Two charity releases to help Ukraine have taken the Bandcamp charts by storm in the past few weeks. There is the Side-Line powered “Electronic Resistance” compilation (and book and T-shirt) featuring 55 Ukrainian bands, and there’s the COP International powered 3-track single “Come Together” featuring members of bands including Faith No More, Stabbing Westward, Rammstein, Black Needle Noise and others.

The two releases have three things in common, they come from the indie scene, they have been created and released in record time, and both people behind the release are actually longtime friends. We decided to talk with both initiative takers, our very own chief editor Bernard Van Isacker and producer and musician John Fryer who both invested their time in creating two extremely successful charity projects.

SL: John and Bernard, you were the very first people to launch a charity project in the metal/rock and darkwave scene to help the Ukrainian people and also the ones that made it a huge success. What was the decisive moment when you said, ok, let’s do this?

John: It was late one Sunday evening and I was talking to Christian from COP International records on the phone and as always we were discussing many thing that are happening to us and the world and we got talking about the invasion and all the people suffering the effects it was having on them. So we decided to do a song to raise money. We were like yeah let’s do a song get it recorded and out by Friday of that week.

We were totally nuts to think it could have been done in such a short time. It took as 3 weeks and working around the clock not just on the music side of things but calling, emailing and texting people to get them involved in the project.

Bernard: The moment I saw the first images of the bombing, the dead civilians, I was like, I have to do something, and I have to do it right now. It took roughly 2,5 weeks to get everything done as far as the compilation goes, because I’m still working on the photo book itself which is also going to be released.

I honestly never thought Putin would actually invade Ukraine… who on earth can be so sick? It came as a big blow in my face when I heard the news. I was like, WTF, we are in the year 2022 and some lunatic still thinks it is OK to just invade another country. Looking back, we should have known this was going to happen, all the signals were there for years, especially after he invaded the Crimean with his ‘green’ men. Putin has a track record which is just plain wrong in all its facets and that was just one of the examples that should have made us realize far worse was bound to happen. Add to that that Europe acts like a junkie when it comes to oil and gas…

SL: I know you know each other rather well, it’s like same minds think alike?

John: I have known Bernard for many a moon now and he has a big heart also. Even though we didn’t discuss this with each other we have both come to the same conclusion of what a terrible thing that is happening in Ukraine and want to help in some way.

Bernard: I appreciate John a lot as well and I know he has the heart at the right place. It didn’t surprise me that he ended up with a similar idea. I think we both are very much affected by what is happening so it came as a natural thing to help in the way we know best, John by making music, me by setting up a project and use the Side-Line promo machinery to turn the project into a success.

SL: Can you both describe how you set up your projects?

Bernard: Within 3 days most of the tracks were delivered by the participating bands, some even recorded new material during those 3 days. I then had to literally chase for the necessary paperwork, because the last thing these Ukrainian bands are busy with or need now is bureaucracy, which I totally understand, but it is and was a necessary evil which took me around 2 extra weeks. In the meantime I had contacted Erlend Eilertsen (Lights A.M, Essence Of Mind) in Norway if he could make sure the sound would be ok because some of the sourced material literally was recorded while the bombs were falling like I said. Other bands had nothing left but rough demos, so there was some work needed to get everything polished.

John: Christian and I had done a similar thing before but on a smaller scale. This time we wanted to reach a much bigger audience so we decided to reach for the stars. I’ve known some of the artists for a long time but we also got a lot of help from people we asked like Geno Lenardo, Marija Buljeta, Rod Saez Chavez who also joined in asking people to join our project and we thank them and everyone else who has helped along the way and the people who have donated money to the project.

Side-Line: Bernard, you decided to get to work with Ukrainian bands only. How on earth did you get hold of 55 bands in such a record time?

Bernard: Ah yes, I forgot to tell that. Very simple, I contacted a few bands in direct, but most were actually triggered by a Facebook message I spread in Ukraine. People there reacted very quickly from allover Ukraine, also fans contacted bands after seeing the message. That’s one of the few times when I thought that Facebook did a proper constructive job.

Side-Line: John, you chose to work on a cover of John Lennon’s “Come Together”…

John: John Lennon wrote “Come Together” and we re-imagined it and added Queens [we will rock you]. It is a cover of the Beatles song mixed with a Queen song and we changed the words to [we will stop you]. As in the name, we wanted people to come together to help. This kind of invasion should not be happening. It’s horrifying to think that things like this can still happen in this day and age.

