“Seeadler“, the latest full-length album from German electro-industrial act Rummelsnuff will be out on July 18, 2025 via Out of Line. It will be available as a limited edition blue vinyl LP and standard jewel case CD. A limited set also holds a cassette.

“Seeadler” continues the maritime-themed musical journey of Käpt’n Rummelsnuff and his long-time collaborator Asbach. Known for blending electronic body music with seafaring bravado, the duo mixes genres like electro, punk, and industrial into what Rummelsnuff dubs “Strommusik”. The album includes seaman’s chants, playful dance tracks, and robust industrial beats.

Commenting on the album’s sound, Rummelsnuff says that “Seeadler” balances “brawny party anthems and electrifying dance tunes”, noting the analog warmth of the vinyl edition in particular.

The LP and CD versions share the same tracklist.

About Rummelsnuff

Rummelsnuff is the musical project of German artist Roger Baptist, active since the early 2000s. Based in Germany, Rummelsnuff developed a unique aesthetic rooted in body culture, maritime themes, and industrial soundscapes. The project was later joined by Christian Asbach, forming the duo Rummelsnuff & Asbach.

Their 2016 album “Rummelsnuff & Asbach” featured elements of folk, punk, and cabaret, followed by “Salzig Schmeckt Der Wind” in 2018 .

The project is signed to Out of Line Music, a Berlin-based label specializing in dark electronic music.

Bernard - Side-Line Staff

Chief editor of Side-Line – which basically means I spend my days wading through a relentless flood of press releases from labels, artists, DJs, and zealous correspondents. My job? Strip out the promo nonsense, verify what’s actually real, and decide which stories make the cut and which get tossed into the digital void. Outside the news filter bubble, I’m all in for quality sushi and helping raise funds for Ukraine’s ongoing fight against the modern-day axis of evil. Besides music I’m also an SEO and AI content flow specialist and have an interest in everything finance from stocks to crypto. There is music in everything!

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Out now is the digital / vinyl EP “Hinterwäldler” by the Berlin based duo Rummelsnuff & Asbach. The EP holds Five new songs plus an intro from the Käpt’n and Maat.

“Hinterwäldler” is an homage to the people in sparsely populated areas, with a slightly self-deprecating look at their origins according to the band. Guest star on trumpet is Christian Magnusson.

The cover of the EP was realized by Benny Schubert.

Rummelsnuff (born July 14, 1966 in Grossenhain as Roger Baptist) is a German musician and lyricist who brings electropunk. He is joined here by Christian Abach (born 1976 in Westerwald) who is a German director and singer. He is best known for guest appearances as Maat Asbach in Rummelsnuff.

Bernard - Side-Line Staff

Chief editor of Side-Line – which basically means I spend my days wading through a relentless flood of press releases from labels, artists, DJs, and zealous correspondents. My job? Strip out the promo nonsense, verify what’s actually real, and decide which stories make the cut and which get tossed into the digital void. Outside the news filter bubble, I’m all in for quality sushi and helping raise funds for Ukraine’s ongoing fight against the modern-day axis of evil. Besides music I’m also an SEO and AI content flow specialist and have an interest in everything finance from stocks to crypto. There is music in everything!

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Genre/Influences: Experimental, Electro-Pop, EBM, Marching Band.

Format: Digital, CD, 2 Vinyls, Cassette.

Background/Info: Five years have passed since the last Rummelsnuff-album, which was already featuring Christian Asbach. The new work reveals sixteen cuts of pure fun.

Content: Rummelsnuff remains the weirdest and most surprising formation from this underground scene. The success story of the band is 99% spread over homeland Germany and that’s mainly because of the German vocals. The lyrics are totally fun and hilarious, which fits with the sound of Rummelsnuff. It remains a challenge defining the sound of this formation, which rather sounds as the offspring between Electronics, Pop, Folk and influences of Marching Band. One of the songs features the chorus sung in French, the pronunciation of some words being too fun to be true.

+ + + : Rummelsnuff remains a challenge, but also an original formation. There’s only one Rummelsnuff and it’s an antidote to Dark-Electronics, Industrial, gothic and related music genres. Rummelsnuff makes people happy and gets them into dance; it’s music for tough sailors with a sugar heart. The song “Berlinverbot” is my personal favorite; sounding a bit more Electro-like and into Pop.

