Out now via Spleen+ is a brand new single from the cult Belgian post-punk/new wave band The Names. “Far From The Factories” holds two tracks and can be downloaded right now from Bandcamp.

“Far From The Factories” evokes the characteristic sound style of the band mixing post-punk guitar work, new wave basslines and atmospheric melodic keyboard elements. The B-side is the track “Apophenia”.

Both tracks are a first sign of the new album which will be released later this year on Spleen+.

About The Names

Emerged during the late 1970s/early 1980s vibrant post-punk era on the legendary Factory Records label (Joy Division, New Order, …), The Names (formed around frontman Michel Sordinia) have continued to perform and release new material since the band reformed in the 2000s.

The initial lineup of the band included Sordinia, guitarist Marc Deprez, and drummer/keyboardist Christophe Den Tandt. Robert Frankson and vocalist Isabelle Hanrez were short-term members. Initially performing locally as The Passengers, they renamed themselves before releasing their first single, “Spectators of Life”, in 1979 through WEA to gauge interest in local new wave music.

Following a Joy Division performance in Brussels, Factory Records signed them. With new drummer Luc Capelle, The Names recorded “Nightshift” in Manchester with producer Martin Hannett in August 1980. This single exemplified their style: a dark, restrained modern rock akin to Magazine, Comsat Angels, and Joy Division/New Order. In February 1982, they recorded a session for John Peel’s BBC Radio 1 show, released as a digital EP, “Radio Session 1982”, in 2009.

Their collaboration with producer Hannett continued, overseeing their next single, “Calcutta” (Factory Benelux, 1981), and their first album, Swimming (Les Disques du Crepuscule, 1982). Their last single, “The Astronaut”, was released in 1982 on Les Disques du Crépuscule, produced by Hannett, who had left Factory Records. As the post-punk era waned, the band disbanded.

In 1985, LTM Recordings released “Postcard Views”, a cassette featuring studio and live tracks. Expanded versions of Swimming, renamed “Swimming + Singles”, were released in 1991 and 2000 by Factory Benelux and LTM Recordings, respectively. A 2013 reissue by Factory Benelux included the 1982 John Peel session.

In 1995, the original trio of Sordinia, Deprez, and Den Tandt formed Jazz, releasing “Nightvision”. LTM’s 2001 compilation “Spectators of Life” featured The Names’ B-sides, live tracks from 1979-1982, and two Jazz tracks.

The Names reunited for A Factory Night in Brussels in December 2007. In April 2009, they released “Monsters Next Door” on Str8line. After Den Tandt’s departure in December 2009, Christophe Boulenger joined. In 2015, now a quartet with new drummer Laurent Loddewyckx, they released “Stranger Than You” on Factory Benelux. A 2016 compilation, “In Mutation”, by Les Disques du Crépuscule included a Deprez 1981 solo single and a 1982 live performance.

Bernard - Side-Line Staff

Chief editor of Side-Line – which basically means I spend my days wading through a relentless flood of press releases from labels, artists, DJs, and zealous correspondents. My job? Strip out the promo nonsense, verify what’s actually real, and decide which stories make the cut and which get tossed into the digital void. Outside the news filter bubble, I’m all in for quality sushi and helping raise funds for Ukraine’s ongoing fight against the modern-day axis of evil. Besides music I’m also an SEO and AI content flow specialist and have an interest in everything finance from stocks to crypto. There is music in everything!

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(Photo by Paul Husband) A Certain Ratio, commonly abbreviated as ACR, is an influential English post-punk band that originated in Flixton, Greater Manchester, in 1977. The initial formation featured Peter Terrell (guitar, electronics) and Simon Topping (vocals, trumpet), with Jez Kerr (bass guitar, vocals), Martin Moscrop (trumpet, guitar), Donald Johnson (drums), and Martha Tilson (vocals) joining shortly thereafter. In 1979, the band had the distinction of being among the first acts to debut on Tony Wilson’s iconic Factory Records, with their single “All Night Party” produced by Martin Hannett. During their early years with Factory, ACR achieved impressive success, securing seven Top Ten UK independent releases—most notably “Flight” and “Waterline”—and they initiated their album collection with “The Graveyard and the Ballroom” (1980).

In the late 1980s and early 1990s, the band transitioned through phases with major label A&M and Rob Gretton’s independent label Robs Records. During these periods, ACR’s activity varied. They made a notable return with their ninth studio album, “Mind Made Up” (2008), and have remained active in performance since, with their extensive back catalogue being reissued through a partnership with Mute Records. In September 2020, they released “ACR Loco”, their first new studio album in twelve years, followed by three EPs titled “A”, “C”, and “R” in 2021. In 2023, they released their eleventh studio album, aptly named “1982”.

Today, A Certain Ratio has unveiled a new remix by Emperor Machine—a moniker for close friend and collaborator Andy Meecham—of their track “Constant Curve”. This track will be part of their forthcoming 4-track EP, set to be released both on limited edition 12” vinyl and digitally on 22 September 2023 via Mute.