Side-Line: John, you made a supergroup – à la Bruderschaft – but this time from the metal scene featuring members of Faith No More, Stabbing Westward, Rammstein, and a lot more bands. How did this process technically work?

John: I wouldn’t say Metal Scene I would say Alternative Music Scene.

Doing this kind of thing these days is much easier I would say as you have the internet and that’s how we got everyone from around the world on the track. We would email, text or call and if they were willing to be involved we would send them the track and they would record their parts as most people these days have the ability to record at home. I ended up with about 200 tracks of audio and it was like fitting a jigsaw puzzle together and everyone is super happy with the end result.

Bernard: Now that you mention Bruderschaft, I worked on that charity project when it was released on Alfa Matrix back in 2003. You know, working on projects like these makes you realize that you can indeed help people, you just have to use your talents and network. And if everyone would do this, the world would be a much better place anyhow.

Side-Line: If I’m not wrong, this is the first time that 2 band scene players, COP International and Side-Line took the number 2 and 3 spot at the same time on Bandcamp. Kinda huge. What is your feedback on this?

John: In fact “Come Together [we will stop you] reached number 1 on Bandcamp and we have raised around 10,000$ and the artists that are involved with us in this have donated 100% from the money raised but unfortunately Bandcamp have taken their % from the donated sales and we are probably going to have to pay the publishers too even though it’s a god damn charity record to raise money for those who are suffering from this horrific and despicable war.

Bernard: Bandcamp and Paypal indeed take a big chunk. Luckily Bandcamp Friday helped a lot to recoup some of the costs that were involved.

As of this morning, Side-Line has already donated over 8000 EURO (8674,96 US$) to Ukrainian aid. Our compilation is still doing very well and I foresee to be sending hundreds of parcels with merchandise by mid-May as well.

As far as Bandcamp goes, it does make sense that we both stormed the charts there. You don’t find an artist like Rihanna on Bandcamp do you, I think she doesn’t even know it exists. Bandcamp mainly is a platform for the indie crowd, whether it is darkwave, metal, folk, jazz, blues or any other alternative (sub)style that often is not captured by the mainstream charts. So, we charted right in the indie scene, and that’s a very good thing.

Side-Line: Bernard, Side-Line is not a label, but a magazine, why was this project not released via a label?

Bernard: Good question but very easy to answer as well. These kind of projects need a very short roadmap from idea to execution, and since I worked with 55 bands things needed to be done quickly. In short you can not wait for months to get the ball rolling with these kind of projects, you need to act fast and thus instead of having this project go through various hands with different views and ideas, I decided to do it myself and handle everything from A until Z. Luckily Benoit Blanchart (Alfa Matrix, Aiboforcen) quickly volunteered to work on the book layout when I told him about the idea late February this year. Lots of work, which basically happened during long nights after my daytime job and all other work I have. But since I’m also responsible for the ‘Face The Beat’ compilation series, compiling it was not really different as far as the approach goes, just a lot faster when it came to releasing it.

The major difference however was the multitude of charities that had to be funded this time. I usually donate towards 2 or 3 charities per release. But here I spent a whole morning wiring money to all kind of Ukrainian organizations and also to bands who then did local charity. Lots of work, but I guess it’s more than worth it.

Side-Line: How do you both see things evolve in Ukraine?

John: We are hoping this ends now and the killing must stop and Ukraine can be re-built and bring back the misplaced people to their land and rebuild their lives. It’s amazing to see the resolve of these people through this tragedy.

Bernard: I’m personally not really optimistic as far as the length of this full blown war goes. If I see the increasing aggressive tone from all parts in the Russian society – just look how they have set up this huge Z-propaganda – I don’t think this will be over pretty soon. Hence why we need to support the population right now and continue to do so. The country is under heavy shelling in the east since a few days now and there is more happening. Putin started to roll a snowball downhill that is increasing in velocity and size.

I would not be surprised they’ll do sabotage acts inside Finland and Sweden to disrupt the society there since those countries clearly will choose to adhere to the NATO. Railway sabotage, massive hacking of public service networks, etc., they have done it in the past in the Baltic states so I see them returning to that modus operandi with Finland and Sweden especially. This is just the beginning. And we haven’t talked about how China is behaving in all of this.

But, one thing is quite clear, Putin seriously miscalculated what a courageous people the Ukrainians are. And especially because of that we have to start thinking of how to help Ukrainians to rebuild their country after this mad war is over and done.

Side-Line: Bernard, you are still in contact with all the band’s on a weekly basis, how are they?

