(Photo by Bobby Talamine) Sine, the brainchild of New York-born drummer/multi-instrumentalist Rona Rougeheart, is back with an all new video, “Trauma Bondage”. Musically Sine mixes beats with industrial noise, Sub-bass and synthesisers.

Having issued records via the Austin indie media company eMERGENCY heARTS, Rougeheart recently signed to Metropolis Records and has released a brand new single entitled “Trauma Bondage” today. The track is taken from an album to be issued in early 2025. The self-written song was co-produced with US hip-hop producer AwareNess with musical contributions from Curse Mackey and mastering by Jürgen Engler of Die Krupps.

About Sine

2019 saw Rougeheart open for Bauhaus in Orlando, Florida, which led to the ongoing band project Shiva Saves SITE formed by their bassist David J that also features industrial darkwave artist Curse Mackey, plus a revolving cast that includes Yeah Yeah Yeahs guitarist Nick Zinner.

Examples of other artists she has collaborated with are Adrian Sherwood, Meat Beat Manifesto, Clan of Xymox, Chris Connelly, (Pigface, Revolting Cocks), Mark Pistel (Consolidated), Andee Blacksugar (KMFDM, Blondie), Xiu Xiu and the late Mark Stewart (The Pop Group).

As Sine, Rougeheart recently opened for Nitzer Ebb and Clan Of Xymox and will support the latter on an American tour right after her debut appearance at the 2024 edition of the Cold Waves festival in Chicago on 29th September.

Bernard - Side-Line Staff

Chief editor of Side-Line – which basically means I spend my days wading through a relentless flood of press releases from labels, artists, DJs, and zealous correspondents. My job? Strip out the promo nonsense, verify what’s actually real, and decide which stories make the cut and which get tossed into the digital void. Outside the news filter bubble, I’m all in for quality sushi and helping raise funds for Ukraine’s ongoing fight against the modern-day axis of evil. Besides music I’m also an SEO and AI content flow specialist and have an interest in everything finance from stocks to crypto. There is music in everything!

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(Photography by E Gabriel Edvy) Raymond Watts aka PIG has released a new single, “Dum Dum Bullet” featuring the Pig Choir. A video for the song is out now. The song is taken from a PIG’s just released new album “Red Room” (Metropolis Records).

The song features a choir of notable guests that include Emily Kavanaugh (Night Club), Chris Hall (Stabbing Westward), Burton C Bell (Fear Factory, Ascension of the Watchers), I Ya Toyah, Chris Connelly (Revolting Cocks, Ministry), En Esch (KMFDM) and Marc Heal (Cubanate).

PIG has also just announced a ‘Heroin For The Damned’ US tour in the autumn. The 40 date itinerary follows a headlining set at Cold Waves XII in Chicago on 28th September.

Much of the material on “Red Room” was co-written with Jim Davies, a longtime member of Pitchshifter but best known for his guitar lines on many chart hits by The Prodigy. Other collaborators include Alexis Mincolla (3Teeth), Chris Hall, Watts’ old KMFDM bandmate Günther Schulz and jazz trumpeter Enrico Tomasso.

Bernard - Side-Line Staff

Chief editor of Side-Line – which basically means I spend my days wading through a relentless flood of press releases from labels, artists, DJs, and zealous correspondents. My job? Strip out the promo nonsense, verify what’s actually real, and decide which stories make the cut and which get tossed into the digital void. Outside the news filter bubble, I’m all in for quality sushi and helping raise funds for Ukraine’s ongoing fight against the modern-day axis of evil. Besides music I’m also an SEO and AI content flow specialist and have an interest in everything finance from stocks to crypto. There is music in everything!

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(Photo by Gabriel Edvy) Out now is an all new PIG single “Crumbs Chaos & Lies”. With this single Raymond Watts releases the first taste of his new PIG album “Red Room”. “Crumbs Chaos & Lies” comes with an accompanying video that features Alexis Mincolla of 3Teeth.

Raymond Watts says: “I like to wrap the poison sweets in the finest treats and envisioned this as the sound of PIG officiating at my own funeral.”

The new PIG album “Red Room” features contributions from Jim Davies, a longtime member of Pitchshifter, along with Emily Kavanaugh (Night Club), Chris Hall (Stabbing Westward), Burton C Bell (Fear Factory), I Ya Toyah, Chris Connelly (Revco, Ministry), En Esch (KMFDM) and Marc Heal (Cubanate). “Red Room” will be released on May 17th by Metropolis Records on CD and through all digital and streaming platforms.

Bernard - Side-Line Staff

Chief editor of Side-Line – which basically means I spend my days wading through a relentless flood of press releases from labels, artists, DJs, and zealous correspondents. My job? Strip out the promo nonsense, verify what’s actually real, and decide which stories make the cut and which get tossed into the digital void. Outside the news filter bubble, I’m all in for quality sushi and helping raise funds for Ukraine’s ongoing fight against the modern-day axis of evil. Besides music I’m also an SEO and AI content flow specialist and have an interest in everything finance from stocks to crypto. There is music in everything!

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The industrial label Glitchmode Recordings has announced the October 16th release of Derision Cult’s “The Mercenary Mixes”. “The Mercenary Mixes” is a sixteen-track remix series that follows the Derision Cult EP “Mercenary Notes Pt 1”. On remix duties we find Assemblage 23, Moris Blak, Stoneburner, SpankTheNun and Stabbing Westward among others.

The Mercenary Mixes will be available in its entirety on October 16th via Bandcamp while individual singles will be released in the coming weeks.

The previously released “Mercenary Notes Pt. 1” EP was the result of a collaboration between Dave McAnally and Sean Payne (Cyanotic), Reeves Gabrels (David Bowie, The Cure), Chris Connelly (Ministry, Pigface), plus Justin K Broadrick (Godflesh).

You can already check the Assemblage 23 remix below.

Bernard - Side-Line Staff

Chief editor of Side-Line – which basically means I spend my days wading through a relentless flood of press releases from labels, artists, DJs, and zealous correspondents. My job? Strip out the promo nonsense, verify what’s actually real, and decide which stories make the cut and which get tossed into the digital void. Outside the news filter bubble, I’m all in for quality sushi and helping raise funds for Ukraine’s ongoing fight against the modern-day axis of evil. Besides music I’m also an SEO and AI content flow specialist and have an interest in everything finance from stocks to crypto. There is music in everything!

