Today, Bronski Beat and London Records have released the short documentary “Why? (40th Anniversary Doc Short)”, directed by Matt Lambert. The documentary revisits Bronski Beat’s iconic 1984 anthem “Why?” exploring the ongoing fight for LGBTQ+ rights.

Upon its release in 1984, Jimmy Somerville told Record Mirror that ‘Why?’ was “about constantly having to fight for love because that’s what we have to do, to try to change the law, people’s attitudes. It’s a constant fight for your right to love and that’s a right everybody should have – to love who they want.” Forty years later Jimmy adds: “I never thought a song that we wrote in 1984 would resonate even more powerfully in 2024.”

The film, commissioned by Bronski Beat frontman Jimmy Somerville, is a tribute to those on the frontlines of the LGBTQ+ rights movement. As Lambert explains, the film is not just a historical retrospective but a tool to educate and empower a new generation of queer youth while reminding older generations that the fight for equality is far from over.

Bronski Beat’s “Why?” originally challenged homophobic violence with raw emotion. The song’s unmistakable cry against bigotry and fear made it a defining voice for LGBTQ+ activism in the 1980s. However, the original 1984 music video commissioned for the song, never truly aligned with the song’s (and the band’s) intentions. Forty years later, singer Jimmy Somerville wanted to change this. 

“Jimmy wanted to commission me to make a project that spoke to the climate of LGBTQ+ rights today,” explains Matt. “I ended up exploring archives from past and present, material from my phone and friends — self shot material from the community — which became a documentary short film. We had access to Bronski Beat original stems to sculpt the timeless and still timely score to this film.”

The film premiere is an extra teaser for the release of “The Age of Consent (40th Anniversary Editions)” on October 18, and available in deluxe 4CD/DVD, 2CD, and 2LP formats.

Bernard - Side-Line Staff

Chief editor of Side-Line – which basically means I spend my days wading through a relentless flood of press releases from labels, artists, DJs, and zealous correspondents. My job? Strip out the promo nonsense, verify what’s actually real, and decide which stories make the cut and which get tossed into the digital void. Outside the news filter bubble, I’m all in for quality sushi and helping raise funds for Ukraine’s ongoing fight against the modern-day axis of evil. Besides music I’m also an SEO and AI content flow specialist and have an interest in everything finance from stocks to crypto. There is music in everything!

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London Records has released the Superchumbo remix of the Bronski Beat hit “Why” featuring Pet Shop Boys frontman Neil Tennant. This is the third remix from the upcoming 40th-anniversary deluxe reissue of Bronski Beat’s 1984 album “The Age Of Consent”, out October 18th. It follows reworks of the classic queer anthem “Smalltown Boy” by producers Absolute and Planningtorock.

The song, originally recorded at RPM Studio in New York City and mixed at Townhouse Studios in London, features lyrics that focus centrally on anti-gay prejudice. The song was written for Martin, a friend of the Bronskis who was hounded out of the country by his boyfriend’s irate and violent parents. You could say it was a sequel to their debut single “Smalltown Boy”, continuing the tale of a young gay man suffering humiliation and animosity as he tries to live his life.

The song opens with a questioning vocal by Bronski Beat frontman Jimmy Somerville and the sound of shattering glass. It was the trio’s second Top 10 success in the UK, throughout Europe, and in Australia, and is considered a popular gay anthem today.

The drawing for the original single cover, depicting a man with his head in his hands, was created by Glasgow artist Robert McAulay, who was associated with the band at the time.

Here’s what Jimmy Sommerville says about the collaboration with Tom Stephan (aka Superchumbo) on this new mix: ”I’ve known Tom for a good few years now and when I asked him if he’d like to do a remix of ‘Why?’ he said yes straight away. The song is a part of his story. I was so moved when he shared that story with me. The lyric is our shared experience as it is for so many others…and forty years later the lyric still tells the story of LGBTQi+….the hate, the violence, the discrimination, the imprisonment and state sanctioned murder of those who dare to be their true selves and it’s happening somewhere right now as I write this.”

Speaking on the rework, Tom explains: “My goal was to create an updated mix that fits well with contemporary sounds while preserving the original intensity and energy. After I submitted the mix, Jimmy asked me if I could include a few more lyrics from the original song. I had recently watched a Pet Shop Boys documentary where Neil Tennant read some of his lyrics, which moved me to tears,” he continues. “I imagined Neil speaking these lyrics, creating a powerful contrast. I left Neil a voicemail on my way to a gig abroad and by the time I reached Heathrow I had his vocals on my phone, added them to the track on my flight, and played it that night! It is a great honour to work on this iconic song with two legends who were lifelines to me while growing up gay in a small town.”

