make the cut and which get tossed into the digital void. Outside the news filter bubble, I’m all in for quality sushi and helping raise funds for Ukraine’s ongoing fight against the modern-day axis of evil. Besides music I’m also an SEO and AI content flow specialist and have an interest in everything finance from stocks to crypto. There is music in everything!

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Einstuerzende Neubauten announce the upcoming release of a new double album, titled “Rampen – apm: alien pop music”. The release will be out on the band’s own label Potomak. You’ll be able to get the album as limited edition double LP, regular double LP, double CD, and of course also digitally. The release date is April 5th.

“Rampen – apm: alien pop music” is the follow-up to the 2020 album “Alles in Allem”.

Einstürzende Neubauten formed in West Berlin in 1980. The group is currently composed of founding members Blixa Bargeld (lead vocals, guitar, keyboard) and N.U. Unruh (custom-made instruments, percussion, vocals), long-time contributor Alexander Hacke (bass, vocals), plus Jochen Arbeit (guitar, vocals), and Rudolph Moser (custom-built instruments, percussion, vocals), who both joined the line-up in 1997.

Bernard - Side-Line Staff

Chief editor of Side-Line – which basically means I spend my days wading through a relentless flood of press releases from labels, artists, DJs, and zealous correspondents. My job? Strip out the promo nonsense, verify what’s actually real, and decide which stories make the cut and which get tossed into the digital void. Outside the news filter bubble, I’m all in for quality sushi and helping raise funds for Ukraine’s ongoing fight against the modern-day axis of evil. Besides music I’m also an SEO and AI content flow specialist and have an interest in everything finance from stocks to crypto. There is music in everything!

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Einstürzende Neubauten guitarist is to release “Tier Macht Töne” (“Animal Makes Sounds”), a 3-track album recorded using homemade instruments and others made by Sonic Youth guitar builder Yuri Landman. He now shares the first single with Sonja Kosche, “Trauma”, today.

About the album, Arbeit says: “A long while ago one day in forced Isolation, detached from time and space, something broke free that was asleep before. Reduced to the minimum vital functions of life a Tier awoke from which all Schmerz and Lust broke free, in which old Trauma were hidden inside way too long. It spoke in Toene the stories it had to tell of loneliness but also from interactions that led to reactions that not always were agreed upon, rarely harmonic, but that found themselves in a We with special value. Old images broke free like a suppressed madness from a thicket and showed an exhaustion but also a force and strength that was vividly perceptible. How can one describe what is not describable when two meet. The one who was inside the Berlin Music Scene for decades with knowledge that seemed obvious and the other who made music a long time ago but lost herself for decades and did not trust to express herself from fear what could come up with it and emerge. It stays hard to describe.”

And he adds: “Nothing was planned or predictable. The forced isolation because of the pandemic gave urgently needed time to develop something special and precious. The music expresses emotions that were hidden in the dark and finally broke free and told not only from old despair and not overcome trauma but also brought strength, satisfaction, peace and calm that you can try to feel inside the screeching-oppressive and nearly screaming tones. When we could we sat down to generate sound with self made instruments, developed a dialog that words could not tell.This was finally a motor which kept us alive, a dynamic that functions in the moment, spontaneously without thinking.”

Check the single below.

Bernard - Side-Line Staff

Chief editor of Side-Line – which basically means I spend my days wading through a relentless flood of press releases from labels, artists, DJs, and zealous correspondents. My job? Strip out the promo nonsense, verify what’s actually real, and decide which stories make the cut and which get tossed into the digital void. Outside the news filter bubble, I’m all in for quality sushi and helping raise funds for Ukraine’s ongoing fight against the modern-day axis of evil. Besides music I’m also an SEO and AI content flow specialist and have an interest in everything finance from stocks to crypto. There is music in everything!

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The German industrial avant garde act Einstürzende Neubauten has just announced that they have decided to perform their multiple postponed “Alles in Allem” tour this year as “The Year Of The Tiger Tour 2022”, the year of the rat and ox already being postponed thanks to Covid 19.