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After parting ways with the post-punk powerhouse Public Image Ltd. in 1985, drummer Martin Atkins found himself in high demand, collaborating with numerous bands such as NIN, Killing Joke, and notably, William Rieflin of Revolting Cocks and Ministry. Together, Rieflin and Atkins embarked on their most ambitious project to date: an industrial music supergroup called Pigface, bringing together the talents of their various associates.

In 1990, Pigface released their debut album “Gub,” which includes the original version of “Suck” featuring Trent Reznor. Reznor later re-recorded this track for the 1992 NIN EP “Broken.” With contributions from artists such as Chris Connelly of Revolting Cocks, David Yow of The Jesus Lizard, Nivek Ogre of Skinny Puppy, Paul Barker of Ministry, En Esch of KMFDM, and Steve Albini, “Gub” has rightfully earned its reputation as one of the most daring sound recordings ever created.

Atkins reflects on the album, saying, “This was such a liberating time—bringing together this extraordinary group of musicians and not worrying about the outcome (although, of course, we did). We had the luxury of working in the legendary Chicago Trax studios with the talented Steve Albini to capture and convey it all. It’s fascinating to think that Trent’s involvement was even a topic of debate—NIN wasn’t well-known yet, and some suggested we could save $150 on a round-trip airfare from Cleveland by not involving him. I vetoed the idea. Bill Rieflin and I came up with the concept for the project during warm-ups for Ministry’s cage tour, and the immense contribution of Francesca Sundsten’s iconic artwork to the project cannot be overstated.”

The album is now receiving a deluxe reissue from Cleopatra Records, showcasing Francesca Sundsten’s restored artwork and a gatefold image of Pigface’s original promotional picture, assembled by Chris Connelly. This reissue also offers bonus remixes and extra track versions for the first time in a single release. The CD edition comes in a premium digipak, while the vinyl version is available in an array of colors.

The tracklist:

1. Tapeworm with Steve Albini
2. The Bushmaster with Trent Reznor & David Yow
3. Cylinder Head World
4. Point Blank with Steve Albini, Chris Connelly
5. Suck with Trent Reznor & Paul Barker
6. Symphony For Taps
7. The Greenhouse with Chris Connelly
8. Little Sisters with Chris Connelly, William Tucker
9. Tailor Made with Steve Albini, Paul Barker
10. War Ich Nicht Immer Ein Gutter Junge? War Ich Nicht Immer Schoen Und Nett? Ich Zerpfluckte Niemals Eine Spinne-War Neimals Frech Und Stahl with En Esch
11. Blood and Sand with Chris Connelly, Matt Schultz
12. Weightless with Chris Connelly
13. Tonight’s The Night (Little Sisters Remix)
14. Winnebago (Induced Tapeworm Remix) with Nivek Ogre
15. The Bushmaster (Bushmaster Remix)
16. War Ich Nicht Immer Ein Gutter Junge? War Ich Nicht Immer Schoen Und Nett? Ich Zerpfluckte Niemals Eine Spinne-War Neimals Frech Und Stahl (Remix)
17. Suck (VX Remix)
18. Suck (Reverse Sitar Mix)

Bernard - Side-Line Staff

Chief editor of Side-Line – which basically means I spend my days wading through a relentless flood of press releases from labels, artists, DJs, and zealous correspondents. My job? Strip out the promo nonsense, verify what’s actually real, and decide which stories make the cut and which get tossed into the digital void. Outside the news filter bubble, I’m all in for quality sushi and helping raise funds for Ukraine’s ongoing fight against the modern-day axis of evil. Besides music I’m also an SEO and AI content flow specialist and have an interest in everything finance from stocks to crypto. There is music in everything!

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(Photo by Berry Behrendt) Frankfurt-born but Berlin-based artist En Esch (PIG, former KMFDM) has signed with the LA/Minneapolis-based label GIVE/TAKE (home to Justin K Broadrick’s Pale Sketcher, David J of Bauhaus and more). His new single “Push” drops March 3rd, with a full EP forthcoming later in 2023.

“Push” will also hold a remix from dark electronic artist KPT. Maintaining a steady output of solo work, beginning with 1993’s “Cheesy” on TVT Records, En Esch’s new LP, his first in over seven years, is slated for release in 2023 on GIVE/TAKE.

En Esch is Nicklaus Schandelmaier, a German drummer, programmer, producer, guitarist and singer who has been a member of the bands KMFDM, Pigface, Slick Idiot, and . And more recently with NUKES, a 16 member band that includes Chris Connelly, John Bechdel, Mario Alberto Cabada, David J and more. It was KMFDM’s Sascha Konietzko who claims to have given Esch his nickname because the latter felt that his real name was inappropriate for the stage.

Bernard - Side-Line Staff

Chief editor of Side-Line – which basically means I spend my days wading through a relentless flood of press releases from labels, artists, DJs, and zealous correspondents. My job? Strip out the promo nonsense, verify what’s actually real, and decide which stories make the cut and which get tossed into the digital void. Outside the news filter bubble, I’m all in for quality sushi and helping raise funds for Ukraine’s ongoing fight against the modern-day axis of evil. Besides music I’m also an SEO and AI content flow specialist and have an interest in everything finance from stocks to crypto. There is music in everything!

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Out now is the all new EP by industrial metal band Derision Cult. The “Mercenary Notes Pt. 1” EP features members of Ministry, The Cure & Godflesh and continues on Derision Cult’s themes of over-stimulation that humanity is faced with in the 21st century.

Derision Cult leader, Dave McAnally says: “On the last album, we pointed out ways the media prays on people’s emotions. On this one, we’re talking about solutions and how to move forward in the 21st century.”

Mercenary Notes Pt 1 features several guests that include Chris Connelly (Ministry, Pigface), Reeves Gabrels (David Bowie, The Cure) and Justin Broadrick (Godflesh). The 8-track EP is available on CD as well via Bandcamp.

Derision Cult is a project by Chicago solo artist Dave McAnally. He was involved in a number of projects across a range of genres and has been featured on releases by Metropolis Records as well as his own imprint, South Street Dungeon.

Here’s the video for “Year Hope Failed” from the EP.

Bernard - Side-Line Staff

Chief editor of Side-Line – which basically means I spend my days wading through a relentless flood of press releases from labels, artists, DJs, and zealous correspondents. My job? Strip out the promo nonsense, verify what’s actually real, and decide which stories make the cut and which get tossed into the digital void. Outside the news filter bubble, I’m all in for quality sushi and helping raise funds for Ukraine’s ongoing fight against the modern-day axis of evil. Besides music I’m also an SEO and AI content flow specialist and have an interest in everything finance from stocks to crypto. There is music in everything!