“I was fucking whooping like a banshee round my kitchen when Tom told me Neil would like to contribute! ” adds Jimmy. “To speak the lyrics of ‘Why?’ and to hear Tom’s musical reworking of the track is fucking mind-blowing. So to hear Neil, one of our greatest pop lyricists, speaking my words… It brings it into the here and now and also retains its history with my original vocal. I genuinely felt moved.”

4CD+DVD deluxe set tracklisting

The 40th-anniversary reissue of “The Age of Consent” will be available in a variety of physical and digital formats, including a 5-disc deluxe edition (4CD+DVD): featuring 4 essays by Tom Rasmussen, Lesley Chow, Lucy Robinson, and Barney Ashton-Bullock, the original album, bonus tracks, remixes, rarities, early versions, and rare radio sessions. Its DVD comes with restored promo videos, Top of the Pops performances, and original TV adverts.

Other formats include 2CD with new reworks, 2LP (with “The Age of Consent” and its neighbouring remix album “Hundreds & Thousands”), a yellow 1LP edition (Lexer Music Exclusive), and a super deluxe edition exclusive Blu Ray edition featuring “The Age of Consent” and “Hundreds & Thousands” in Dolby Atmos & 5.1 mixes.

Disc One

The Age Of Consent – The Album Plus

1. Why?
2. It Ain’t Necessarily So
3. Screaming
4. No More War
5. Love And & Money
6. Smalltown Boy
7. Heatwave
8. Junk
9. Need A Man Blues
10. I Feel Love / Johnny Remember Me
11. Smalltown Boy (Dj 7” Edit) – Bonus Track
12. Why? (Remix) – Bonus Track
13. It Ain’t Necessarily So (7” Version) – Bonus Track
14. I Feel Love (7” Version) With Marc Almond – Bonus Track
15. Run From Love (Radio Version) – Bonus Track
16. Hard Rain (Nme 7” Version) – Bonus Track

Disc Two

Hundreds & Thousands – The Remix Plus

1. Heatwave (Harvey Goldberg Remix)
2. Why (Harvey Goldberg Remix)
3. Run From Love (Dominic Maita Remix)
4. Hard Rain (Harvey Goldberg Remix)
5. Smalltown Boy (Harvey Goldberg Remix)
6. Junk (Harvey Goldberg Remix)
7. Love And Money (Hundreds & Thousands Remix) * – Bonus Track
8. Infatuation / Memories – Bonus Track
9. Close To The Edge – Bonus Track
10. I Feel Love (Cake Mix) With Marc Almond – Bonus Track
11. Cadillac Car (Extended) – Bonus Track

Disc Three

Consent Extended – The 12 Inches Plus

1. Smalltown Boy (12” Version)
2. Why? (12” Version)
3. It Ain’t Necessarily So (12” Version)
4. I Feel Love (12” Version) With Marc Almond
5. Run From Love (Us Club Remix ‘85) *
6. Smalltown Boy (Us Club Remix ‘84) *
7. Red Dance
8. The Potato Fields
9. Puit D’amour
10. Signs (And Wonders)
11. I Feel Love (Fruit Mix)

Disc Four

Ignore At Your Peril – The Rarities Plus

1. Smalltown Boy (Capital Radio Session, May ‘84) *
2. Heatwave (Capital Radio Session, May ‘84) *
3. Hard Rain (Capital Radio Session, May ‘84 )*
4. Why? (Early Version, March ‘84) *
5. Crazy Maraquitta (Studio Session) *
6. It Ain’t Necessarily So (Early Version) *
7. Upside Down (Studio Session) *
8. Screaming (Early Version, March ‘84) *
9. The Power Of The Gold (Studio Session) *
10. Love And Money (Early Version) *
11. First Church (Feel Love) (Studio Session) *
12. Junk (Early Version 2) *
13. Walking (Studio Session) *
14. No More War (Early Version) *
15. Go (You & Me) (Studio Session) *
16. Close To The Edge (Early Alternate Extended Mix) *
17. Heatwave (Early Version) *
18. The Other Side Of The Tracks (Studio Session) *
19. Smalltown Boy (Early Version, March ‘84) *

Disc Five

The First Chapter – The Videos Plus [Dvd]