– – – : It remains a mystery to me why Rummelsnuff is so much appreciated and recognized in Germany, but it’s remains fun and that’s what people need today!

Conclusion: If you feel depressed and you can’t laugh anymore, try Rummelsnuff; better than all antidepressants!

Best songs: “Berlinverbot”, “Feuerwehr”, “vacances”, Vater”.

Rate: 7½.

Artist: www.rummelsnuff.com / www.facebook.com/Rummelsnuff

Label: www.outofline.de  / www.facebook.com/outoflinelabel

Inferno Sound Diaries

I have been working for over 30 years with Side-line as the main reviewer. My taste is eclectic, uncoventional and I prefer to look for the pearls, even if the bands are completely unknown, thus staying loyal to the Side-Line philosophy of nurturing new talents.

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Out by July 30 is the newest Rummelsnuff & Asbach album “Äquatortaufe”. The album will be available in 2 formats, a limited two coloured 2LP and on CD. The limited edition on two coloured (blue and yellow) double-vinyl comes in a deluxe gatefold sleeve.

You may expect cheeky electro including tracks with titles such as “Eiorschägge” and “Sauerkraut”. The latter is also Rummelsnuff’s first real a cappella song. 16 tracks in total.

About Rummelsnuff

For those readers unknown with Rummelsnuff, he is a German musician and lyricist and the son of a family of renowned musicians (Renate and Peter Baptist).

In the early 1980s, Roger Baptist began experimental work with old keyboards, microphones, drums, a bass guitar and various tape recorders . Under the influence of the Leipzig band Die Art , he founded the band Kein Mitleid in 1987, which was mainly devoted to English-language music. In 1989 he joined the Dresden underground band Friends of the Italian Opera (FDIO) and, as a co-author of Jänz Dittschlag and RJKKHänsch, created numerous songs for the band, including on the record “Um Thron und Liebe” and the CD “Edle Einfalt Stille Größewere”.

After the Friends of Italian Opera broke up in 1992, Baptist founded the EBM and NDH band Automatic Noir, which existed until 1999. After the decline of the project followed several years of abstinence from music. It was his contact with the Norwegian artist Bjarne Melgaard that made him create the figure of “Rummelsnuff” in 2004. The first album was released in March 2008 on Alfred Hilsberg’s label ZickZack Records.

The rest is history.

About Asbach

Christian Asbach likes to regard himself as oldschool european intellectual and fan of craftsmanship. Trained scholar in the fields of aesthetics and media history, he took the step from theory to the practices of directing, cinematography, and editing.

Besides freelance film work, he sings in Rummelsnuff & Asbach.

Bernard - Side-Line Staff

Chief editor of Side-Line – which basically means I spend my days wading through a relentless flood of press releases from labels, artists, DJs, and zealous correspondents. My job? Strip out the promo nonsense, verify what’s actually real, and decide which stories make the cut and which get tossed into the digital void. Outside the news filter bubble, I’m all in for quality sushi and helping raise funds for Ukraine’s ongoing fight against the modern-day axis of evil. Besides music I’m also an SEO and AI content flow specialist and have an interest in everything finance from stocks to crypto. There is music in everything!

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The ‘Electrostorm’-sampler is back. On volume 9 Out Of Line unifies the best of its dark electronic acts on one CD including 17 partly brand-new and exclusive tracks (new songs, limited remixes, and rarities). The sampler also holds 2 newcomers on the label, namely Kiberspassk and Yellow Lazarus.

Here is the video of the new Kiberspassk track “Derevna”.

Tracklist:

1. Solar Fake “I Despise You”
2. Too Dead To Die “Tropical Gothic”
3. Blutengel “Wir Sind Unsterblich”
4. Ashbury Heights “Wild Eyes (feat. Madil Hardis)”
5. Solitary Experiments “The Struggle (Midnight Resistance Remix)”
6. Blutengel+Hocico “Obscured (Club Version by Hocico)”
7. Suicide Commando “Bunkerb!tch”
8. Amduscia “Just Feel And Enjoy”
9. Dive “Death Machine”
10. Kiberspassk “Derevna”
11. Yellow Lazarus “Vicious Memories”
12. Massive Ego “Digital Heroin”
13. She Hates Emotions “Don’t Leave Me”
14. Rummelsnuff “Interkosmos”
15. Hocico “Cross The Line (Remixed by Zardonic)”
16. Combichrist “Last Days Under The Sun (Fear Of Domination Remix)”
17. Ost+Front “Sex, Schnaps und Gewalt (Dickpik Remix by Yellow Lazarus)”