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(Photo by Shayna Connelly) Tomorrow, November 11th Scottish musician Chris Connelly (Revolting Cocks and Ministry) will present his new album “Eulogy to Christa: A Tribute to the Music & Mystique of Nico”, a 24-track offering released by Shipwrecked Industries in the USA and Easy Action in the UK, paying tribute to Nico – the iconic muse of The Velvet Underground. The release coincides with Connelly’s birthday.

Out today is a new video for “Femme Fatale”; the video was created by Iain W. Mutch / Walkerandwilliam in Scotland. Originally performed by Nico with The Velvet Underground, the song was originally written by Lou Reed.

Initially planned as an album of 10 Nico covers, Connelly ultimately decided to write some additional compositions, spanning her life. The Nico material spans from her first Jimmy Page-composed single and her time with The Velvet Underground to her solo recordings up until her death. Connelly musically follows her from Berlin to New York via Paris, Ibiza, and Rome, then back through Paris, London, Edinburgh, Manchester and up to her tragic death in Ibiza on 17 July 1988.

The album opens with “Ripcord, Ripcord”, which Connelly wrote surrounding a little known detail about Nico’s life – her rape by a military officer while she was a teenager holding an administrative position for the US Army.

For this album, Connelly worked with producer and long-time collaborator Chris Bruce, who is a band member of Meshell Ndegeocello and also worked with Seal, Aaron Neville, Bob Dylan, The Waterboys, My Brightest Diamond, Cheryl Crow and Sam Phillips. The album was, in part, inspired by the book “You Are Beautiful and You Are Alone” by Jennifer Otter Bickerdicke, who contributed to album liner notes, noting “This is a record to be played at full blast, all the way through, as a commemoration not just to Nico the person, the musician, but to art for art’s sake, for making something because it is important and needs to be done – an idea that is as rare and precious as Nico herself.”

You can check the tracklisting right below.

There are a few video available as well, for “Femme Fatale”, “Ripcord, Ripcord” and “Eulogy to Lenny Bruce”.

Bernard - Side-Line Staff

Chief editor of Side-Line – which basically means I spend my days wading through a relentless flood of press releases from labels, artists, DJs, and zealous correspondents. My job? Strip out the promo nonsense, verify what’s actually real, and decide which stories make the cut and which get tossed into the digital void. Outside the news filter bubble, I’m all in for quality sushi and helping raise funds for Ukraine’s ongoing fight against the modern-day axis of evil. Besides music I’m also an SEO and AI content flow specialist and have an interest in everything finance from stocks to crypto. There is music in everything!

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The Chicago based industrial/metal project, Derision Cult has just unleashed their new single and video, “Bastards Of The World”. The track is off the forthcoming EP, “Mercenary Notes Pt. 1” set to be released on December 2 via Glitch Mode Recordings.

For the song, Derision Cult ringleader, Dave McAnally tapped into years of experience helping brands create narratives. Dave: “It deals with my experiences running campaigns that provoked enragement for a certain audience so another audience pays more attention. This has become an effective strategy. The messages we receive are attempts to illicit emotional responses.”

“Bastards Of The World” was inspired by a specific instance where Dave was approached to help a gun manufacturer infuriate gun control advocates to create a run on guns and ammunition: “On paper, the concept was very logical because when there are calls to ban weapons, we do see an uptick in sales for guns and ammunition. On principle, I didn’t take the project, but it inspired me to talk about this type of a campaign in a track because these things go on all the time.”

Here’s the video for “Bastards Of The World” in the Glitch Mode Breaks Mix version. The video was produced by Sean Payne (Cyanotic, Robohop, Conformco).

“Mercenary Notes Pt 1” will contain a set of tracks which serve as survival guide for maintaining mental health in a media-entrenched world “determined to generate hysteria and sensationalism among the masses”. Dave adds: “On the last album, we pointed out ways the media prays on people’s emotions. On this one, we’re talking about solutions and how to move forward in the 21st century.”

In addition to Dave and Sean, Mercenary Notes Pt 1 features several guests including Chris Connelly (Ministry, Pigface), Reeves Gabrels (David Bowie, The Cure) and Justin Broadrick (Godflesh). Part 2 of the Mercenary Notes series is due for the following year.

Here’s the download for the track.

Bernard - Side-Line Staff

Chief editor of Side-Line – which basically means I spend my days wading through a relentless flood of press releases from labels, artists, DJs, and zealous correspondents. My job? Strip out the promo nonsense, verify what’s actually real, and decide which stories make the cut and which get tossed into the digital void. Outside the news filter bubble, I’m all in for quality sushi and helping raise funds for Ukraine’s ongoing fight against the modern-day axis of evil. Besides music I’m also an SEO and AI content flow specialist and have an interest in everything finance from stocks to crypto. There is music in everything!

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Out on May 27th via Projekt Records is the Thanatos live album “Thanatos Comes Alive! — Part 1 (the 90s)”. On this release you will quickly realise that Thanatos live is a fundamentally different creature from Thanatos in the studio.

On their first two albums, the songs were mostly acoustic and built around singer, acoustic guitarist and songwriter Patrick Ogle’s voice and lyrics. Until 1996 Thanatos had been a home studio project consisting of Ogle and keyboardist Sam Rosenthal. Then in 1996, Ogle took the band out of the studio and on the road together with former Godbullies bassist, Eric Polcyn and the much rockier guitarist William Tucker (Ministry, Chris Connelly Band, Foetus, Pigface, My Life With The Thrill Kill Kult, Regressive Aid).

On these two (almost) complete shows from ’96 and ’97 the focus of the music shifts from the acoustic to the electric guitar of William Tucker. “A big part of this change was having Tucker in the band, but it is also the fact that if you play mellow music in a club — and we played lots of clubs — you wind up with people talking louder than the music!” says Ogle.

Included on this live release is a version of Thanatos’ cover of Blue Oyster Cult’s “(Don’t Fear) The Reaper” and five tracks that would later appear on the 1997 “Blisters” album.

Bernard - Side-Line Staff

Chief editor of Side-Line – which basically means I spend my days wading through a relentless flood of press releases from labels, artists, DJs, and zealous correspondents. My job? Strip out the promo nonsense, verify what’s actually real, and decide which stories make the cut and which get tossed into the digital void. Outside the news filter bubble, I’m all in for quality sushi and helping raise funds for Ukraine’s ongoing fight against the modern-day axis of evil. Besides music I’m also an SEO and AI content flow specialist and have an interest in everything finance from stocks to crypto. There is music in everything!