1. Official Music Videos
2. Smalltown Boy (Restored Promo)
3. Why? (Restored Promo)
4. It Ain’t Necessarily So (Restored Promo)
5. I Feel Love (Restored Promo) With Marc Almond
6. Top Of The Pops Performances
7. Smalltown Boy (Bbc ‘Top Of The Pops’, June ‘84)
8. Why? (Bbc ‘Top Of The Pops’, September ‘84)
9. It Ain’t Necessarily So (Bbc ‘Top Of The Pops’, December ‘84)
10. I Feel Love (Bbc ‘Top Of The Pops’, April ‘85) With Marc Almond
11. Original Tv Adverts
12. The Age Of Consent – Tv Advert #1 (December ‘84) *
13. The Age Of Consent – Tv Advert #2 (January ‘85) *

* Previously Unreleased

Bernard - Side-Line Staff

Chief editor of Side-Line – which basically means I spend my days wading through a relentless flood of press releases from labels, artists, DJs, and zealous correspondents. My job? Strip out the promo nonsense, verify what’s actually real, and decide which stories make the cut and which get tossed into the digital void. Outside the news filter bubble, I’m all in for quality sushi and helping raise funds for Ukraine’s ongoing fight against the modern-day axis of evil. Besides music I’m also an SEO and AI content flow specialist and have an interest in everything finance from stocks to crypto. There is music in everything!

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(Photo via London Records) London Records will mark the 40th anniversary of the iconic Bronski Beat debut album, “The Age of Consent”, with a series of deluxe reissues available on October 18, 2024. Fans can pre-order these reissues at bronskibeat.tmstor.es.

In conjunction with the reissue, London Records has released a new remix of “Smalltown Boy”’” by Planningtorock. This artist, known for queering sound and visual art, has previously collaborated with Lady Gaga, Robyn, and Christine and The Queens. The remix can be listened to below.

Jimmy Somerville, reflecting on the album, said, “When there is something we do in our life that can have such an impact on other peoples’ lives, and to be told this by others, it’s humbling. ‘The Age of Consent’ is, and always will be, such a special part of my life.”

Planningtorock shared their thoughts on the remix as well: “I first saw ‘Smalltown Boy’ on telly back in 1984 when I was twelve. I remember it having a big impact on me even then. Just loved how it told the story so directly like a mini documentary but as a music clip sharing a gay experience that was sad to watch but at the same time so empowering. Those early years as a queer trans kid were so lonely for me and Bronski Beat made me feel less alone showing me how music can help you translate a painful experience into something liberating.”

Released in 1984, “The Age of Consent” was a pioneering album addressing LGBTQ+ rights and struggles. The album remains relevant today, reflecting ongoing issues faced by the LGBTQ+ community. Its original release included a listing of ages of consent worldwide, symbolizing both the progress made and the challenges still ahead.

The 40th-anniversary reissue will be available in various formats, including a 5-Disc Deluxe Edition (4CD+DVD), a 2CD set with new reworks, a 2LP set, a yellow 1LP edition, and a Super Deluxe Edition exclusive Blu-Ray. The deluxe edition features essays, remixes, rarities, and restored promo videos.

Tracklisting for the 4CD+DVD Deluxe Edition

Disc One: The Age of Consent – The Album Plus

1. Why?
2. It Ain’t Necessarily So
3. Screaming
4. No More War
5. Love and Money
6. Smalltown Boy
7. Heatwave
8. Junk
9. Need a Man Blues
10. I Feel Love / Johnny Remember Me
11. Smalltown Boy (DJ 7” Edit) – Bonus track
12. Why? (Remix) – Bonus track
13. It Ain’t Necessarily So (7” Version) – Bonus track
14. I Feel Love (7” Version) with Marc Almond – Bonus track
15. Run from Love (Radio Version) – Bonus track
16. Hard Rain (NME 7” Version) – Bonus track

Disc Two: Hundreds & Thousands – The Remix Plus

1. Heatwave (Harvey Goldberg Remix)
2. Why (Harvey Goldberg Remix)
3. Run from Love (Dominic Maita Remix)
4. Hard Rain (Harvey Goldberg Remix)
5. Smalltown Boy (Harvey Goldberg Remix)
6. Junk (Harvey Goldberg Remix)
7. Love and Money (Hundreds & Thousands Remix) – Bonus track
8. Infatuation / Memories – Bonus track
9. Close to the Edge – Bonus track
10. I Feel Love (Cake Mix) with Marc Almond – Bonus track
11. Cadillac Car (Extended) – Bonus track