Bernard - Side-Line Staff

Chief editor of Side-Line – which basically means I spend my days wading through a relentless flood of press releases from labels, artists, DJs, and zealous correspondents. My job? Strip out the promo nonsense, verify what’s actually real, and decide which stories make the cut and which get tossed into the digital void. Outside the news filter bubble, I’m all in for quality sushi and helping raise funds for Ukraine’s ongoing fight against the modern-day axis of evil. Besides music I’m also an SEO and AI content flow specialist and have an interest in everything finance from stocks to crypto. There is music in everything!

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(Photo by Jim Kroft) At the very beginning of the carnival season, in an autumn that is so filled with cultural deprivation as never before, Rummelsnuff launches the “Müllabfuhr” video, which can be seen below.

Here’s the “Müllabfuhr” video.

About Rummelsnuff

For those readers unknown with Rummelsnuff, he is a German musician and lyricist and the son of a family of renowned musicians (Renate and Peter Baptist).

In the early 1980s, Roger Baptist began experimental work with old keyboards, microphones, drums, a bass guitar and various tape recorders . Under the influence of the Leipzig band Die Art , he founded the band Kein Mitleid in 1987, which was mainly devoted to English-language music. In 1989 he joined the Dresden underground band Friends of the Italian Opera (FDIO) and, as a co-author of Jänz Dittschlag and RJKKHänsch, created numerous songs for the band, including on the record “Um Thron und Liebe” and the CD “Edle Einfalt Stille Größewere”.

After the Friends of Italian Opera broke up in 1992, Baptist founded the EBM and NDH band Automatic Noir, which existed until 1999. After the decline of the project followed several years of abstinence from music. It was his contact with the Norwegian artist Bjarne Melgaard that made him create the figure of “Rummelsnuff” in 2004. The first album was released in March 2008 on Alfred Hilsberg’s label ZickZack Records.

The rest is history. Here’s the complete discography so far:

• 2008: Halt durch! (CD, ZickZack / Indigo)
• 2010: Sender Karlshorst (CD, Out of Line Music)
• 2011: Brüder / Kino Karlshorst (EP+DVD, Universal Music / Out of Line Music)
• 2012: Halt’ Durch! (CD, neue Edition, ZickZack / Out of Line Music)
• 2012: Himmelfahrt (CD, Out of Line Music)
• 2013: Kraftgewinn (Doppel-CD, Out of Line Music)
• 2016: Rummelsnuff & Asbach (Doppel-CD, Out of Line Music)
• 2018: Salzig Schmeckt der Wind (Doppel-CD, Out of Line Music)
• 2019: Lehrjahre 04-06 (Musikkassette, limitierte Eigenherstellung)
• 2019: Weltruf (Musikkassette, limitierte Eigenherstellung)

Bernard - Side-Line Staff

Chief editor of Side-Line – which basically means I spend my days wading through a relentless flood of press releases from labels, artists, DJs, and zealous correspondents. My job? Strip out the promo nonsense, verify what’s actually real, and decide which stories make the cut and which get tossed into the digital void. Outside the news filter bubble, I’m all in for quality sushi and helping raise funds for Ukraine’s ongoing fight against the modern-day axis of evil. Besides music I’m also an SEO and AI content flow specialist and have an interest in everything finance from stocks to crypto. There is music in everything!

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I will always link Peter Elm to Restricted Area. This Swedish EBM and body-pop project released a few great productions from the midst of the 90s till the early millennium years. The last productions were released on EK Product in 2010 and 2011. After a break of several years Peter Elm got back into business, setting up ELM and signing to Alfa Matrix. The album “Hardline” released in 2016 revealed a hard and pure old-school EBM. Three years later ELM strikes back with a new opus entitled “Extreme Unspoken Tension”. The album was preceded by the great EP “Death Of The North” revealing the raw power of ELM. This production is for sure one of the EBM high lights from 2019 and will appeal for all retro-EBM lovers. This is what Peter Elm has to say about it.