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Out now is the all new album “Aerial Human” by Sapphira Vee. This is already the 5th album by Sapphira Vee and her second release on the Distortion Productions label. You can expect a darkwave / trip-hop sound evoking 4AD acts like Lush . You will equally hear EBM touches recalling classic Chris & Cosey on for instance the first single “What Is This”.

For the album Sapphira joined forces with Houston hip-hop artist Pee Wee P on “Fools”, Blue Eyed Christ’s John Norten on “Let the Arrow Break”, and Veronica Tam on the opening “White Aura” which was written by Jean-Marc Ledermen of The Weathermen. Also included are the three original tracks from last year’s “Duet” EP, featuring Chris Connelly (Ministry / Pigface / Revolting Cocks / Cocksure, etc.), Mike Reidy (W.O.R.M. / The Joy Thieves /Dogtablet), and Jim Semonik (Jimmy Semtex / Red Lokust / Rein(Forced) / creator of Electronic Saviors). In addition, Roger Ebner (Roger Ebner Band / Bitter Elixir / Yeti Rain) played the saxophone on “This Gift Was Not Meant For Me”.

New York native Sapphira Vee has been active since 2018.

You can check out the full album right below.

Bernard - Side-Line Staff

Chief editor of Side-Line – which basically means I spend my days wading through a relentless flood of press releases from labels, artists, DJs, and zealous correspondents. My job? Strip out the promo nonsense, verify what’s actually real, and decide which stories make the cut and which get tossed into the digital void. Outside the news filter bubble, I’m all in for quality sushi and helping raise funds for Ukraine’s ongoing fight against the modern-day axis of evil. Besides music I’m also an SEO and AI content flow specialist and have an interest in everything finance from stocks to crypto. There is music in everything!

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Dark alternative electronic band Sine to release upcoming album “Desire, Denial and Paramania”, an 11 track collection featuring select songs from the group’s albums, “Insomniæ” and “Injected”, recorded between the years 2016-2020.

The album includes collaborations with Curse Mackey (Pigface, Evil Mothers, My Life With The Thrill Kill Kult), producer Sean Beavan (Nine Inch Nails, 3Teeth, Slayer) and Chris Connelly (Ministry, Revolting Cocks, Pigface) with remixes by Jack Dangers (Meat Beat Manifesto), DÐ, and dark pop duo, Nite.

“Desire, Denial and Paramania” will be released in CD form as well as digitally worldwide on October 7, 2021. The release is out via Emergency Hearts, an indie collaborative music label/ media project in Austin, TX founded by author, musician and gallery owner Scott Crow (Lesson Seven, Audio Assault).

Here is a video to check out, “Desolate District” featuring Chris Connelly in a Meat Beat Manifesto remix.

About Sine

Sine is an alternative rock/electronic band created and led by singer and drummer, Rona Rougeheart. She has stepped from behind the kit to create her own female fronted project that weaves dance beats with industrial noise and layers of booming bass, synths and guitars.

Rougeheart, born in New York, grew up as a military child, living all over the U.S. and in Okinawa, Japan. Her father was a musician who taught her how to play keys and guitar. Early in her musical career, she played drums for multiple bands in Austin, TX, catching the eye of Gretsch Drums who, in 2012, gave her her first endorsement. Gibraltar hardware also added her to their roster.

In April, 2019, she landed a direct support slot for Peter Murphy in Orlando, FL for the 40th Anniversary of Bauhaus Ruby Tour with David J. The night seemed ill-fated when Peter was unable to perform, but was revitalized when she joined David J, Curse Mackey, Mark Gemini-Thwaite and Marc Slutsky for an impromptu performance of Bauhaus tunes.

From that night, a new project emerged between David J, Curse Mackey and herself.

Bernard - Side-Line Staff

Chief editor of Side-Line – which basically means I spend my days wading through a relentless flood of press releases from labels, artists, DJs, and zealous correspondents. My job? Strip out the promo nonsense, verify what’s actually real, and decide which stories make the cut and which get tossed into the digital void. Outside the news filter bubble, I’m all in for quality sushi and helping raise funds for Ukraine’s ongoing fight against the modern-day axis of evil. Besides music I’m also an SEO and AI content flow specialist and have an interest in everything finance from stocks to crypto. There is music in everything!

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OSS have a new single/video out: “Disco Bombing”.

The track is taken from “Enter The Kettle”, the second album by Alex Paterson on The Orb’s new label Orbscure. It’s primarily a duo LP with him and old friend Fil Le Gonidec, who together are OSS. Other guests on the album include official-other-half-of-The Orb Michael Rendall, plus Jah Wobble, Roger Eno and George Holt – whose credits include Depeche Mode and Erasure.

Here’s the video.

About OSS

OSS were originally known as Orb Sound System – a half DJ/half live version of The Orb – and they are currently just OSS, which now stands for, have a guess, On Sum Shit.

The pair first met whilst both working as roadies for Killing Joke. Fil later lived for a period in Chicago above H-Gun Labs – base to the legendary video makers of the same name – whose credits later included the Orb’s “Toxygene” video, which starred Chris Connelly from Murder Inc (and Finitribe / Revoting Cocks / Ministry).

Fil roadied for Murder Inc, but was poached by the Orb who had started to take-off and flew him back to the UK, as they needed a reliable merch seller on tour.

Fil went on to feature on the albums “FFWD”, “Orbus Terrarum”, “Bicycles & Tricycles”, “Orblivion” and “Orbsessions Volume 1”. He has played live with The Orb many times, and also released industrial techno as Autolump on BadOrb and Mike Coles’ Malicious Damage.

Bernard - Side-Line Staff

Chief editor of Side-Line – which basically means I spend my days wading through a relentless flood of press releases from labels, artists, DJs, and zealous correspondents. My job? Strip out the promo nonsense, verify what’s actually real, and decide which stories make the cut and which get tossed into the digital void. Outside the news filter bubble, I’m all in for quality sushi and helping raise funds for Ukraine’s ongoing fight against the modern-day axis of evil. Besides music I’m also an SEO and AI content flow specialist and have an interest in everything finance from stocks to crypto. There is music in everything!

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Genre/Influences: Dark-electro, dark-pop.

Format: Digital.

Background/Info: “Damage Over Time” is the second official full length album by Gasoline Invertebrate. After the “Freak Drive”-album released three years ago, we get ten new songs by Brian Graupner who’s mainly known for his involvement with The Gothsicles. Notice by the way and that’s a real important aspect of this record, nearly all songs have been produced by a different producer!