Disc Three: Consent Extended – The 12 Inches Plus

1. Smalltown Boy (12” Version)
2. Why? (12” Version)
3. It Ain’t Necessarily So (12” Version)
4. I Feel Love (12” Version) with Marc Almond
5. Run from Love (US Club Remix ‘85) – Bonus track
6. Smalltown Boy (US Club Remix ‘84) – Bonus track
7. Red Dance
8. The Potato Fields
9. Puit D’Amour
10. Signs (And Wonders)
11. I Feel Love (Fruit Mix)

Disc Four: Ignore at Your Peril – The Rarities Plus

1. Smalltown Boy (Capital Radio Session, May ‘84) – Bonus track
2. Heatwave (Capital Radio Session, May ‘84) – Bonus track
3. Hard Rain (Capital Radio Session, May ‘84) – Bonus track
4. Why? (Early Version, March ‘84) – Bonus track
5. Crazy Maraquitta (Studio Session) – Bonus track
6. It Ain’t Necessarily So (Early Version) – Bonus track
7. Upside Down (Studio Session) – Bonus track
8. Screaming (Early Version, March ‘84) – Bonus track
9. The Power of the Gold (Studio Session) – Bonus track
10. Love and Money (Early Version) – Bonus track
11. First Church (Feel Love) (Studio Session) – Bonus track
12. Junk (Early Version 2) – Bonus track
13. Walking (Studio Session) – Bonus track
14. No More War (Early Version) – Bonus track
15. Go (You & Me) (Studio Session) – Bonus track
16. Close to the Edge (Early Alternate Extended Mix) – Bonus track
17. Heatwave (Early Version) – Bonus track
18. The Other Side of the Tracks (Studio Session) – Bonus track
19. Smalltown Boy (Early Version, March ‘84) – Bonus track

Disc Five: The First Chapter – The Videos Plus [DVD]

1. Official Music Videos
   • Smalltown Boy (Restored Promo)
   • Why? (Restored Promo)
   • It Ain’t Necessarily So (Restored Promo)
   • I Feel Love (Restored Promo) with Marc Almond
2. Top of the Pops Performances
   • Smalltown Boy (BBC ‘Top of the Pops’, June ‘84)
   • Why? (BBC ‘Top of the Pops’, September ‘84)
   • It Ain’t Necessarily So (BBC ‘Top of the Pops’, December ‘84)
   • I Feel Love (BBC ‘Top of the Pops’, April ‘85) with Marc Almond
3. Original TV Adverts
   • The Age of Consent – TV Advert #1 (December ‘84) – Bonus track
   • The Age of Consent – TV Advert #2 (January ‘85) – Bonus track

About Bronski Beat

Formed in 1983 in London, Bronski Beat was an influential British synthpop trio known for their groundbreaking music and outspoken advocacy for LGBTQ+ rights. The original lineup included Steve Bronski (keyboards, percussion), Larry Steinbachek (keyboards, percussion), and Jimmy Somerville (vocals).

Their debut single, “Smalltown Boy”, released in 1984, became an instant hit. The song’s poignant narrative about a young gay man facing homophobia and isolation resonated deeply with listeners. It climbed the charts, reaching number three in the UK. Later in 1984, Bronski Beat released their debut album, “The Age of Consent”. The inner sleeve listed the ages of consent for homosexual acts worldwide. The album produced other hits like “Why?” and “It Ain’t Necessarily So”.

In 1985, lead vocalist Jimmy Somerville left Bronski Beat to form The Communards with Richard Coles. Despite his departure, Bronski Beat continued, recruiting John Foster (also known as Jon Jon) as their new lead singer. The band released the album “Truthdare Doubledare” in 1986, which included the hit single “Hit That Perfect Beat”.

Throughout the late 1980s and early 1990s, Bronski Beat underwent several lineup changes, with the late Steve Bronski remaining the constant member. They continued to release music, though with less commercial success than their early years. In the 2010s, Steve Bronski reformed the band with new members and continued to perform and release new music.

Bernard - Side-Line Staff

Chief editor of Side-Line – which basically means I spend my days wading through a relentless flood of press releases from labels, artists, DJs, and zealous correspondents. My job? Strip out the promo nonsense, verify what’s actually real, and decide which stories make the cut and which get tossed into the digital void. Outside the news filter bubble, I’m all in for quality sushi and helping raise funds for Ukraine’s ongoing fight against the modern-day axis of evil. Besides music I’m also an SEO and AI content flow specialist and have an interest in everything finance from stocks to crypto. There is music in everything!

