That is like saying an HD video signal will not look as good as a monochrome signal. The reason why MIDI has difficulty as a precision protocol in todays devices is not processing power. It is because MIDI is not optimized to be used by todays processors. It is like using a 28k modem to run a flash video. MIDI is transmitted as 16 channels and 128 control change parameters. OSC transfers info in bundles that smoke the limitations of MIDI. HD MIDI or MIDI 2.0 would quadruple available functions and render information in such high resolution that precision music would attack a whole new level.
Bryan should test his hardware units with a soft-synth and DAW that uses OSC. See which has more precision results. Logically a higher resolution instrument in a higher resolution field will give more precision results.
In the end, though, I really do not care about timing either. I like a certain human fallibility or groove in the music I enjoy. But the concept of high resolution control changes and more expressive abilities in my gear is very attractive. I do not like Ableton Live, but soon other DAW's will be developing into the OSC protocol [or HD-MIDI if they ever get off their asses] Which means more control, more expression, and completely wireless instant interactivity.
Also OSC opens the possibilities for net hosted performances. Imagine 6 artists in different parts of the world all simultaneously performing together as a band for different audiences. We would no longer have to share files to collaborate or do remixes. It could be done in real time no matter where you were in the world. That is where we are heading with communications in general in the future. Of course, it is still ways off, but I think it is time we took some steps with our music protocol to reach that edifice.
`michael