Content: “Damage Over Time” is mainly driven by dark-electronics, but most of the songs are polished with electro-pop elements. The melodic side of the work is immediately noticeable and especially the song featuring Chris Connelly (cf. “Scarlet Slip”) has something pretty dance-like. Behind this ‘dark’ fusion between the music styles you’ll also notice multiple sound effects symbolizing the elaborated format of this work. The tracklist is progressively evolving towards harder and harsher cuts.

+ + + : “Damage Over Time” is an interesting work for different reasons; it’s not only a danceable and well-crafted composition, but there’s a great fusion between darker, powerful electro and pop-like melodies. It creates something apart from all other bands repeating the same old dark-electro sound formula. Chris Connelly is a noticeable guest on this album and that’s also a good reason to discover this work… although “Scarlet Slip” is not my favorite cut. I think if there’s a potential hit featured on the album it must be “Feast”, which is not only powerful and danceable, but still has a great retro-like melody line. Among the producers you’ll find artists such as Martin Bowes (Attrition), Vasi Vallis (Reaper, Frozen Plasma), Kolja Trelle (Soman), Brant Showers (Aaimon), Steven Archer (Stoneburner, Ego Likeness) ao.

– – – : I know it must be surprising to say that the song featuring Chris Connelly is the single one that can’t totally convince me. It has something more ‘commercial’ and ‘danceable’-like, which doesn’t really fit to the rest of the tracklist.

Conclusion: “Damage Over Time” is a noticeable and alluring second album for Gasoline Invertebrate.

Best songs: “Feast”, “Headschatten”, “Let The Demon Out”, “Boston”, “Rejected Organ Transplant”.

Rate: (7).

Artist: www.facebook.com/gasolineinvertebrate

Label: www.facebook.com/tigersquawkrecords

Inferno Sound Diaries

I have been working for over 30 years with Side-line as the main reviewer. My taste is eclectic, uncoventional and I prefer to look for the pearls, even if the bands are completely unknown, thus staying loyal to the Side-Line philosophy of nurturing new talents.

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Austin, Texas-based artist Curse Mackey (Pigface, My Life with the Thrill Kill Kult) will perform his first solo livestream on June 26th at 9pm CST. The event is entitled “Curse Mackey: Live Exorcism” as Mackey will be performing material from his album “Instant Exorcism” along with a with live chat, post-show Q + A and virtual art gallery showing of Curse Mackey original art pieces.

Before the COVID19 pandemic caused wide sweeping cancellations for artists around the world, Curse Mackey enjoyed a successful 2019 that saw the release of his solo album “Instant Exorcism” on Negative Gain Productions. Mackey was also poised to extensively tour the US throughout 2020 and into 2021. Fast forward to June 2020 where to this point, Mackey has had over 60 shows cancelled. The cancellations began in March as Curse was mid-tour with Clan of Xymox and the decision to cancel the rest of the tour was made on March 15th.

If not live in person, at least live in virtual

In collaboration with Rona Rougeheart of Austin dark electronic act SINE, Mackey began to build a micro soundstage and TV studio in their rehearsal space. Mackey and Rougeheart went live for the first time on June 5th with an eighty-minute live program that debuted the new SINE single “Desolate District” and featured a guest appearance and interview with Chris Connelly (Ministry, RevCo, Pigface etc).

The forthcoming livestream concert will be Curse Mackey’s first solo livestream concert. It can be viewed on the following channels and will take place on June 26, 2020 9pm CST.

www.twitch.com/cursemackey
www.facebook.com/cursemackey1
www.youtube.com/c/cursemackey
www.facebook.com/villianswearblack

Bernard - Side-Line Staff

Chief editor of Side-Line – which basically means I spend my days wading through a relentless flood of press releases from labels, artists, DJs, and zealous correspondents. My job? Strip out the promo nonsense, verify what’s actually real, and decide which stories make the cut and which get tossed into the digital void. Outside the news filter bubble, I’m all in for quality sushi and helping raise funds for Ukraine’s ongoing fight against the modern-day axis of evil. Besides music I’m also an SEO and AI content flow specialist and have an interest in everything finance from stocks to crypto. There is music in everything!

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Alternative electronic act Sine aka musician Rona Rougeheart releases her first video single of the year from their forthcoming album, “Mantis”, with the track “Desolate District”. The song features Chris Connelly (ex-Ministry, Revolting Cocks, Pigface), marking one of Connelly’s first appearances since announcing his departure from the previous 2020 Ministry tour.

The song was written in December of 2019, before the pandemic drastically changed our lives. Chris’ lyrical content and song title seemed to predict our future, which makes this song quite relevant to the current times.

Connelly had this to say on why he sang on “Desolate District”: “I felt a really strong connection to SINE’s music so it was an honour to be asked to collaborate. The music is compelling, intelligent and that always pushes me in a very inspired direction, as far as my words, vision, and voice goes. Can’t wait to do another some time.”

Rougeheart adds: “I met Chris Connelly about 2 years ago through my partner, Curse Mackey, who is his bandmate in Pigface. I never really got to talk to Chris much until November 2019 when Pigface played their last show of the tour at Thalia Hall in Chicago, IL. We were all backstage chatting and he commented to me that he liked my music. I was so happy he said that, to which I asked if he was ever into collaborating and he said, “Yes!”. At the time, I had just completed music for a SINE song along with Curse, but had no vocals on it, nor did it have a title. I decided to send it to Chris and let his creativity flow!”

“Desolate District” was co-produced by Curse Mackey, known for his solo work as well as in Pigface, Evil Mothers and My life with the Thrill Kill Kult. This marks the third Sine track that Mackey has contributed to.

The video was produced and edited by Rona Rougeheart in the early months of 2020 and was filmed in Austin, TX, Chicago, IL and Singapore. The idea was to compile footage from herself, Chris Connelly and performer, Sher Chew. She met Sher Chew through another performer she worked with previously last year, Vangeline.

Here’s the video!

Bernard - Side-Line Staff

Chief editor of Side-Line – which basically means I spend my days wading through a relentless flood of press releases from labels, artists, DJs, and zealous correspondents. My job? Strip out the promo nonsense, verify what’s actually real, and decide which stories make the cut and which get tossed into the digital void. Outside the news filter bubble, I’m all in for quality sushi and helping raise funds for Ukraine’s ongoing fight against the modern-day axis of evil. Besides music I’m also an SEO and AI content flow specialist and have an interest in everything finance from stocks to crypto. There is music in everything!

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Drummer Bill Rieflin, know for his work with such bands like Ministry and Nine Inch Nails, died from cancer on Tuesday (March 24), aged 59. Besides working with Ministry and Nine Inch Nails he also played drums with the Revolting Cocks, Lard, KMFDM, Pigface, Swans, Chris Connelly, King Crimson, REM, among other projects.