And this “in spite of the difficult ongoing situation in which we all still find ourselves and the current, unbelievably sad developments that have recently been added” referring to the Russian invasion in Ukraine.

In a message the bands says that they “believe that another postponement is unacceptable, we truly want to see our fans again, and we want and need to experience your reactions directly, we need feedback ‒ that’s why we became musicians!”

Below are all the dates. More info on the band’s website.

Bernard - Side-Line Staff

Chief editor of Side-Line – which basically means I spend my days wading through a relentless flood of press releases from labels, artists, DJs, and zealous correspondents. My job? Strip out the promo nonsense, verify what’s actually real, and decide which stories make the cut and which get tossed into the digital void. Outside the news filter bubble, I’m all in for quality sushi and helping raise funds for Ukraine’s ongoing fight against the modern-day axis of evil. Besides music I’m also an SEO and AI content flow specialist and have an interest in everything finance from stocks to crypto. There is music in everything!

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(Photo by Joe Dilworth) Out 10 December 2021 is the 20th anniversary reissue of “Sex O’Clock”, the second album by the late Anita Lane who has been Nick Cave’s musical muze for over a decade. Mute will reissue this studio album for the first time on vinyl.

The album was initially released in 2001 and work began with Anita Lane on the reissue before her untimely passing earlier this year, at the age of 61. Recorded with long time musical partner, Mick Harvey, the album was the final release in a solo career that began in 1988 with the release of the “Dirty Sings” EP.

Emerging from Melbourne’s post-rock scene, Anita Lane was one of the co-founders of Nick Cave & the Bad Seeds, co-writing “From Her To Eternity”, the title track of their debut album and “Stranger than Kindness” from “Your Funeral… My Trial”. Arriving in London in 1980 with The Birthday Party, she’s credited with co-writing several of their tracks – “A Dead Song”, “Dead Joe” and “Kiss Me Black” before re-locating to Berlin.

In Berlin she developed a series of collaborations that included work with Einstürzende Neubauten, Chrislo Haas, Gudrun Gut and Die Haut, a cover of “These Boots Were Made for Walking” with Barry Adamson and vocals for Mick Harvey’s first two Serge Gainsbourg albums, “Intoxicated Man” and “Pink Elephants”.

Check out “Home Is Where the Hatred Is”.

Bernard - Side-Line Staff

Chief editor of Side-Line – which basically means I spend my days wading through a relentless flood of press releases from labels, artists, DJs, and zealous correspondents. My job? Strip out the promo nonsense, verify what’s actually real, and decide which stories make the cut and which get tossed into the digital void. Outside the news filter bubble, I’m all in for quality sushi and helping raise funds for Ukraine’s ongoing fight against the modern-day axis of evil. Besides music I’m also an SEO and AI content flow specialist and have an interest in everything finance from stocks to crypto. There is music in everything!

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Genre/Influences: Industrial-metal, Neue Deutsche Haerte, EBM

Background/Info: DIE KRUPPS are a phenomenon in the German music scene, active since 1980 and based in Duesseldorf. Together with bands as Einstuerzende Neubauten and Kraftwerk they are seen as one of the pioneers of electronic and industrial music. They inspired many famous acts like Front 242, Nitzer Ebb, OOMPH! and Rammstein.

Content: On the first song “Vision 2020 Vision” Juergen is rapping in a smooth way all over the pumping staccato metal-riffs, this is for sure the best song of the album! “Welcome To The Blackout” was released as the first videoclip of the new album and warns us that the end of the world has definitely started. “Trigger Warning” has a deep EBM-bassline while some musical parts reminded me on the sax of Yello’s “The Race”. After the calmer “Wolfen (Her Pack)” it is time for the nice uptempo “Extinction Time”, headbanger’s ball with an electronic sauce over it. The Genesis-cover “The Carpet Crawlers” shows another (softer?) side of singer Juergen Engler. It is definitely a surprise to hear this song in between so much guitar violence although the cover is well done. Time to dance again on the very melodic “Fires” on which Juergen also sings a bit different (read: more Bowie-like) than normal. “Obacht” has german lyrics and is for sure one of the better powerful songs. “DestiNation Doomsday” and the earlier released “F.U.” are 2 more songs dedicated to the “president of darkness” also known as Donald Trump. The anti-politics song “Alllies” has a bit of Nine Inch Nails’ “Closer” in the end. “Active Shooter Situation” is driven on a deep bassline followed by the uptempo “Human” to close the album.