(Courtesy by Inferno Sound Diaries)

Q: You’ve just released the second Elm-album “Extreme Unspoken Tension”. What have been the main triggers and influences to start writing this work and did you’d a specific focus in the composition/production process?

Peter: It’s just honest self-expression and reflections about ’the world we live in and life in general’. If you’re pissed off, the music you make will naturally reflect that. Anyone with some integrity and sensitivity left will know what I mean and feel my sincerity in the songs. I’m not trying to fit into any genre or to be cool.

Q: “Extreme Unspoken Tension” is an intriguing title, which clearly has a deeper significance. What’s hiding behind the title and what have been the main lyrical themes you tried to express?

Peter: Yes. I like the title and the sound of it. I also find that the artwork adds yet another dimension and enhances the meaning of the title. Anyone not entirely brainwashed knows there are severe problems in Europe. Political correctness is badly disguised fascism and there are more and more restrictions about what you are allowed to say and how you are allowed to behave. There is an underlying tension. And all along Big Brother watches closely. Of course the whole atmosphere is soaked with hypocrisy. It’s disgusting. The development on a moral and philosophical level is quite devastating and is slowly and effectively removing charm and humor from our society. And the sheep follow. Nice.

Q: What did you try to achieve sound- & song-wise? Did you try to incorporate new elements in the production? What have been the main challenges?

Peter: The main challenge is achieving a solid, high-quality production and of course you need to have good songs to start with.

Sound wise I will always go towards and develop a sound that I personally am passionate about. Solid synthetic bass sounds and well-crafted bass-lines combined with honest aggression. The songs and lyrics need to be there though and need to find their place in the right musical environment.

I think there is a lot of variation on ”Extreme Unspoken Tension” and I don’t like albums where all songs sound the same. There are a lot of quite alternative song structures on the album such as ”Altitude 100”, ”Apocalypse” or ”Redemption”…

I also find that the album also has quite a more modern and fresh sound.

Q: The limited edition of this album became something very special; a great concept featuring alternative edits from every song. How did you get this idea? What did you try to accomplish with this disc and alternative edits and how did you get in touch with Rummelsnuff?

Peter: Thank you. Yes, it was a lot of work. It started with the feeling that I actually always preferred when bands did their own remixes as opposed to letting other artists do them. I used to love the 12 inch-style remixes of bands like Depeche Mode or Nitzer Ebb. I also thought it would be an easier and smoother process if I just did the remixes myself… Although fun, it turned out to be rather tedious…

In the end I found that I could have more fun and relax more for the disc B songs since they were ’only’ remixes/bonus versions. I actually prefer some of these to the originals.

I’m a big fan of Rummelsnuff and had a chat with him when he had a gig in Brussels a few years back. I contacted him about doing a translation/poem with one of my songs and we came up with ”Distracted”. Personally I find that the song suits his vagabond-style of storytelling. I also tried to make the song a bit more ’German sounding’ and stomping. Rummelsnuff is really cool since he always did his own thing. I respect that. Honest self-expression.

Q: Image is an essential item when it comes to EBM; bodies have to be muscled and sculptural while clothing is important as well! It sometimes even becomes more important than the music properly speaking. Is it an aspect you’re taking care about and where do you place image in the story of ELM?

Peter: Images and concept need to go esthetically well with the music. Once again, this is all about the art and the expression. In the case of both ”Hardline” and ”Extreme Unspoken Tension” the artwork combined with the music form a fist forged by fire from the heart. The artwork should be like a statement. This is what I have to say. Join in or fuck off.

I’ve always been a huge fan of NSK, Laibach and totalitarian art so my covers will naturally have influences from them. When it comes to superficial image or clothing I really don’t give a fuck.

The music is what is important.

Q: You’re based in Brussels since a couple of years. How does it feel living in the center of Europe and does this town and/or Belgium have a real impact on you as musician?

Peter: I like Brussels a lot because of its diversity, movement and international feel. I love the mix of languages. It’s easy to travel anywhere and I’ve come to get great friends here. There is a lot of music going on also, in a sense even more than in Berlin where I also used to live. In a way it’s like a mix between Paris and Berlin.