This remix sees Meecham revisiting “Constant Curve”, a song from the 1982 album that he originally co-wrote and contributed keyboards and electronic percussion to.

Explaining the process, Meecham says: “After the success of our previous collaboration, Martin [Moscrop] asked if I would record some synths for a new track. I loved it on first listen, so obviously I said yes. While working and writing some synths, I thought this is a great track, but it’s too short—it needs a Pettibone-style extended Dub mix, a proper extended 12” version with Donald [Johnson]’s drums more upfront in the mix, dubbed out guitars, and new vocal edit sections. I suggested this idea to the band, and thankfully they gave me free rein.”

The track can be found below.

The EP follows their latest album “1982” (released in spring this year), and includes three newly commissioned remixes of tracks from the album – Emperor Machine’s reworking, Werkha mix of SAMO, and Manchester producer Jade Parker’s remix of “Waiting on a Train” (feat. Ellen Beth Abdi & Chunky), alongside a brand-new track “Day by Day”, written and recorded with Ellen Beth Abdi.

A Certain Ratio recently announced a tour that celebrates 45 years of the band’s career. The dates will see A Certain Ratio perform two separate sets each night: the first set will represent the early years of their career from their Factory releases and A&M. The band will then reconvene for a set representing ACR from the early to mid-‘90s to 2024 including unreleased forthcoming material.

• 10 November – London, Moth Club – SOLD OUT
• 11 November – Preston, The Ferret
• 12 November – Glasgow, Stereo
• 15 November – Gateshead, The Sage
• 16 November – Reading, Face Bar
• 18 November – York, The Crescent
• 25 November – Brugge (BE), Cactus
• 2 December – Liverpool, 24 Kitchen Street
• 10 December – Manchester, Band on the Wall

A Certain Ratio will also be appearing at the following festivals:

• 19 August – Luna Festival, Coimbra, Portugal
• 26 August – Shambala Festival, Northamptonshire
• 27 August – Wrexfest, Wrexham
• 19 November – Shiiine On Weekender, Minehead
• 24 November – BBMix, Paris (FR)

Bernard - Side-Line Staff

Chief editor of Side-Line – which basically means I spend my days wading through a relentless flood of press releases from labels, artists, DJs, and zealous correspondents. My job? Strip out the promo nonsense, verify what’s actually real, and decide which stories make the cut and which get tossed into the digital void. Outside the news filter bubble, I’m all in for quality sushi and helping raise funds for Ukraine’s ongoing fight against the modern-day axis of evil. Besides music I’m also an SEO and AI content flow specialist and have an interest in everything finance from stocks to crypto. There is music in everything!

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Here’s something for those Factory Records fans who want to collect everything related to the label and its personnel. “1965-1980” and the mini-album “In Dub”, 2 classic releases by the punk-dub rhythm act Basement 5, finally see a reissue.

The “1965-1980” album takes its title from the year frontman Dennis Morris (legendary photographer of Bob Marley and the Sex Pistols) arrived from Jamaica to its recording in 1980. Having secured the services of Factory Records renowned in-house producer, Martin Hannett (Joy Division) things looked good. However, the original drummer walked out on the first day of recording and was immediately replaced by the Blockheads Charlie Charles who went to finish the sessions. In the spirit of the day things didn’t last, underlying tension saw the band implode whilst touring through Europe. The final incarnation of the band lasted a mere eighteen months.

The “1965-1980” sessions also yielded dub versions of several of the main tracks and were later on released as “In Dub”.

The re-issue comes on vinyl and can be ordered right here.

Basement 5 formed in London in 1978. Their first vocalist was Winston Fergus, then Don Letts. One of their early performances was a support for Public Image Ltd.’s London debut at the Rainbow on Christmas Day 1978. Finally in 1979 Dennis Morris took over as creative force, lead vocalist and lyricist. He also designed the Basement 5 logo and created their image. The drums were played by Richard Dudanski, who had played in the bands 101ers, The Raincoats and Public Image Ltd. Their songs reflected the political situation of the time in Great Britain including youth unemployment and strikes. In 1980 they got signed to Island Records with vocalist Dennis Morris. Shortly after releasing the single “Last White Christmas” in 1980 the band broke up, with several members forming Urban Shakedown.

Here’s a video for “Riot” in a remastered version.

Side-Line also covered Joy Division’s ‘Atmosphere’.

Bernard - Side-Line Staff

Chief editor of Side-Line – which basically means I spend my days wading through a relentless flood of press releases from labels, artists, DJs, and zealous correspondents. My job? Strip out the promo nonsense, verify what’s actually real, and decide which stories make the cut and which get tossed into the digital void. Outside the news filter bubble, I’m all in for quality sushi and helping raise funds for Ukraine’s ongoing fight against the modern-day axis of evil. Besides music I’m also an SEO and AI content flow specialist and have an interest in everything finance from stocks to crypto. There is music in everything!

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