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EQ. Tips, Tricks, General Rules

(10 posts)

  1. in an attempt to further my sound design prowess i feel it is important for me to start looking into EQing

    looking at some of my favorite bass work... there are frequencies from the lowest registers to the highest active

    all i currently have at my disposal is a passive software EQ. SPL's EQ Rangers

    i know i need to read the manual.. and fully intend to do so.. slowly

    but i was wondering.. if there are any rules of thumb.. tips or tricks people may have

    and i have a few questions

    when are passive EQs preferable.. when are active EQs?

    i've read things like... "for bass, i cut everything below 20hrz, boost a little around 125, cut a little around 250 and boost around 1.5khrz" .. is this a viable tip for getting the most out of bass?... what if the particular bass sound you've programmed has some really interesting things happening @ 250hrz?

    is there an intuitive approach to learning EQing skills outside of manuals? i've tried fucking with the frequency bands individually.. and i have found areas that i enjoyed boosting... seem to be mid frequencies that catch the magic of a resonant filter well

    ..

    basically... if you have any EQ tips, tricks or general advice to save me the pain of learning something on my own.. i'm all ears

    another question while i'm thinking... is it better to boost certain frequencies or cut the unwanted ones? is it better to boost/cut with an active EQ.. or is it better to boost/cut with a passive EQ?

    is overdriving software EQ's a viable effect? is it anywhere in the same ballpark of the effect of boosting a hardware EQ?

    do fixed filterbanks (hardware) act as good solution to EQing from a sound design standpoint?... there is a fixed filter bank i saw that has like 16 freq bands.. high quality and high praise... i can't remember the name.. i think the maker was mam but i'm probably wrong.. i'll have to find it again.. but the price/performance ratio seemed out of the roof and very drool worthy

    Posted 1 year ago #
  2. kr-lik

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    I'd say it totally depends on what you wanna do. club music scene hass different approach to bass than say industrial. if you want a nice pounding bass that goes perfect with your nice pounding bassdrum sound then yeah I guess what You wrote here should work. but that's not always the case.

    Posted 1 year ago #
  3. dogmeat

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    these are nice tutorials, made by fabfilter guys, but they apply to any eq, hardware or software

    [+] Embed the videoGet the Video Plugins
    and here is the "advanced":
    [+] Embed the videoGet the Video Plugins

    Posted 1 year ago #
  4. metaball

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    basically find the sweet spots for each sound in your mix & get everything else out of it's siblings way, dial back some slight overlap as glue to hold the mix together.

    how far did you get on the slipperman info?
    http://www.side-line.com/side-line-forum/topic/old-school-ebm-bassline-question
    http://www.badmuckingfastard.com/sound/slipperman.html

    Posted 1 year ago #
  5. must've read it drunk.. some sounds like i've read it before.. the guy is funny so its enjoyable.. going through it again now.. he hits a lot of interesting bases

    its really making me want to get into using tape

    Posted 1 year ago #
  6. metaball

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    it's the best resource i've found on recording/mixing ever & i've bought piles of books on this crap.

    after you finish the text the madness continues in audio format @.
    http://thewombforums.com/
    i'd start by wrapping up 'distorted guitars from hell' (from the bottom & work yer way up).
    then check the mixerman radio show. he's ranting over there as well. thats more about the industry than gear, but still very informative.

    Posted 1 year ago #
  7. metaball

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    FYI, Charlie Clouser (of NIN fame) who is now doing soundtracks for TV shows like Numb3ers & the Saw film series, he's doling out tips & history over @ gearslutz in the electronic music forum.
    http://www.gearslutz.com/board/electronic-music-instruments-electronic-music-production/605445-nine-inch-nails-synths.html

    Posted 11 months ago #
  8. M4RC

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    Thanks for pointing that out Stevil. His comments were an interesting read.

    Posted 11 months ago #
  9. db

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    One of the most amazing vst I found recently is the Blue Cat's FreqAnalyst Multi!!!
    It's a multi track spectrum analyzer it's just amazing how now it's easy the see which frequency fight together!!! try the demo!

    www.bluecataudio.com

    Posted 11 months ago #
  10. db

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    Member

    Some tips for you

    EQing: You have to cut,on each tracks, all low and high frequency you don't ear.So you use a frequency analyser to see what frequency in the low end and the high u have, and don't ear .....and you cut!

    Headroom: give you some headroom to mix,this look like simple but with all the vst's pathes and sampling at 0 db you have to put all your faders at -12 db like that your master will not clip after 2 sounds ;)

    Posted 11 months ago #

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