Rieflin’s death was confirmed by Robert Fripp.

Born in Seattle, Bill Rieflin first joined The Telepaths and The Blackouts until he started working with Ministry, with whom he recorded albums like “The Land of Rape and Honey” (1988) and “In Case You Didn’t Feel Like Showing Up ” (1999). Over the years, he has been involved with several projects, especially industrial rock / metal related ones.

In the 2000s, Rieflin joined REM, recording albums like “Around the Sun” (2004) and “Collapse into Now” (2011). He then joined King Crimson, with whom he recorded live records and toured.

Rieflin was married to painter Francesca Sundsten until her death in 2019.

Bernard - Side-Line Staff

Chief editor of Side-Line – which basically means I spend my days wading through a relentless flood of press releases from labels, artists, DJs, and zealous correspondents. My job? Strip out the promo nonsense, verify what’s actually real, and decide which stories make the cut and which get tossed into the digital void. Outside the news filter bubble, I’m all in for quality sushi and helping raise funds for Ukraine’s ongoing fight against the modern-day axis of evil. Besides music I’m also an SEO and AI content flow specialist and have an interest in everything finance from stocks to crypto. There is music in everything!

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Genre/Influences: Industrial-metal, industrial-rock, EBM

Background/Info: The famous Wax Trax! Records label was originally much into new wave and punk music and was founded by Jim Nash and his partner Dannie Flesher in Denver in 1975. In 1978 the independent label moved to Chicago and became the most important record label and store/boutique for industrial music in the US that served as the headquarters of underground electronic and industrial bands in the eighties and nineties. The strong brand Wax Trax! offered record deals to the artists they liked (as fans) and also licensed European artists in America. The very impressive Wax Trax! catalogue featured well-known bands like Ministry, Front 242, Revolting Cocks, KMFDM, Front Line Assembly, Coil, Chris & Cosey and more!

Content: Industrial Accident has contributions of Al Jourgensen (Ministry/Revolting Cocks), Paul Barker (Ministry/Revolting Cocks), Chris Connelly (Ministry/Revolting Cocks), Luc Van Acker (Ministry/Revolting Cocks), Richard23 (Front 242/Revolting Cocks), Patrick Codenys (Front 242), Trent Reznor (Nine Inch Nails), Bill Leeb (Front Line Assembly), Groovie Mann (Thrill Kill Kult), David J. Haskins (Bauhaus), Sascha Konietzko (KMFDM), En Esch (KMFDM), Dave Grohl (Foo Fighters, Nirvana), Jello Biafra (Dead Kennedys), Steve Albini (Big Black), Cosey Fanni Tutti (Throbbing Gristle), Ian MacKaye (Minor Threat, Fugazi) and more. It explains the rise and fall of an important musical movement as well as the details and artifacts of this entire Wax Trax! Records history that was nearly lost forever.

A lot of hilarious anecdotes are explained by the contributing artists which makes it fun to watch! Al Jourgensen: “I played in Divine’s band by the way, playing guitar for Divine was … bizarre!”. Luc Van Acker, when speaking about Laibach: “How provocative can you be? It takes intelligent people to understand that! Wax Trax! created a space where we could do whatever we wanted!”. Unfortunately the label without business model (operating on trust, without contracts with their artists) declared bankruptcy in 1992 and Jim and Danny sold it to TVT Records. Jim Nash passed away on October 10, 1995 and Dannie Flesher deceased on January 10th, 2010.

+ + + : This 94 minutes (+ 75 extra minutes bonus material) documentary was directed by Julia Nash (daughter of Jim Nash) and won awards on the Santa Cruz Film Festival and Chicago Underground Film Festival. It is also available on Blu-Ray and as download on AppleTV, Amazon Prime and Google Play/YouTube Streaming.

– – – : Just one minor point: to make the circle complete, maybe an interview with some licensed European bands that were released by Wax Trax! (The Neon Judgement, The Young Gods, A Split Second, Laibach and more) would have been interesting, to hear their point of view.

Conclusion: Although it’s a huge story to tell the complete Wax Trax! history, this documentary gives a pretty good overview of what happened in the old days. Jim and Dannie “accidentally” built up the industrial scene in the US due to their passion and love for this music and bands and will never be forgotten!

Label: www.waxtraxchicago.com / www.facebook.com/WaxTraxRecords.Chicago/

Genre/Influences: Industrial-metal, industrial-rock

Background/Info: Al Jourgensen is the charismatic pioneer, musical genius, innovator and iconic founder of the industrial-metal genre (the fusion of repeating metal guitar riffs, samples, keyboards and distorted vocals on a danceable beat). This fully authorized visual history with 248 pages of rare and unseen photos, artwork, and other stuff that spans Ministry’s entire career, shows how the band (that everyone wanted to sound like) evolved from ’80s synth-pop, over EBM/industrial to trash-metal. Ministry has been nominated six times for a Grammy award and is definitely a band you must have seen live at least once in your life!

Content: The four-pages introduction is done by Al’s good old friend Jello Biafra, explaining some hilarious anecdotes. Then this limited 9″ x 9″ casebound book is divided into six chronological chapters starting from the early Wax Trax! era (1981) until the latest release “AmeriKKKant”. We get to see lots of nice rare (promo and live) pictures, cut-outs, artwork, flyers and posters. On almost every page there are interesting quotes or anecdotes from befriended artists like Charlie Clouser (Nine Inch Nails), Moby, Billy Corgan (Smashing Pumpkins), Ian MacKaye (Fugazi), Gary Numan, Perry Ferrell (Jane’s Addiction), Jaz Coleman (Killing Joke), Phildo Owen (Skatenigs), Jeordie White (Marilyn Manson), Alexander Hacke (Einsturzende Neubauten), David J (Bauhaus), Robin Zander (Cheap Trick), Paul D’Amour (Tool), Page Hamilton (Helmet), Scott Ian (Anthrax), Franz Treichler (The Young Gods), Gibby Haynes (Butthole Surfers), Sean Yseult (White Zombie), Dave Lombardo (Slayer), Billy Gibbons (ZZ Top), Till Lindemann (Rammstein), Mark Gemini Thwaite (The Mission), Chris Connelly (Revolting Cocks) and many more. Just like the music of Ministry changed from soft to very hard, it is clearly shown how Al’s style has changed all over the years ending up with dreadlocks, tattoos and piercings. The author of the book is Aaron Tanner (who also created a visual history for Pixies) and features artwork from Brian Shanley and Paul Elledge.

