Genre/Influences: Dark-ambient, industrial, experimental.
Background/Info: Philipp Münch is one of those sonic enigmas to me. The German artist has been involved with such an endless number of bands/projects while he also started a prolific solo-career under his own name for a couple of years. He has dealt with multiple music styles he became somewhat unpredictable.
Content: This new opus takes off a rather dark and somewhat vintage-style, but rapidly moves towards dark, tormented and somewhat industrial-like sound treatments. Philipp Münch again brings different influences together, creating an imaginary sonic patchwork between ambient-, industrial-, experimental-, technoid- and cinematographic music. Some cuts remind me a bit of the darkest electronics of The Klinik with some extra industrial flavor on top. But other parts are moving into techno/acid experimentation while the last track is even more IDM-like.
+ + + : Philipp Münch is a long-time renowned and highly considered sound genius, which is already confirmed on “Greyscale”. He has a nose to create intelligent music compositions with a great vintage (analogue) touch. “Greyscale” sometimes sounds a bit like the offspring between different projects Philipp got involved with. It first of all remains a dark productions also characterized by German vocals. I like the ‘klinikal’ touch supporting the great “Tier” but also the pure industrial-like “Fangs”. The best cuts are right at the final part of the album and I here especially want to tip the techno-acid minded title track plus the more sophisticated “Keine Tränen”.
– – – : I don’t have real minus points to mention. This album reveals a succession of great and diversified cuts. So I can imagine the diversity and especially some of the featured influences will maybe not ravish all listeners.
Conclusion: Philipp Münch confirms his talent as musician, but most of all his sonic eclecticism making him one of the most unpredictable musicians from the industrial scene.
Best songs: “Greyscale”, “Keine Tränen”, “Alter Ego”, “Fangs”, “Nichts Dringt Mehr Durch”.
Since you’re here … … we have a small favour to ask. More people are reading Side-Line Magazine than ever but advertising revenues across the media are falling fast. And unlike many news organisations, we haven’t put up a paywall – we want to keep our journalism as open as we can. So you can see why we need to ask for your help. Side-Line’s independent journalism takes a lot of time, money and hard work to produce. But we do it because we want to push the artists we like and who are equally fighting to survive. If everyone who reads our reporting, who likes it, helps fund it, our future would be much more secure. For as little as 2 US$, you can support Side-Line Magazine – and it only takes a minute. Thank you. The donations are safely powered by Paypal.