+ + + : DIE KRUPPS goes back to their early 90’s crossover period. The artwork of the album is really amazing! The limited edition fanbox contains, besides the digipak cd and live at Wacken Open Air 2016 dvd, also a t-shirt, a pair of sunglasses, a postcard and a sticker.

– – – : Maybe “The Carpet Crawlers” should have been better as last song, because now it disturbs a bit the flow of the album.

Conclusion: Musically, this album takes us back to the “II – The Final Option” period. In this era (1993) DIE KRUPPS defined how crossover should sound. Lyrically, this album warns us that the end is very near and that the future is not looking good at all!

Best songs: “Vision 2020 Vision”, “Welcome To The Blackout”, “Extinction Time”, “Fires”, “Obacht”.

Rate: (9) WH.

Artist: www.diekrupps.com / www.facebook.com/diekruppsofficial
Label: www.spv.de / www.facebook.com/spvhannover Read the news on ‘Vision 2020 Vision’.

About Die Krupps

Die Krupps formed in Düsseldorf, Germany, in October 1980, founded by Jürgen Engler and Bernward Malaka, who had previously played together in Male, an early German punk band. The group’s sound evolved from noise and EBM into industrial and, by the mid-1990s, metal-influenced material, including cover versions of Metallica songs. Die Krupps went on hiatus between 1997 and 2005 before resuming activity. “Vision 2020 Vision”, released in November 2019 via SPV/Oblivion Records, arrived as the band closed out the year ahead of its 40th anniversary in 2020.

(Photo by Klaus Welp) The Finnish trio cleaning robots return with their first album in ten years on Svart Records on February 15th: “Intersubjectivity”. The album has been mixed by Einstürzende Neubauten’s Alexander Hacke.

“We wanted the album to sound like how we sound live on stage, at least to our ears. We wanted to carry our junk instruments to the finest studio we can find so that we could bring out the smallest nuances of the sound our instruments produce.”

The band recorded the album in the brand new E-Studio in Sipoo, Finland, with as few overdubs as possible. The studio sessions took a mere five days, as did the mixing. Here’s a photo of the list of instruments they have used.

After the previous album “U” the band have spent their time with a number of multidisciplinary projects, including music for documentaries and movies and live soundtracks to silent movies, and also played over 500 shows in over 20 countries. The band also took part in, among others, the Parallax art exhibition in Mexico City, which showcased Finnish modern art.

Cleaning Women was founded in 1996. The band plays melodic rhythm music with electronically reinforced household utensils such as clothes racks, washing machine trolley wheels etc.. In addition to music, the band has become known for their gigs where they have played their special instruments dressed in black jackets, boots and tights.

Bernard - Side-Line Staff

Chief editor of Side-Line – which basically means I spend my days wading through a relentless flood of press releases from labels, artists, DJs, and zealous correspondents. My job? Strip out the promo nonsense, verify what’s actually real, and decide which stories make the cut and which get tossed into the digital void. Outside the news filter bubble, I’m all in for quality sushi and helping raise funds for Ukraine’s ongoing fight against the modern-day axis of evil. Besides music I’m also an SEO and AI content flow specialist and have an interest in everything finance from stocks to crypto. There is music in everything!

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With “Grundstück”, a real Einstuerzende Neubauten rarity is being released on the commercial market for the first time.