Inferno Sound Diaries

I have been working for over 30 years with Side-line as the main reviewer. My taste is eclectic, uncoventional and I prefer to look for the pearls, even if the bands are completely unknown, thus staying loyal to the Side-Line philosophy of nurturing new talents.

www.side-line.com

Genre/Influences: EBM.

Background/Info: Three years after his hard-hitting debut-album “Hardline”, Swedish EBM master and ex-Restricted Area operator, Peter Elm strikes back with his second album. The previously released EP “Death Of The North” was a solid appetizer to welcome this EBM work.

Content: Elm remains faithful to the EBM old-school. The bass lines might remind you of Nitzer Ebb while the entire production has this good-old electronic-body-music spirit. The short tracks are mixing energy, fast forward linear drum patterns and harsh, enraged vocals. The tracks feature the unavoidable metallic noises and some simple melody lines. The lyrics reflect a critical perception about Western life.

The limited edition featuring an extra disc features exactly the same tracklist where each song has been remixed or delivered in an alternative edit. Peter Elm accomplished all remixes/alternative edits himself while there’s one special song featuring Rummelsnuff who translated the original vocals into German and singing them his very own and unique way.

+ + + : No doubt about it, the new ELM opus is for sure one of the most noticeable retro-EBM productions from the year. Peter Elm perfectly knows how to compose efficient and powerful EBM. The formula remains quite simple: a hard driven, linear kick plus a solid bass line plus a simple lead to inject an extra dimension during the chorus and charismatic vocals. But Elm also takes care of the little details, which makes the composition more elaborated than most of these EBM productions. This is an aspect, which also comes through in the lyrical content; no easy vocals like ‘move your body’. But EBM is first of all music to dance on and ELM brings several solid dancefloor killers. “Death Of The north” remains a great piece, but I also have to mention “Switching Addictions”, “Cut You Down”, “Violent Heart”, “Distracted” ao.

I also like the concept of the bonus disc featuring an alternative version of every song. I here recommended the epic version of “Redemption”, “the sexy version of “Death Of The North”, the “Extended” version of “Cut You Down”, the power emerging from “Switching Addiction” and especially “smother Box” plus the funny, but cool adaptation of Rummelsnuff on “Zerfahren” (adaptation of  “Distracted”.

– – – : I hoped to discover another great cut in the line of “Death From The North”, but it remains the absolute hit from the album. This is a cool work, but the EBM formula is sometimes a little bit too repetitive. I also think that some choruses could be a little bit more explicit.

Conclusion: This album is a great EBM gift for all die-hard freaks; powerful music mixed with interesting lyrics!

Best songs: “Death Of The North”, “Cut You Down”, “Switching Addictions”, “Violent Heart” + “Smother Box – Mother of Aggression-Mix”, “Switching Addictions – XXX Club-mix”, “Death Of The North – 7 Inch edit”, “Cut You Down – Extended”, “Redemption – Akropolis Version”.

Rate: (8).

Artist: www.facebook.com/elmelectro

Label: www.alfa–matrix.com / www.facebook.com/Alfa.Matrix

Inferno Sound Diaries

I have been working for over 30 years with Side-line as the main reviewer. My taste is eclectic, uncoventional and I prefer to look for the pearls, even if the bands are completely unknown, thus staying loyal to the Side-Line philosophy of nurturing new talents.

www.side-line.com

Genre/Influences: EBM, dark-electro, future-pop, electro-pop, gothic, industrial-rock, industrial-metal.

Background/Info: The latest volume of the Out Of Line compilation “Awake The Machines” brings us 3 CD’s for a total of 45 artists.

Artists: Blutengel, Solar Fake, Rummelsnuff, Ordo Rosarius Equilibrio, Heimataerde, Rave The Reqviem, Fear Of Domination, Davey Suicide, Combichrist, Rabia Sorda, Ost-Front, Solitary Experiments, Melotron, Hocico, Signal Aout 42, Accessory, Dive, Suicide Commando, Amduscia ao.

Content: The first disc is the most eclectic one although more focalized around gothic-inspired formations. The second disc reveals the ‘newest’ direction of the label, which is inspired by metal-related formations. This is an opportunity to discover different bands that aren’t (or not yet) signed to Out Of Line. Finally we get the last disc revealing electronic bands that have made the name and reputation of Out Of Line.