Bernard: At least once a week they receive an update on the compilation, and I usually get a lot of messages back from the bands telling me how they are, where they are, where they have fled to this week, etc.. I wouldn’t say it is depressing, but it’s not really uplifting either. Having said that, I’m here, safe in my attic, they are there, unsure what will come next. So who am I to complain? I’m proud of every single one of those bands.

Side-Line: Is this the final word or do you plan to continue with this?

Bernard: I don’t know for you John, but I will most probably work on another project in the near future to help and collect funds for Ukraine. The first plans are on the table as we speak. Honestly, I am very positively surprised how our scene has been showing that they really care for the idea and purpose behind these 2 releases. A BIG thank you to all those who donated and who made these projects big successes.

John: We hope the song will continue to keep raising money. So if you have read this and want a way to help please head over to Bandcamp and buy the songs as every little bit will help in the long run. A big thank you again for everyone involved and those who have donated and to those who be donating in the future.

Below are the two charity releases.

Side-Line also covered John Fryer’s ‘Not Another Vampire Song’.

Eldrina Mich

As Eldrina Mich I work as a go-between and a devil’s advocate when it comes to Side-Line. If our own staff needs to be interviewed then ask the questions no one else dares to ask.

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David J’s latest album, “What The Patrons Heard”, will be a storied collection of originals and covers recorded over the timespan of 34 years. These 10 songs were originally only available digitally to David J’s Patreon subscribers.

The founding member of Bauhaus was one of the first of Bauhaus’ members to actively release music outside of the band. He went on to put out solo work and collaborations with various authors, poets and indies such as 4AD. In 1985, David regrouped with two former Bauhaus members to form Love and Rockets.

“What The Patrons Heard” includes a rendition of Neil Young’s “Vampire Blues”, the John Lennon classic “Gimme Some Truth” and the folk punk track “Lay Over And Lay” plus 7 other tracks.

The release will be available as download, on CD and on vinyl, a limited numbered edition snow white vinyl that is. The CD and digital formats will be available worldwide on March 25th, 2022 with the vinyl shipping as soon as it becomes available.

Bernard - Side-Line Staff

Chief editor of Side-Line – which basically means I spend my days wading through a relentless flood of press releases from labels, artists, DJs, and zealous correspondents. My job? Strip out the promo nonsense, verify what’s actually real, and decide which stories make the cut and which get tossed into the digital void. Outside the news filter bubble, I’m all in for quality sushi and helping raise funds for Ukraine’s ongoing fight against the modern-day axis of evil. Besides music I’m also an SEO and AI content flow specialist and have an interest in everything finance from stocks to crypto. There is music in everything!

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Noone else but XTC’s Andy Partridge has been working with the 80s pop infused act Darling Boy (aka Alexander Gold) for the new single “Breaking Into Forever” as far as production goes.

Not all that surprising as we have seen Partridge’s credits popping up allover the place in the past few years namely in records by (and we limit to those which will interest the scene public more or less): Tricky, Blur, Thomas Dolby, Ryuichi Sakamoto, Icehouse, Primus, Sarah McLachlan, Bad Company, The Stranglers, The Mission, The Residents, and many many more.

Not sure if you will like the bubblegum pop produced here though.

On a side-note, Darling Boy refers to “Beautiful Boy (Darling Boy)”, a song written and performed by John Lennon. It was released on the 1980 album “Double Fantasy”, the last album by Lennon and Ono released before his death. Paul McCartney has stated this is one of his favourite songs composed by Lennon, and when he appeared on Desert Island Discs in 1982 included it as his favorite in his selection, as did Yoko Ono as the only John Lennon song in 2007. It was used as the B-side of “Happy Xmas (War Is Over)” to promote the compilation album “The John Lennon Collection” in November 1982.

Music history, it never stops to amaze us doesn’t it.

Bernard - Side-Line Staff

Chief editor of Side-Line – which basically means I spend my days wading through a relentless flood of press releases from labels, artists, DJs, and zealous correspondents. My job? Strip out the promo nonsense, verify what’s actually real, and decide which stories make the cut and which get tossed into the digital void. Outside the news filter bubble, I’m all in for quality sushi and helping raise funds for Ukraine’s ongoing fight against the modern-day axis of evil. Besides music I’m also an SEO and AI content flow specialist and have an interest in everything finance from stocks to crypto. There is music in everything!

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The female fronted industrial rock act Collide is (finally!!) getting ready to release another CD. Called “Mind & Matter” it will be a double CD with 29 songs of re-imagined remixes from the band’s last album “Color of Nothing”, 2 cover songs (Yazoo’s “Winter Kills” and John Lennon’s “Imagine”) plus 1 new Collide song, “Holding Back”.