+ + + : We get an exclusive look at Uncle Al’s personal collection of behind-the-scenes pictures together with contributions from band members past and present.

– – – : Although many well-known artists are featured in this book, some (expected ones) are missing …

Conclusion: There’s only one thing we can conclude: Ministry has had a huge influence on many artists and Al is still going strong after all these years! This book is definitely a must have for the fans!

Artist: www.ministryband.com / www.facebook.com/WeAreMinistry
Label: www.melodicvirtue.com / www.facebook.com/melodicvirtue

When it comes to EBM, Front Line Assembly weren’t only pioneers, but still a formation that never stopped exploring new sonic paths. For more than 30 years now the Canadian formation driven by Bill Leeb and Rhys Fulber is taking us by surprise. Albums such as “State Of Mind” in the early years and later on “Caustic Grip” and of course” Hard Wired” entered into history. More than 20 albums later Front Line Assembly this year released “Wake Up The Coma” (Metropolis Records), which is for sure one of the most atypical albums in their discography. Robert Görl (DAF), Nick Holmes (Paradise Lost), Chris Connelly (Revolting Cocks, Ministry, Cocksure) and Jimmy Urine (Mindless Self Indulgence) have been featured while it also is the last FLA-work featuring additional programming by Jeremy Inkel. Time for an interview with Rhys Fulber.

“Wake Up The Coma” is released by Metropolis Records and you can order the 2LP vinyl version right here.

(Courtesy by Inferno Sound Diaries)

Q: I think “Wake Up The Coma” has something special because of the famous ‘guests’ you invited, but also because of Jeremy Inkel who for the very last time did some additional programming on a few songs. What does it all evoke to you and how will you remind Jeremy Inkel?

Rhys: Jeremy had sent Bill some ideas he had, I think ones he had worked on with Jared a couple years ago, so we thought in his honor we should finish them because we know he would have loved that.  We still miss him.  He was a sweet and energetic guy and its very sad he left so soon.

Bill wanted to try some different things on this record and after the Amadeus track with Jimmy came together so well, thought it would be interesting to try a few other guests.

Q: The song “Wake Up The Coma” clearly appears to be a reflection about a ‘certain’ system while it also became the title of the album. Tell us a bit more about it?

Rhys: Yes, it’s pretty much hinting at the future dystopia we are heading towards apathetically. It will take a lot of waking up on humanity’s part, or more specifically the wealthy ones who control everything. However, when brought into that context it may never happen. Also, starting a revolution might cut into binge watching your favorite Netflix series.

Q: You asked Robert Görl to contribute to “Eye On You”, which has been also released as EP title song right before the album. How did this collaboration and the global writing/production of the song happened?

Rhys: This was something Bill set up with Robert. Robert then sent us some analog synth and sequence recordings and I cut them up and added to them to make what you hear now.  Bill later added his vocals in Canada. A global file sharing collaboration, which is the norm now.

Q: The cover version of Falco’s “Rock Me Amadeus” featuring Jimmy Urine is definitely one of the most surprising songs you ever accomplished. Who got the idea of this, what makes it that ‘special’ to FLA and how was it working on the song?

Rhys: Bill had been talking about doing a cover of this for a little while, so we finally got around to it.  The track went through a few different versions before we arrived on the one you hear now. I think it was also his idea to get Jimmy in, who I have worked with a lot in the studio before, because his style would work for the ‘rap’ parts.  I don’t know anyone else who could have pulled this off the way Jimmy did now that I think about it. We recorded his vocal at my studio and I tried my best to get the German close, with my limited grasp of the language. Bill added the low backing vocals in the chorus later. It was actually nice to work on a fun song for FLA, that isn’t too serious for a change.

Q: You also did a clip of “Rock Me Amadeus”, which is pure fun and quite surprising as well. You clearly don’t care about ‘image’ and some of your fans who’re desperately waiting for a new “Hard Wired”. I experienced it as pure ‘artistic freedom’, but what does it really mean to you?

Rhys: This had a lot to do with the director Jason Jensen. We weren’t sure where to take a music video for the song. He proposed something bright and 80s themed so we went with it. I think it’s like a classic ‘music video’ in the old MTV style and we really like it. You can’t always worry about what people will think when you want to try new things, and its liberating to do so. We knew it might confuse a few people, but that was also part of the appeal.

Q: FLA has been set up more than 30 years ago now. I think you accomplished a lot of great things, which make me say you no longer have anything to prove, but what are the focuses and main goals when working on an album and how do you see the future?

Rhys: It’s never really mapped out too much. We just start and see where it leads. Maybe deeper into an album we might go ‘we need another fast one’, but that’s as far as that goes. We just do it and organize the music after. Again, after this long you are never sure. We don’t worry about it too much. Like you said there isn’t much left to prove other than, ‘we can still do this’….

Inferno Sound Diaries

I have been working for over 30 years with Side-line as the main reviewer. My taste is eclectic, uncoventional and I prefer to look for the pearls, even if the bands are completely unknown, thus staying loyal to the Side-Line philosophy of nurturing new talents.

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Genre/Influences: EBM, dark-electro.

Background/Info: Frontline Assembly have been active for more than 30 years now. They don’t exactly release a new album every single year and got also involved with ‘special’ releases like the “WarMesh”-album released last year on ArtOffact Records and, which was a kind of soundtrack. They last year also released the EP “Eye On You” announcing this new studio work.

Content: FLA no longer has anything to prove. Even if the fans are sometimes desperately waiting for a new “Caustic Grip” or “Hard Wired”, Bill Leeb and Rhys Fulber are simply moving on, accomplishing new studio albums from time to time. We already discovered Robert Görl (DAF) who was featured on the last EP, but the album also features Nick Holmes (Paradise Lost), Chris Connelly (Revolting Cocks, Ministry, Cocksure) and Jimmy Urine (Mindless Self Indulgence) who sings on a surprising cover version of Falco’s “Rock Me Amadeus”.

It all resulted in a pretty diversified work, which also features ‘typical’ FLA-song; sophisticated song structures recovered with dark atmospheres and the spooky vocals of Bill Leeb.

+ + + : The best part of the work remains the more ‘traditional’ FLA songs, which bring all the familiar sound elements together. Great bass lines, obscure electronic atmospheres, complex, but danceable rhythms and Bill’s great timbre of voice. The sound production is absolutely impressive confirming the experience of this band. “Eye On You” featuring Robert Görl remains a great collaboration. My favorite song is the easy recognizable “Mesmerized”, but I also have to mention the more into bombast driven “Living A Lie”.