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Sad news from the UK as the news broke this afternoon that Steve Bronski, co-founder and keyboard player in Bronski Beat, has died, aged 61. Bronski,originally from Glasgow, formed Bronski Beat in 1983 with singer Jimmy Somerville and Larry Steinbachek.

“Smalltown Boy” was the band’s debut single and an instant hit. The by now cult video showed Somerville being chased by a homophobic gang, taken home by the police and thrown out by his parents, before getting on the train to start a new life with Bronski and Steinbachek. Their debut album “Age of Consent” followed in 1984.

Following Somerville leaving to form pop group The Communards with Richard Coles, he was replaced by John Foster and later by Jonathan Hellyer. The band set-up has seen a number of changes.

With the death of Bronski, Sommerville remains the only original member alive since Steinbachek died in 2017.

Bernard - Side-Line Staff

Chief editor of Side-Line – which basically means I spend my days wading through a relentless flood of press releases from labels, artists, DJs, and zealous correspondents. My job? Strip out the promo nonsense, verify what’s actually real, and decide which stories make the cut and which get tossed into the digital void. Outside the news filter bubble, I’m all in for quality sushi and helping raise funds for Ukraine’s ongoing fight against the modern-day axis of evil. Besides music I’m also an SEO and AI content flow specialist and have an interest in everything finance from stocks to crypto. There is music in everything!

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Out via Eternal Sunday is “Comment Te Dire Adieu”, a new single from Canal Pop featuring Eva Esdrujula. The song is a cover of Françoise Hardy’s 1968 French hit, later re-recorded by Jimmy Somerville in 1989 as a duet with June Miles-Kingston.

The single is produced in Canal Pop’s own synthwave/electropop style, produced with classic analog synthesizers, and is the first single in French for the band who could count on Esdrujula as vocalist. Esdrujula is a French-Argentine artist who has worked as a model, actress, photographer, and press correspondent, in addition to singing.

“This is a song that I always loved,” says Emiliano Canal, the brain behind Canal Pop. “It’s one of the best-known French-language songs in the international market, and there aren’t many of them. When I had the chance to record it with Eva I didn’t think twice, she is a very interesting artist to work with on top.”

Check out their version below.

And there is a video as well.

Bernard - Side-Line Staff

Chief editor of Side-Line – which basically means I spend my days wading through a relentless flood of press releases from labels, artists, DJs, and zealous correspondents. My job? Strip out the promo nonsense, verify what’s actually real, and decide which stories make the cut and which get tossed into the digital void. Outside the news filter bubble, I’m all in for quality sushi and helping raise funds for Ukraine’s ongoing fight against the modern-day axis of evil. Besides music I’m also an SEO and AI content flow specialist and have an interest in everything finance from stocks to crypto. There is music in everything!

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The 4th edition of the W-Festival will take place from 15th until 18th August 2019 in Waregem Expo, Belgium. About 70 new wave, EBM, industrial, post-punk, synth-pop and eighties bands are featured on 3 stages.

This year the line-up includes: The Stranglers, Echo & The Bunnymen, Killing Joke, Nitzer Ebb, And One, VNV Nation, Apoptygma Berzerk, Peter Hook & The Light, Blutengel, New Model Army, She Wants Revenge, Lebanon Hanover, Portion Control, Tyske Ludder, Mesh, Whispering Sons, Kaelan Mikla, Collection d’Arnell-Andréa, DaGeist, Pink Turns Blue, Red Zebra, Siglo XX, Merciful Nuns, Then Comes Silence, The Human League, Jimmy Somerville, Lene Lovich band, Blaine L. Reininger plays Tuxedomoon, Nik Kershaw, Howard Jones, Tony Hadley, Schmutz, Allez Allez and more!

On the camping area are a lot of special availabilities like B and Bee, Luxury Lodge and WaveTents. Other extra’s on the festival are silent disco, outdoor quiet zone, wellness, merchandise and more!

Tickets and VIP-tickets can be ordered here.

Genre/Influences: Electro-pop.

Background/Info: “The Age Of Reason” is the first ‘new’ Bronski Beat album in 22 years. It all started with the album “The Age Of Consent” (1984). The album became a cult full length thanks to legendary hits such as “Smalltown Boy”, “Why?”; “It Aint’s Necessarily So” ao. Steve Bronski, Larry Steinbachek and of course singer Jimmy Somerville instantly became new idols of electro-pop and ambassadors of the homosexual community.