You can pre-order the new 2CD set on Pledge Music where you can also check out a long set of perks.

And the winning remixes were made by…

Special guest remixers include Bret from Blue Stahli, and Jason Slater from Snake River Conspiracy, as well as Kevin Kipnis from Purr Machine, and Wade Alin, who has remixed Collide songs beginning with their first album, “Beneath the Skin”.

Other tracks on this album come from a remix contest that brought in hundreds of remixes from all over the world. The winning remixers are Alien Nation, BIINDS, Blue Sky Alive, D’ MacKinnon, Digital Gnosis, Giant Monsters on the Horizon, Modern Vultures, Jason Yates, Katarrhaktes, LGVela, Maria Lui, Nathan Charlson: Milkfixer, Pappy (a.k.a. Throe), Rale Daver, Rick Moore, The_boundless, The Stitchlings, Tkivo, Vladan Hranisavljevic, The Wave and the Particle, Zero Meaning.

You can check out the perks of this Pledge Music campaign right here which also has a video teaser.

Formed in 1992

Collide was formed in 1992, in Los Angeles, California, United States by Statik and kaRIN. Their industrial rock incorporates elements of trip hop, synthpop and music from the Middle East. Collide’s debut album, “Beneath the Skin”, was released in 1996, followed by a remix album, “Distort”, in 1998.

Dissatisfied with the music industry, Collide started their own record label, Noiseplus Music, and in 2000, they released their second studio album, “Chasing the Ghost” followed by their third studio album, “Some Kind of Strange”. The rest is history!

A band worth checking out!

Bernard - Side-Line Staff

Chief editor of Side-Line – which basically means I spend my days wading through a relentless flood of press releases from labels, artists, DJs, and zealous correspondents. My job? Strip out the promo nonsense, verify what’s actually real, and decide which stories make the cut and which get tossed into the digital void. Outside the news filter bubble, I’m all in for quality sushi and helping raise funds for Ukraine’s ongoing fight against the modern-day axis of evil. Besides music I’m also an SEO and AI content flow specialist and have an interest in everything finance from stocks to crypto. There is music in everything!

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“Fly” is the second album by Yoko Ono, produced by her and John Lennon, and released in 1971. The album included notable songs such as the singles “Midsummer New York” and “Mrs. Lennon”, “Hirake” aka “Open Your Box” and “Don’t Worry, Kyoko (Mummy’s Only Looking for Her Hand in the Snow)”, dedicated to Ono’s daughter Kyoko Cox.

The track “Airmale” was the soundtrack to Lennon’s film “Erection”, showing a building being erected in time lapsed photography, while “Fly” is the soundtrack to Ono’s film “Fly”. Below you can see the video for “Mind Holes” equally from the 1971 avant-garde album, “Fly”.

Note that this double vinyl LP (white vinyl on top) reissue has the following 4 bonus tracks: “Between the Takes”, “Will You Touch Me”, “The Path” and “Head Play (Medley: You/Airmale/Fly)” totalling 17 tracks for this reissue. You can order this rather exquisite album right here in the double vinyl version.

The album was recorded around the same time as Lennon’s “Imagine”. A small detail, Ono had to re-record her vocals on “Open Your Box”, on 4 March 1971 at Abbey Road Studios, after a managing director of EMI called the lyrics “distasteful”. The song featured a line that went “Open your trousers, open your skirt, open your legs and open your thighs”. “Trousers”, “skirt”, “legs”, and “thighs” were then changed to “houses”, “church”, “lakes”, and “eyes”. Remarkably enough Lennon and Ono didn’t complain about the change of the words, and only “wanted to get the record out”.

Another interesting details is that each edition of the US, UK and Japanese albums utilized that country’s distinctive telephone ring in the track “Telephone Piece”. You can hear the 3 versions below.

Bernard - Side-Line Staff

Chief editor of Side-Line – which basically means I spend my days wading through a relentless flood of press releases from labels, artists, DJs, and zealous correspondents. My job? Strip out the promo nonsense, verify what’s actually real, and decide which stories make the cut and which get tossed into the digital void. Outside the news filter bubble, I’m all in for quality sushi and helping raise funds for Ukraine’s ongoing fight against the modern-day axis of evil. Besides music I’m also an SEO and AI content flow specialist and have an interest in everything finance from stocks to crypto. There is music in everything!

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