+ + + : This new edition is quite fascinating for its diversity revealing a label, which has seriously enlarged its sonic horizon throughout the years, but especially during the past few years. The tracklist is impressive and confirms the leading status of the label. When a label has bands such as Blutengel, Suicide Commando, Hocico, Dive, Solitary Experiments, Ost-Front, Combichrist, Ordo Rosarius Equilbrio, Client ao flying under their wings you only, but agree this is a major company.

– – – : From a very personal point of view I’m not totally convinced by the metal direction of the label although it clearly will catch the attention of a wider -and different audience. But my main regret is that the familiar bands have been featured with known songs. I even noticed Angels & Agony with a song from 2015!

Conclusion: This is a colossal compilation, which is really interesting if you’re not that familiar with Out Of Line and/or simply you’re a die-hard fan of the Berlin-based label.

Best bands: Blutengel, The Ritualists, Heimataerde, Rave The Reqviem, Rabia Sorda, Solitary Experiments, Massive Ego, Chrom, Dive, Amduscia.

Rate: (7).

Label: www.outofline.de  / www.facebook.com/outoflinelabel

Inferno Sound Diaries

I have been working for over 30 years with Side-line as the main reviewer. My taste is eclectic, uncoventional and I prefer to look for the pearls, even if the bands are completely unknown, thus staying loyal to the Side-Line philosophy of nurturing new talents.

www.side-line.com

Genre/Influences: Electro-pop, cabaret, chanson, EBM.

Background/Info: ‘Käpt’n Rummelsnuff’ commonly known as Rummelsnuff has now been active for several years and can look back at an impressive discography (mainly released on Out Of Line). It seems it was the right time to consider a ‘best of’ featuring some of the German bodybuilder’s greatest hits. The songs have been remastered and are available next to the CD-format on vinyl as well. There’re a few remixes featured as well.

Content: Rummelsnuff has always been something apart; a sound, which is hard to describe, but especially pretty different from what we’re used to hearing on Out Of Line. The songs sung in German tell crazy little stories. It’s pretty fun-like and constantly carried by this typical accordion sound reminding to sailor songs. But you’ll also notice songs with a bombardon.

Other cuts are more electronic and revealing a mix of electro-pop and even EBM. There’s an interesting remix of Pankow featured.

+ + + : The main strength of Rummelsnuff is the unique and totally uncompromised approach. There’s no other formation like Rummelsnuff and ‘Popeye – ‘Käpt’n Rummelsnuff’ makes no compromises. It remains a mystery to me why this band gained that recognition (in their homeland), but it for sure has something to do with the image and the weird music. Rummelsnuff gets ‘dark souls’ laughing. Speaking for myself I prefer the more electro-pop driven songs although they also have something pretty different from the usual standards.

– – – : This album is mainly meant to please the heaviest fans of Rummelsnuff. It’s starts to bore me after a while, the songs being too repetitive and drive by the monotonous singing of the ‘captain’.

Conclusion: Rummelsnuff will probably never be successful in non-German speaking countries except if he would sing in English. It remains a funny project and one of the biggest music challenges from this scene, but after all these years the band is still alive.

Best songs: “Eindruck Schinden”, “Der Schrauber”, “Amundsen”, “Trägt Die Woge Dein Boot”.

Rate: (6).

Artist: www.rummelsnuff.de / www.facebook.com/Rummelsnuff

Label: www.outofline.de  / www.facebook.com/outoflinelabel

Inferno Sound Diaries

I have been working for over 30 years with Side-line as the main reviewer. My taste is eclectic, uncoventional and I prefer to look for the pearls, even if the bands are completely unknown, thus staying loyal to the Side-Line philosophy of nurturing new talents.

www.side-line.com

The 8th instalment in the Electrostorm electro-sampler-series will be released in early May.

This new volume will hold 17 tracks by the following bands: Hocico, Combichrist, Agonoize, Dive, Too Dead To Die, Solitary Experiments, Blutengel, Massive Ego, Melotron, Rummelsnuff & Asbach, The Juggernauts, Cephalgy, CHROM, Ashbury Heights, Solar Fake, The Sexorcist and Any Second. The latter is the brand new Agonoize-side project.

You can already order the compilation right here.

