Out next month on March 22 via the Infinite Fog label is a reissue of The Treshold Houseboys Choir release “Amulet”. The Treshold Houseboys Choir was the project of the late Peter “Sleazy” Christopherson of Coil.

Originally available in limited quantities at live shows and via direct mail-order in 2008 as a hand-assembled 4 mini-CDR set housed in a circular Thai Amulet case and never properly distributed, the material finally receives a wider re-release on vinyl and CD. This release was the second and final release for Christopherson’s post-Coil solo project.

As a bonus feature this reissue includes rare earlier compilation tracks and a few previously unreleased exclusive rough demos.

The Infinite Fog edition comes presented as a 3LP in a triple heavy gatefold sleeve and as a 2CD digipak, both including a poster of Peter Christopherson in his Cruella Deville coat. The whol was remastered by Jessica Thompson with artwork by Oleg Galay and with additional guidance from Peter Jenx.

Note that the following bonus tracks are only included on the 2CD edition:

1. Geff and Pete experiment with Voice FX
2. Moody Circles
3. PLICK PLICK
4. Plink Plonk
5. Screaming Itch

About Peter “Sleazy” Christopherson

Peter Martin Christopherson, known as Sleazy, (27 February 1955 – 25 November 2010) was a versatile English artist encompassing roles as a musician, video director, commercial artist, designer, and photographer. He was notably a part of the British design agency Hipgnosis.

He played a pivotal role in founding the band Throbbing Gristle under the Industrial Records label. Following Throbbing Gristle’s split, Christopherson, alongside Genesis P-Orridge and Geoff Rushton (later known as John Balance), initiated Psychic TV.

His journey with Psychic TV was brief, leading to the establishment of Coil with John Balance, a partnership that spanned nearly 23 years until Balance’s untimely death due to a fall. Christopherson’s career also included a phase where he contributed to Throbbing Gristle’s revival. After moving to Thailand in 2005, he produced 2 albums for his solo project, The Threshold HouseBoys Choir. Christopherson passed away in his sleep on 25 November 2010.

Bernard - Side-Line Staff

Chief editor of Side-Line – which basically means I spend my days wading through a relentless flood of press releases from labels, artists, DJs, and zealous correspondents. My job? Strip out the promo nonsense, verify what’s actually real, and decide which stories make the cut and which get tossed into the digital void. Outside the news filter bubble, I’m all in for quality sushi and helping raise funds for Ukraine’s ongoing fight against the modern-day axis of evil. Besides music I’m also an SEO and AI content flow specialist and have an interest in everything finance from stocks to crypto. There is music in everything!

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The industrial music landscape is filled with influential figures, but few have left as indelible a mark as the late Peter ‘Sleazy’ Christopherson. Born in Leeds, Yorkshire, on February 27, 1955, Christopherson was an English musician, video director, commercial artist, designer, and photographer, whose contributions to the music industry spanned various genres, from industrial and experimental to electronic.

Re-released now via Soleilmoon is “Live at L’étrange Festival 2004” holding his live performance at L’étrange Festival in Paris on September 13 2004. Titled “The Art of Mirrors (Homage to Derek Jarman)”, the 74 minute long track takes listeners on a sonic journey that reflects Christopherson’s mastery of samples and his otherworldly aesthetics. As a tribute to Christopherson and Balance, “The Art of Mirrors” was initially released in 2015 by Black Mass Rising (France), followed by another release in 2017 by Infinite Fog (Russia).

Christopherson’s career was as eclectic as his musical style. His father was a professor of engineering who later became master of Magdalene College, Cambridge. Christopherson himself studied computer programming, theatre design, and video at the University at Buffalo in Buffalo, New York, where he nurtured his interest in performance art and avant-garde photography.

Co-founding the Industrial Records band Throbbing Gristle (TG), Christopherson helped pioneer the industrial music genre before moving on to form Psychic TV with Genesis P-Orridge and Geoff Rushton, who later changed his name to John Balance. Balance, a Throbbing Gristle fan who became Christopherson’s intimate partner, joined him in creating their own project, Coil.

In a career spanning over two decades, Coil released a myriad of recordings and contributed to the work of other artists. After Balance’s untimely death, Christopherson relocated to Bangkok, Thailand, in 2005, where he founded his solo project The Threshold HouseBoys Choir. While Christopherson’s death in 2010 marked the end of an era, his legacy continues to live on, influencing new generations of artists and reminding us of the transformative power of music.

Bernard - Side-Line Staff

Chief editor of Side-Line – which basically means I spend my days wading through a relentless flood of press releases from labels, artists, DJs, and zealous correspondents. My job? Strip out the promo nonsense, verify what’s actually real, and decide which stories make the cut and which get tossed into the digital void. Outside the news filter bubble, I’m all in for quality sushi and helping raise funds for Ukraine’s ongoing fight against the modern-day axis of evil. Besides music I’m also an SEO and AI content flow specialist and have an interest in everything finance from stocks to crypto. There is music in everything!

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Out on October 23 via Cold Spring is a reissue of the Coil best of releases “A Guide For Beginners – The Voice Of Silver” and “A Guide For Finishers – A Hair Of Gold”, this time as a 2CD set. The two releases have been out of print on CD for almost two decades.

Officially licensed from FEELEE, this edition spans Coil’s entire career, featuring tracks from all their major albums. They were hand-picked by Coil to represent their best work and originally released to mark their first performance in Moscow in 2001. The vinyl-only edition by FEELEE was released as two separate luxurious 2xLP editions in 2018.

Here are two tracks from the set. The first being “At the heart of it all”.

“Ostia (the death of Pasolini)”

Coil, a project in itself

Coil was originally founded in 1982 as a solo vehicle for Geoff Rushton aka John Balance (he also joined Psychic TV at this time), before evolving into its permanent core duo with the addition of his partner and fellow PTV member Peter ‘Sleazy’ Christopherson. Christopherson had previously been an original member of industrial music legends Throbbing Gristle and a partner in leading design agency Hipgnosis, later becoming a go-to music video director.

Having left Psychic TV ahead of their 1984 debut EP, “How To Destroy Angels”, Coil signed to Some Bizarre Records for the release of the albums “Scatology” (1984) and “Horse Rotorvator” (1986). They then established their own label, Threshold House, to issue the landmark 1991 album “Love’s Secret Domain” plus a record of additional material from the LSD sessions entitled “Stolen & Contaminated Songs” the following year.

The remainder of that decade saw releases from pseudonymous projects such as ELpH vs. Coil, Black Light District and Time Machines, plus the soundtrack for Derek Jarman’s “The Angelic Conversation”, before a return to ‘regular’ studio output such as “Astral Disaster”, two volumes of “Musick To Play In The Dark” (1999 and 2000) and “Black Antlers” (2004). They also began performing live shows in 1999 and played a series of mini-tours over the next five years.

The final Coil album, “The Ape Of Naples”, was compiled by Christopherson following the accidental death of Balance in 2004 at the age of 42 and released at the end of the following year. Christopherson himself died in 2010 at just 55.

Bernard - Side-Line Staff

Chief editor of Side-Line – which basically means I spend my days wading through a relentless flood of press releases from labels, artists, DJs, and zealous correspondents. My job? Strip out the promo nonsense, verify what’s actually real, and decide which stories make the cut and which get tossed into the digital void. Outside the news filter bubble, I’m all in for quality sushi and helping raise funds for Ukraine’s ongoing fight against the modern-day axis of evil. Besides music I’m also an SEO and AI content flow specialist and have an interest in everything finance from stocks to crypto. There is music in everything!

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