Glass Eden, the Hannover darkwave project of Sarah Egger, released the debut album “Born From A Wish” on June 17, 2026. Egger wrote, recorded, and produced the eight-track record at home, and issued it digitally through the project’s Bandcamp page.

It is the first release under the Glass Eden name, which Egger started in 2025 after years in other bands. She built the songs alone, around analog synthesizers and English-language lyrics. The solo method became the point of the record as much as its method. Egger says this: “To create a musical universe totally on my own felt empowering and like therapy during a year that was emotional and challenging.”

The arrangements rest on three synthesizers: a Korg Polysix, a Behringer Pro-800, and a Yamaha DX7. Across its eight tracks, the album moves between minimal synth, coldwave, and dreampop, using drum-machine rhythms and English-language vocals.

“Born From A Wish” runs eight tracks: “No Place”, “Between The Lines”, “Sleepless”, “No Time”, “This Night”, “Therapy”, “Leave This Place”, and “Not free”. Australian producer and mastering engineer Morgan Wright mixed and mastered the album. Daniel Egger plays guitar on “This Night”, and Nicolas Marquardt contributes the modular-synth sample on “Between The Lines”.

A video accompanies “Leave This Place”. The album is available digitally; listeners can order “Born From A Wish” on Bandcamp, and the record also streams on Spotify.

About Glass Eden

Sarah Egger is a musician based in Hannover, Germany. Her route to Glass Eden ran through two earlier projects. In 2012 she founded the synthpop duo The Colder Sea with Daniel Egger, releasing music through the French label Synth Religion. She later worked on the project COLD CALL. with Nicolas Marquardt and Daniel Egger, which moved her writing toward coldwave and darkwave.

Egger started Glass Eden in 2025 and produced on her own for the first time. The result, “Born From A Wish”, arrived on June 17, 2026 as the project’s debut album, self-produced at home and mixed and mastered by Morgan Wright. It is Glass Eden’s first record and Egger’s first as a solo producer.

Bernard - Side-Line Staff

Chief editor of Side-Line – which basically means I spend my days wading through a relentless flood of press releases from labels, artists, DJs, and zealous correspondents. My job? Strip out the promo nonsense, verify what’s actually real, and decide which stories make the cut and which get tossed into the digital void. Outside the news filter bubble, I’m all in for quality sushi and helping raise funds for Ukraine’s ongoing fight against the modern-day axis of evil. Besides music I’m also an SEO and AI content flow specialist and have an interest in everything finance from stocks to crypto. There is music in everything!

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