Das Ich musician Bruno Kramm offers a tapestry of sound and narrative, as shown in his latest work, “Die Schöpfung und andere Kurzgeschichten”. The collection is a blend of dystopian melodies paired with short stories, each piece a window into Kramm’s expansive creative realm.

Within the anthology, “Eight Oscillations from the Latent Space” are stories crafted during Kramm’s tenure with the now-defunct Zillo music magazine. These narratives are a testament to his enduring connection to the music world. Meanwhile, “Seven Nightmares From A Random Forest” is a product of the isolation and global upheaval brought by the COVID-19 pandemic. Conceived amidst the grip of feverish illness, these stories delve into the eerie and uncanny, underscored by soundscapes that evoke the modern zeitgeist.

In “Die Schöpfung”, Kramm explores themes of creation and perception through the lens of a machine recognizing humanity as its creator. This story, unique in its German narration, resonates with the motifs of “Der Achte Tag” from the Das Ich album “Antichrist”, linking his literary work to his musical legacy.

Kramm’s literary influences are eclectic, drawing inspiration from the likes of Stanislaw Lem, Sabine Hossenfelder, and H.P. Lovecraft. His stories, according to Kramm, are the perfect companion to the restless and the insomniac, for times when the veil between reality and fiction thins, revealing a world charged with mystery.

The album is out now via the Danse Macabre label.

Das Ich: The Dark Wave Legacy of Bruno Kramm

Bruno Kramm’s involvement in Das Ich has been pivotal to the band’s influence on the German dark wave movement. Since its inception in 1989, Das Ich has been at the forefront of a genre that marries the gothic aesthetic with electronic music’s visceral punch. Kramm, along with vocalist Stefan Ackermann, has crafted a sound that is both avant-garde and accessible, marked by theatrical live performances and deeply philosophical lyrics.

Das Ich’s music often grapples with the complex relationship between humanity and technology, a theme that Kramm further explores in his literary work. The band’s influence has been profound, shaping the direction of dark wave music.

Bernard - Side-Line Staff

Chief editor of Side-Line – which basically means I spend my days wading through a relentless flood of press releases from labels, artists, DJs, and zealous correspondents. My job? Strip out the promo nonsense, verify what’s actually real, and decide which stories make the cut and which get tossed into the digital void. Outside the news filter bubble, I’m all in for quality sushi and helping raise funds for Ukraine’s ongoing fight against the modern-day axis of evil. Besides music I’m also an SEO and AI content flow specialist and have an interest in everything finance from stocks to crypto. There is music in everything!

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The German industrial gothic band Das Ich is celebrating more than 30 years of music with a special jubilee tour for their cult album “Die Propheten”. The band has been touring around the world since their formation and this year marks their 7th time touring South America.

The tour kicks off on March 18th in Sao Paulo, Brazil, followed by shows in Mexico City on March 21st and Tijuana on March 22nd. The band will then head to Santiago de Chile for a performance on March 24th before concluding the tour in Lima, Peru on March 26th.

Tickets for the South American tour are on sale now, and fans are encouraged to book early to avoid disappointment. For more information on Das Ich and their upcoming tour, visit their official website and social media channels.

About Das Ich

Das Ich is a German band that has gained a reputation for their unique sound that blends electronic, industrial, and neoclassical music with poetic lyrics that explore themes of existentialism, mythology, and the human condition. Stefan Ackermann and Bruno Kramm founded the band in Berlin in 1989, and since then, they have become a cornerstone of the German darkwave scene, inspiring countless other artists and musicians.

Throughout their career, Das Ich has experimented with and incorporated elements of metal, folk, and classical music into their work. Their use of mythological and literary themes, drawing on the works of German Romantic poets and classical mythology, has become a hallmark of their music.

The band’s debut album, “Die Propheten,” released in 1991, established their reputation as one of the most innovative and exciting bands in the German gothic scene. Their subsequent albums, “Staub” (1994) and “Egodram” (1998), further solidified their status, with tracks like “Destillat” and “Reamin’ in Light” becoming gothic club classics.

Das Ich has continued to experiment and push the boundaries of their sound throughout their career, incorporating elements of metal, folk, and classical music into their work. Their 2002 album, “Anti’Christ,” for example, features heavy guitar riffs and pounding drums alongside Ackermann’s trademark vocals and poetic lyrics.

One of the defining characteristics of Das Ich’s music is its use of mythological and literary themes. The band often draws on the works of German Romantic poets like Johann Wolfgang von Goethe and Friedrich Schiller, as well as classical mythology, to create a dark and mystical world that reflects the human experience. Their 2004 album, “Cabaret,” for example, is inspired by the writings of German playwright Bertolt Brecht and explores themes of decadence, despair, and the search for meaning in a chaotic world.

Das Ich is also known for their theatrical live shows, which often feature elaborate costumes, props, and visuals. Ackermann’s stage presence and powerful vocals are a highlight of the band’s live performances, which often feature theatrical lighting and video projections to create a unique atmosphere.

Bernard - Side-Line Staff

Chief editor of Side-Line – which basically means I spend my days wading through a relentless flood of press releases from labels, artists, DJs, and zealous correspondents. My job? Strip out the promo nonsense, verify what’s actually real, and decide which stories make the cut and which get tossed into the digital void. Outside the news filter bubble, I’m all in for quality sushi and helping raise funds for Ukraine’s ongoing fight against the modern-day axis of evil. Besides music I’m also an SEO and AI content flow specialist and have an interest in everything finance from stocks to crypto. There is music in everything!

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Out later in March in a wider distribution is Das Ich’s cult debut EP “Satanische Verse” in a limited vinyl version (500 copies). You can order this vinyl version right here.

“Satanische Verse” was originally released in 1990 as a demo-tape (and we still have 2 of them in our archives), and featured the tracks on Side A of this vinyl only. One year later, it would be the first ever official Das Ich released on the band’s own Danse Macabre label.

That first CD album featured 4 tracks (side A + “Jericho”) and was the first sign of life for the project around Bruno Kramm and Stefan Ackermann. The same year the duo would release the album “Die Propheten” which paved the way for worldwide success.

All tracks on this vinyl edition have been re-digitalized and re-mastered, and let’s be honest, this album is absolutely a must-have in your collection. Recommended!

Bernard - Side-Line Staff

Chief editor of Side-Line – which basically means I spend my days wading through a relentless flood of press releases from labels, artists, DJs, and zealous correspondents. My job? Strip out the promo nonsense, verify what’s actually real, and decide which stories make the cut and which get tossed into the digital void. Outside the news filter bubble, I’m all in for quality sushi and helping raise funds for Ukraine’s ongoing fight against the modern-day axis of evil. Besides music I’m also an SEO and AI content flow specialist and have an interest in everything finance from stocks to crypto. There is music in everything!

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