Originally issued in 2005 as a small, limited edition, strictly intended only for registered band supporters, the much sought-after album is now officially available as a CD, and also for the first time ever as an LP, each including a DVD with previously unpublished film recordings of the project and an extensive booklet.

You can order the CD/DVD version right here while the vinyl/DVD version is available here.

“Grundstück” (also informally known as “Supporter Album No. 2”) was completed in the fall of 2005. It was shipped to supporters in October and was also available to non-supporters during the ‘Alles Wieder Offen’ tour in 2008. Back then the album was offered to supporters in two versions; one with just the audio CD and another version with the DVD containing material from the November 2004 “Grundstück” performance at the Palast der Republik in Berlin.

Bernard - Side-Line Staff

Chief editor of Side-Line – which basically means I spend my days wading through a relentless flood of press releases from labels, artists, DJs, and zealous correspondents. My job? Strip out the promo nonsense, verify what’s actually real, and decide which stories make the cut and which get tossed into the digital void. Outside the news filter bubble, I’m all in for quality sushi and helping raise funds for Ukraine’s ongoing fight against the modern-day axis of evil. Besides music I’m also an SEO and AI content flow specialist and have an interest in everything finance from stocks to crypto. There is music in everything!

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Considered to be ‘one of the best ever and most complete’ official DVDs by the legendary German act Einstuerzende Neubauten, “Liebeslieder” was originally released in 1993. It sold out ever since and now finally see a much-deserved re-release. You can order your copy now, it still be shipped a a few weeks from now.

The DVD features almost 2 hours of exclusive material from Einstuerzende Neubauten’s career as far back as 1981 up to 1993. For many that corresponds with the band’s best and most respected era. The period cover here includes the albums “Kollaps”, “Halber Mensch”, “Zeichnungen…”, “Haus der Lüge” up to “Tabula Rasa”. The DVD comes as double-faced DVD, PAL in German on Side A, NTSC with English subtitles on Side B.

Featured among much others are the videoclips for “Blume”, “Die Interimsliebenden”, “Salamandrina” and much, much more.

Bernard - Side-Line Staff

Chief editor of Side-Line – which basically means I spend my days wading through a relentless flood of press releases from labels, artists, DJs, and zealous correspondents. My job? Strip out the promo nonsense, verify what’s actually real, and decide which stories make the cut and which get tossed into the digital void. Outside the news filter bubble, I’m all in for quality sushi and helping raise funds for Ukraine’s ongoing fight against the modern-day axis of evil. Besides music I’m also an SEO and AI content flow specialist and have an interest in everything finance from stocks to crypto. There is music in everything!

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Pankow’s Maurizio Fasolo has sent us his TOP 10 albums from the period 1981-1984. The TOP 10 comes hand in hand with the re-release of Pankow’s first cassette “Throw Out Rite”, originally released in 1983. It’s nowadays sold for over 100 Euros on Discogs and is very rare.

Artoffact is releasing a CD and vinyl editions (EU orders are available here) of “Throw Out Rite” for the first time ever. The audio is remastered from the original tape.

And that’s not all, we also offer you an exclusive FREE download of the remastered version of “Das Wodkalied”! Get it below:

Here is Pankow’s TOP 10 albums from 1981-1984 with additional comment by Pankow’s Maurizio Fasolo.

1. Duet Emmo ‎– Or So It Seems – 1983

Maurizio Fasolo: “The Masterpiece… so layered and so rich in contrasts that you never get tired of it, the presence of Daniel Miller brings a geometric sheen to it.”

Bernard - Side-Line Staff

Chief editor of Side-Line – which basically means I spend my days wading through a relentless flood of press releases from labels, artists, DJs, and zealous correspondents. My job? Strip out the promo nonsense, verify what’s actually real, and decide which stories make the cut and which get tossed into the digital void. Outside the news filter bubble, I’m all in for quality sushi and helping raise funds for Ukraine’s ongoing fight against the modern-day axis of evil. Besides music I’m also an SEO and AI content flow specialist and have an interest in everything finance from stocks to crypto. There is music in everything!

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