This legendary work has been now reworked while the second disc also features two brand new songs plus a cover version. Steve Bronski recovered Bronski Beat from the dust teaming up with Ian Donaldson and singer Stephen Granville.

Content: It’s nearly impossible listening to this album while taking distance with the original versions which simply are part of the collective memory. The songs have been reworked and mainly adapted into a ‘modern’ edit. The music became more groovy and into dance-pop. Stephen Granville of course does not have Jimmy Sommerville’s timbre of voice although he’s a great singer. You constantly have to face the idea this is the 2017-edit of an album that was composed in the magic decade of the 80s.

The second disc first reveals a cover version of Patrick Cowley’s “Stars”. This is a clubby adaptation of an old disco track revealing the ‘new’ Bronski Beat. You definitely will discover a side of the band you maybe didn’t ever expect to come true. “I’ll Be Gone” and “A Flower For Dandara” both are great and groovy dance cuts. All the songs have been remixed, mainly reinforcing the club-direction of these songs. Remixes have been made by Sordid Soundz (aka Ian Donaldson) and Qubiq.

+ + + : The magic of the 80s was something unique because electronic music was something new and even revolutionary. Bronski Beat entered into history and their original hits are still hot stuff on parties of today! This reworked and adapted album doesn’t want to emulate this magic, but reveals that it’s possible to rework “The Age Of consent”-album into a modern and danceable work. I like the ‘new’ versions of “Love & Money”, “Junk” and “Run From Love” (originally released on “Hundreds & Thousands”). The work also features the songs “No More War” and “It Ain’t Necessarily so”, which have been mixed in one song.

Among the new song I especially like “I’ll Be Gone” while “Stars” is a great cover version. I noticed two great remixes of “I’ll Be Gone” by Sordid Soundz.

– – – : I don’t say that this ‘new’ work will be banished by the die-hard fans, but “The Age Of Reason” clearly sounds different from the original work. The analogue magic of the sounds and Jimmy Sommerville are missing especially on the greatest hits “Smalltown Boy” and “Why?”. The groovy turnover clearly sounds into modern hypes and might be an opportunity to discover Bronski Beat by younger fans, but I can’t imagine the die-hard fans will be totally convinced!

Conclusion: Bronski Beat is alive and the best way to fight back was probably to rework and re-edit their most famous album in history plus adding a few new cuts. I’m not saying it’s the most successful way, but globally speaking I rather enjoyed “The Age Of Reason”!

Best songs: “Love & Money”, “Junk”, “Why?”, “Smalltown Boy”, Run From Love” + “I’ll Be Gone – Dub & Dusted”, “I’ll Be Gone – Stompin’ Siletto Mix”.

Rate: (8).

Band: www.bronskibeat.club

Label: www.cherryred.co.uk / www.facebook.com/CherryRedRecords

Inferno Sound Diaries

I have been working for over 30 years with Side-line as the main reviewer. My taste is eclectic, uncoventional and I prefer to look for the pearls, even if the bands are completely unknown, thus staying loyal to the Side-Line philosophy of nurturing new talents.

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2017 starts again pretty bad when it comes to music. Today it was announced that Larry Steinbachek (on the right in the picture above), former keyboardist with 1980s synthpop group Bronski Beat, has died at the age of 56. Steinbachek died already in December after a short battle with cancer.

Steinbachek together with Jimmy Somerville and Steve Bronski formed Bronski Beat in 1983.

When Somerville left for The Communards in 1985, Steinbachek and Bronski continued the group recruiting John Foster as Somerville’s replacement (he would only stay for 2 years). Steinbachek moved to Amsterdam in 1994, quit Bronski Beat in 1995 and continued to make music including musicals. He also became the musical director for Michael Laub’s theatre company, ‘Remote Control Productions’.

Here’s some of the tracks that catapulted Larry Steinbachek into eternal music history:

Bernard - Side-Line Staff

Chief editor of Side-Line – which basically means I spend my days wading through a relentless flood of press releases from labels, artists, DJs, and zealous correspondents. My job? Strip out the promo nonsense, verify what’s actually real, and decide which stories make the cut and which get tossed into the digital void. Outside the news filter bubble, I’m all in for quality sushi and helping raise funds for Ukraine’s ongoing fight against the modern-day axis of evil. Besides music I’m also an SEO and AI content flow specialist and have an interest in everything finance from stocks to crypto. There is music in everything!

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