Bernard - Side-Line Staff

Chief editor of Side-Line – which basically means I spend my days wading through a relentless flood of press releases from labels, artists, DJs, and zealous correspondents. My job? Strip out the promo nonsense, verify what’s actually real, and decide which stories make the cut and which get tossed into the digital void. Outside the news filter bubble, I’m all in for quality sushi and helping raise funds for Ukraine’s ongoing fight against the modern-day axis of evil. Besides music I’m also an SEO and AI content flow specialist and have an interest in everything finance from stocks to crypto. There is music in everything!

side-line.com

Genre/Influences: Folk, punk, electro.

Background/Info: Ancient bodybuilder and ‘Captain’ of the crew aka Rummelsnuff joined hands with tenor baritone Asbach to create what they call ‘derbe Strommusik’ (translated ‘rough electric music’). The regular album features 14 songs while there also is a limited edition featuring an extra disc.

Content: Rummelsnuff remains one of the weirdest and yet kindest projects of this scene. I honestly never totally understood how an artist mainly dealing with a kind of ‘German folk’ and other ‘sailor songs’ could ever seduce underground music lovers. I guess the main reason is that Rummelsnuff is a great entertainer and simply the single artist in a music style, which is impossible to qualify, but catching the attention of EBM lovers.

This new opus doesn’t sound that different. With some imagination you can imagine this kind of music being played during the ‘Bierfesten’ or when watching the parade of a fanfare. You’ll also notice a more cinematographic style running through other cuts and a kind of body-pop approach later on.

Both singers are singing in German and even if you don’t understand German you clearly will feel the funny and crazy approach of the artists.

+ + + : Rummelsnuff never stops to take his fans by surprise. This guy is totally crazy, but you can feel he really enjoy what he’s doing and that’s something he masterly transposed into his music. “Rummelsnuff & Asbach” is an album that will make you smile and get you happy. Musically I clearly have a preference for the more electro-driven and pop-like songs.

– – – : You really need a good sense of humor to appreciate this kind of music, which clearly has less in common with the real electro-underground music. I can’t get away from the feeling that this artist is mainly recognized and praised in his homeland.

Conclusion: Rummelsnuff clearly remains the only ‘clown’ of the electro-underground scene. He’s laughing and joking, but most important he’s making people happy!

Best songs: “Helmut”, “Harzer Käse”, “Strassenbau”.

Rate: (7).

Band: www.rummelsnuff.de / www.facebook.com/Rummelsnuff / www.facebook.com/ChristianAsbach

Label: www.outofline.de  / www.facebook.com/outoflinelabel

Inferno Sound Diaries

I have been working for over 30 years with Side-line as the main reviewer. My taste is eclectic, uncoventional and I prefer to look for the pearls, even if the bands are completely unknown, thus staying loyal to the Side-Line philosophy of nurturing new talents.

www.side-line.com

The 5th album from Germany’s Rummelsnuff will be released this fall. For the occasion, and the album title already explains it, Rummelsnuff joined up with Christian Asbach.

“Rummelsnuff & Asbach” will be released as a deluxe double CD, including an exclusive 8-tracks bonus EP containing remixes and re-interpretations. Next to that the album will also be out on vinyl including a CD version of the album. You can order the deluxe 2CD right here and the vinyl version can be purchased right here already.

Here’s the content of the bonus EP:

1. Mikrowelle – El Perro (Der Hund)
2. J. Blitz Gouthier – Vida de Vidro (Crystal Ball)
3. Tua – Maschinenraum
4. Grzegorz – Bursche
5. Steve Van Velvet – Zuchtvieh
6. Erdling – Helmut
7. Lord of the Lost – Bratwurstzange
8. Kuschelsnuff (King Khan, Bela B., Rummelsnuff) – Brüder

Bernard - Side-Line Staff

Chief editor of Side-Line – which basically means I spend my days wading through a relentless flood of press releases from labels, artists, DJs, and zealous correspondents. My job? Strip out the promo nonsense, verify what’s actually real, and decide which stories make the cut and which get tossed into the digital void. Outside the news filter bubble, I’m all in for quality sushi and helping raise funds for Ukraine’s ongoing fight against the modern-day axis of evil. Besides music I’m also an SEO and AI content flow specialist and have an interest in everything finance from stocks to crypto. There is music in everything!

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