– – – : Speaking for myself I expected a bit more out of the other featuring. The songs together with Nick Holmes and Chris Connelly bring some diversity, but aren’t exactly the most convincing cuts. I’m missing a climax. I also have to say a word about the cover version of Falco. The adaptation itself is pretty cool, but not exactly what you can expect from FLA so in the end I can say this song took me by surprise…

Conclusion: When you realize the impressive discography of this band, “Wake Up The Coma” is probably not the production that will enter into history although it reveals a few brilliant songs. I’m afraid a few great songs don’t make a Spring, but in the end there only is one Frontline Assembly!

Best songs: “Mesmerized”, “Living A Lie”, “Eye On You”, “Arbeit”, “Tilt”.

Rate: (8).

Artist: www.mindphaser.com / www.facebook.com/frontlineassembly

Label: www.metropolis-records.com / www.facebook.com/MetropolisRecords

Inferno Sound Diaries

I have been working for over 30 years with Side-line as the main reviewer. My taste is eclectic, uncoventional and I prefer to look for the pearls, even if the bands are completely unknown, thus staying loyal to the Side-Line philosophy of nurturing new talents.

www.side-line.com

Front Line Assembly has just released a new video for their cover of Falco’s cult track “Rock Me Amadeus” featuring Jimmy Urine of Mindless Self Indulgence. The song is part of FLA’s album entitled “Wake Up The Coma” being released by Metropolis Records this week with contributions from Robert Görl (DAF), Nick Holmes (Paradise Lost), and Chris Connelly (Revolting Cocks, Cocksure, Ministry).

You can order the 2LP vinyl version right here.

The video:

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As Eldrina Mich I work as a go-between and a devil’s advocate when it comes to Side-Line. If our own staff needs to be interviewed then ask the questions no one else dares to ask.

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(Picture by Bobby Talamine) Metropolis Records will release the brand new Front Line Assembly album “Wake Up The Coma” on 8 February 2019. On this new album Front Line Assembly provides a few surprising new elements, such as a cover of Falco’s “Amadeus” (feat. Jimmy Urine), and contributions from Robert Gorl (DAF), Nick Holmes (Paradise Lost) and Chris Connelly (Revolting Cocks, Cocksure).

We can already tell you that the “Amadeus” cover will rock the clubs, the FLA cover turned out to be great remaining quite faithful to the original yet introducing typical FLA ingredients.

The album will hold 12 tracks: Eye On You, Arbeit, Amadeus, Tilt, Hatevol, Proximity, Living a Lie, Wake up the Coma, Mesmerized, Negative Territory, Structures, Spitting Wind. You can order the album right here as a double vinyl and right here on CD.

For the Falco fans:

Bernard - Side-Line Staff

Chief editor of Side-Line – which basically means I spend my days wading through a relentless flood of press releases from labels, artists, DJs, and zealous correspondents. My job? Strip out the promo nonsense, verify what’s actually real, and decide which stories make the cut and which get tossed into the digital void. Outside the news filter bubble, I’m all in for quality sushi and helping raise funds for Ukraine’s ongoing fight against the modern-day axis of evil. Besides music I’m also an SEO and AI content flow specialist and have an interest in everything finance from stocks to crypto. There is music in everything!

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Out in a week from now is a six-song live documentation of Ministry’s 1989-90 North American tour, ironically titled “In case you didn’t feel like showing up”. The EP is being released on vinyl and if you want one of the limited copies, place your order right here.

The material on “In case you didn’t feel like showing up” is drawn exclusively from the two albums which are considered to be their best (namely “The Land of Rape and Honey” and “The Mind Is a Terrible Thing to Taste”). The live lineup itself includes some special guest namely Nivek Ogre of Skinny Puppy, Martin Atkins of Pigface, and singer Chris Connelly. Connelly for example is singing lead vocals on “So What” while you can hear Ogre roaring in front on “Thieves”.

All the songs have been given an extra guitar sound wall compared to their studio counterparts. Here are the 6 songs featured: “The Missing”, “Deity”, “So What”, “Burning Inside”, “Thieves”, “Stigmata”.

Bernard - Side-Line Staff

Chief editor of Side-Line – which basically means I spend my days wading through a relentless flood of press releases from labels, artists, DJs, and zealous correspondents. My job? Strip out the promo nonsense, verify what’s actually real, and decide which stories make the cut and which get tossed into the digital void. Outside the news filter bubble, I’m all in for quality sushi and helping raise funds for Ukraine’s ongoing fight against the modern-day axis of evil. Besides music I’m also an SEO and AI content flow specialist and have an interest in everything finance from stocks to crypto. There is music in everything!

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Celebrating the 30 year anniversary of the Wax Trax! release “Big Sexy Land”, several ex-Revolting Cocks members will reunite under the The Cocks flag to start a very short tour through 6 US-cities. The Cocks are Front 242’s Richard 23, Luc Van Acker, Chris Connelly and Paul Barker. Barker played bass, keyboards and did programming for Revolting Cocks between 1987 and 1993.

“Big Sexy Land” was originally released in 1986 and was the band’s first major release. At that time Revolting Cocks were Luc Van Acker, Richard 23 and Alain Jorgensen. Make sure to check these other Revolting Cocks related releases.

The band will play the following 6 dates in the USA:

• September 16 New York – Stimulate
• September 17 Houston – Numbers
• September 18 San Fran – DNA
• September 20 Tampa – Orpheum
• September 21 Baltimore – Ottobar
• September 24 Chicago – Metro/CWV

Revolting Cocks was founded by Richard 23 and Luc Van Acker with Al Jourgensen as their producer. Their first release was “No Devotion” on Wax Trax records in 1985. The single was quickly followed by an album, “Big Sexy Land” (1986), featuring a mix of Wax Trax-industrial, hard rock, and EBM with dominating sampling and strong synthesized beats. Richard 23 quit in 1986 due to creative differences, but joined the band on stage on April 17 2011 during the “Wax Trax! Records Retrospectacle: 33 1/3 Year Anniversary”.

Bernard - Side-Line Staff

Chief editor of Side-Line – which basically means I spend my days wading through a relentless flood of press releases from labels, artists, DJs, and zealous correspondents. My job? Strip out the promo nonsense, verify what’s actually real, and decide which stories make the cut and which get tossed into the digital void. Outside the news filter bubble, I’m all in for quality sushi and helping raise funds for Ukraine’s ongoing fight against the modern-day axis of evil. Besides music I’m also an SEO and AI content flow specialist and have an interest in everything finance from stocks to crypto. There is music in everything!

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